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Sophie Dufeutrelle: Marine

Sophie Dufeutrelle: Marine

**Please note: this title is not available to trade customers in France or the USA.** For Sophie Dufeutrelle , Professor of Flute at the Ecole Nationale de Musique de Villeurbanne, an intense pedagogical activity goes hand in hand with composition, an area in which she has received several commissions from esteemed soloists such as Maxence Larrieu and Philippe Bernold. Written in 2002 for a Flute Orchestra of around 20 instruments (from the Piccolo to the Octobass), Marine belongs to a tradition cherished by painters since the 16th century: the maritime landscape. The 1st movement (Mist) opens onto a lengthy section largely dedicated to improvisation in the spirit of Walter Thompson’s soundpainting: using finger movements, the conductor signs to the musicians the type of motif (calm sea, swell, whistling buoys, seagulls and fishing boats) that will insert itself ad libitum between two lines of waves. The 2nd movement, more traditional, floats a Song of heartbreaking melancholy followed by a light, lively Dance that swirls the heart into joyful eddies. Written for intermediate-level flautists (with one part reserved for beginners), this piece, with its variety of atmospheres, concludes on a high note – in the joy of making music together!

SEK 354.00
1

Sea Blue

Sea Blue

The seaside, a blue lagoon under the sun… Only some birds disrupt tranquillity, but then leave by the evening. An idyllic vision illustrated by the sound of young violinists. Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote Sea Blue for violinists with an ability of approximately 3 4 years’ experience. He paid special attention to an easy-to-follow, attractive musical style. Sea Blue is an ideal performance or competition work for young musicians.

SEK 219.00
1

Gary Carpenter: Blue

Gary Carpenter: Blue

Gary Carpenter's Blue for Solo Flute. Programme Note: The last unaccompanied monophonic instrumental piece I wrote was for Tuba and that was in my student days. I have avoided the medium ever since. Holly Melia's request for a solo piece consequently raised a number of issues for me: mainly fear and apprehension and how and where to start. Debussy's wonderful but intimidating essay in this genre didn't help. The unexpected impetus for starting Blue though was Holly's asking my lighting preference for the first performance. 'Blue' was my instinctive response and the more I thought about the colour blue, the more it seemed to me that this might be where the piece was headed. The 'blues' it is not however. But it does glance at: the sea, the sky, Yves Klein, sadness, Fontana's Copia, Vishuddha, Alice, Picasso and more. Blue lasts approximately 3'17". A lighting plan is indicated in the score but is entirely optional. Blue is written to be performed from memory.

SEK 128.00
1