Marin Marais: Suite in A minor (Viola da Gamba solo)

for viola da gamba solo

Joseph Bodin de Boismortier: 6 Sonates Op.10 (Viola da Gambas 2)

for 2 viola da gambas

Da Vinci : A Study on the Ivory Keys

The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.

Niels Viggo Bentzon: Sinfonia Da Camera Op.139 (Score)

Sinfonia Da Camera Op.139 For 17 Instruments was composed by Niels Viggo Bentzon in 1962.

Pierre Max Dubois: Sinfonia da Camera, for Wind Sextet

French composer, Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Sinfonia da Camera for Wind Sextet was published in 1965 and remains prominent in the ensemble repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Sinfonia da Camera for Flute, Oboe, Clarinet, Saxophone, Horn and Bassoon reflects Dubois' compositional characteristics and is made up of three movements; 1) Entrance, 2) Gigue and 3) Variations. Sinfonia da Camera is essential to the advanced Wind Sextet repertoire. Dubois' work makes for an exciting, varied and enjoyable performance for players and audiences alike.

Da Pacem: Concerto for Cello and Orchestra : Solo with Piano Reduction

Hartke's cello concerto, Da Pacem, takes its title from a Latin hymn that begins Grant peace in our day. It is a reflection on these unsettled and unsettling times. As the work's protagonist, the solo cellist journeys through a considerable variety of musical landscapes. Movements: I. Da Pacem (Fantasia) II. In diebus nostris (Scherzo) III. Quis pugnat pro nobis? (Introduction, Elegy, and Envoi) Commissioned by Oberlin College and Conservatory: the Saint Paul Chamber Orchestra: the Aspen Music Festival, Robert Spano, Music Director and American Composers Orchestra.Hartke's cello concerto, Da Pacem, takes its title from a Latin hymn that begins Grant peace in our day. It is a reflection on these unsettled and unsettling times. As the work's protagonist, the solo cellist journeys through a considerable variety of musical landscapes. Movements: I. Da Pacem (Fantasia) II. In diebus nostris (Scherzo) III. Quis pugnat pro nobis? (Introduction, Elegy, and Envoi) Commissioned by Oberlin College and Conservatory: the Saint Paul Chamber Orchestra: the Aspen Music Festival, Robert Spano, Music Director and American Composers Orchestra.

Scherzi da Violino solo con il BC 1676. : Das Erbe Deutscher Musik V/3

Beatlemania : Love Me Do - Penny Lane - Ob-La-Di, Ob-La-Da

The term Beatlemania was coined as the extreme enthusiasm exhibited by fans of the English rock band The Beatles in the 1960s. Timothy Graves compiled three of their 60s hits in an arrangement for four-part flexible band: Love Me Do, Penny Lane and Ob-La-Di, Ob-La-Da.

Con Alma

- Arrangements of classic tunes and jazz standards - Scored for 4 horns with flexible instrumentation, plus rhythm section - Background figures and ensemble soli sections-more than just head charts - Recordings include separate rhythm section only tracks Afro-Cuban style using even 8ths and a moderate tempo.

Con Alma

Dizzy Gillespie was a pivotal figure in the connection between Jazz and Afro-Cuban music. This exciting chart explores this relationship, combining authentic Cha Cha and Bembe with straight ahead swinging jazz. A tenor sax solo isfeatured and look for some quotes from Dizzy's original recordings.

Anders Koppel: Quintet for Clarinet in Bb and String Quartet (Version B)

Study score for Clarinet, 2 Violins, Viola and Cello.1. Allegro con brio2. Largo3. Moderato con motoTransposed score20 minutes.

Con te Partiro

Andrea Bocelli's signature song has become an international hit and has great appeal with all audiences. Your string orchestra will enjoy Ted Ricketts' arrangement that captures the emotion and musical sensitivity of this memorable song.

Ja Da

Sammy has done a masterful job with this early jazz classic. Written specifically wtih younger players in mind, this one is guaranteed to boost your band's confidence level and help them sound terrific.

Da Bump

Ja-Da

Written in a very slow swing style, this is a marvelous study in ensemble playing with balance and blend. With plenty of tutti rhythms and very effective use of dynamics this beautifully scored arrangement is an absolute must for beginning groups.

Concerto Con Fuoco Poche

Sonata da Chiesa

Missa da Requiem

Tre drammi spagnoli per Verdi : Da Manrique a Manrico, da Bocanegra a Boccanegra, da Álvaro ad Alvaro

Jazz Combo Pak #46 (Dizzy Gillespie)

Includes: Birk's Works, Con Alma, Tour De Force, Woodyn' You.

Concerto Con Fuoco Gt-Piano

Con brio : Konzertouvertüre für Orchester

Adagio con interventi - Kelterborn, Rudolf

for Flute (auch Alto Flute), Clarinet (auch Bass Clarinet) in B, Piano and String Trio Uraufführung 12.02.2001, Zürich set of parts Fl/Fl-A/clarinet/clarinet-B/piano/V/Va/Vc in a folder

Bob Carleton: Ja - Da

Hot-hot-hot may be the best way to describe Ken's new arrangement of this old jazz classic. Written in a driving three, the piece starts off with bass alone and gradually adds the rest of the band. A great groove with a wonderful opportunity for your tenor to shine.