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Fantasia Di Pasqua : Easter Fantasy

Fantasia Di Pasqua : Easter Fantasy

Fantasia di Pasqua is a fantasy in which traditional Easter melodies have been used. The work is written for brass band with a separate brass quartet which, since this music is often performed in churches, the composer suggests should be positioned on a gallery. This creates a double choir effect and perfectly fits the Renaissance-like style. Each of the melodies is played in various dance-like cadences that, partly because of the double choir effect, will result in a very lively and original performance.

SEK 831.00
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Volare : Nel blu dipinto di blu

Volare : Nel blu dipinto di blu

In 1958, Domenico Modugno (1928-1994) song Nel blu dipinto di blu (or Volare) was the Italian entry at the Eurovision Song Contest. Modugno did not win the contest (he became third) but the song - a true sing-along - turned out to be a worldwide hit. In the course of decades, Volare has been translated into various languages, and performed by many artists of repute, like The Gipsy Kings, Dean Martin, Louis Armstrong, Petula Clark, and David Bowie. With this catchy arrangement, Lorenzo Bocci has given Volare a wonderfully fitting Concert Band sound.

SEK 1029.00
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L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

Drawing on the definitive scholarly-critical edition by Hendrik Schulze et al., the renowned conductor, harpsichordist and organist Jörg Halubek has joined forces with students from the State University of Music and Performing Arts Stuttgart to present a historically informed piano reduction of Claudio Monteverdi’s exciting final opera, “L’incoronazione di Poppea”.The vocal score contains all the appendices found in the full score and includes an uncluttered piano reduction that lies well on the instrument. Rounding off the edition is a detailed musicological Foreword (Ger/Eng) by Emily Hagen providing information on the work’s genesis, the history of its performance andreception. In addition there is a Foreword on performance practice by early music specialist Jörg Halubek.

SEK 525.00
1

La clemenza di Tito : Opera seria in two acts

La clemenza di Tito : Opera seria in two acts

As remarkable as the quality of the compositions themselves is the astonishing rapidity with which Mozart composed his last two great operas, “Die Zauberflöte”, K.620, and “La clemenza di Tito”, K.621: From firstsketches and drafts to finished products, some 800 pages of music penned within the six-month period from April to September 1791.Opinions of the work at the time of its première are as varied as the history of itsreception. As a “coronation” opera it initially lent itself to court festivities everywhere, and because of its aspect of “clemency”, to charitable events. It survived in its own right as opera seria through the first twodecadesof the 19th century, then, but for occasional performances (these sometimes with altered or added texts), fell into obscurity for the next 150 years.Urtext of the New Mozart EditionFull score(BA4554-01), vocal score (BA4554-90) and study score format 22.5 x 16.5cm (TP321) available for salePerformance material available for hire (BA4554-72)

SEK 579.00
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Gioachino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Opera Vocal Score

Gioachino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Opera Vocal Score

Gioachino Rossini (1792-1868) was an Italian composer who is best remembered for his operas. The 1815 masterpiece Il Barbiere Di Siviglia is widely considered the greatest of comic operas. The libretto was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. This Ricordi Critical Edition of the Vocal Score is in Italian and English.

SEK 583.00
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Solo Jazz Piano, L?approccio Lineare

Solo Jazz Piano, L?approccio Lineare

Imparate ad improvvisare usando le tecniche sperimentate dai grandi pionieri del jazz Lennie Stristano e Dave McKenna. Questo approccio metodico per imparare l?arte dell?assolo nell?improvvisazione jazz aiuterà a liberare in modo creativo il vostro senso musicale. Questo libro inizia con un ripasso di simboli di accordi e la loro interpretazione, quindi passa attraverso lo sviluppo delle linee di basso e finisce con la spiegazione di come suonare diverse linee melodiche simultaneamente, stimolando una conversazione musicale. 21 lezioni che presentano tecniche e esercizi pratici, e brani basati su standard jazz. Le trascrizioni delle improvvisazioni fornite come esempio illustrano la tecnica di ciascuna lezione; il CD allegato farà ascoltare un improvvisatore geniale che mette queste idee in pratica.

SEK 558.00
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