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Per Nørgård: Symphony No. 6 (Score)

Per Nørgård: Symphony No. 6 (Score)

Per NørgårdSYMPHONY NO. 6AT THE END OF THE DAYfor orchestra, 1997-99Preface / Programme Note?? with the Lord a day is like a thousand years, and a thousand years is like a day?(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean ?when all is added up?. However, in my opinion, nothing ever quite adds up, there is always ?something? missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still ?something?, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of ?other worlds?, is revealed ....The symphony is dedicated to Helle, my wife.Per Nørgård

SEK 2134.00
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Madrigali a cinque voci : Quinto libro

Madrigali a cinque voci : Quinto libro

Madrigali a cinque voci. Quinto libro [Gesualdo, Carlo]Gioite voi col canto [Gesualdo, Carlo]2. S?io non miro non moro [Gesualdo, Carlo]3. Itene, o miei sospiri [Gesualdo, Carlo]4. Dolcissima mia vita [Gesualdo, Carlo]5. O dolorosa gioia [Gesualdo, Carlo]6. Qual fora, donna, un dolce ?ohim?? d?Amore [Gesualdo, Carlo]7. Felicissimo sonno [Gesualdo, Carlo]8. Se vi duol il mio duolo [Gesualdo, Carlo]9. Occhi, del mio cor vita Librettist: Guarini, Giovanni Battista [Gesualdo, Carlo]Languisce alfin chi da la vita parte [Gesualdo, Carlo]11. ?Merc? !? grido piangendo [Gesualdo, Carlo]12. O voi, troppo felici [Gesualdo, Carlo]13. Correte, amanti, a prova [Gesualdo, Carlo]14. Asciugate i begli occhi [Gesualdo, Carlo]15. Tu m?uccidi, o crudele [Gesualdo, Carlo]16. Deh, coprite il bel seno Librettist: Arlotti, Ridolfo [Gesualdo, Carlo]17. Poich? l?avida sete (prima parte) [Gesualdo, Carlo]18. Ma tu, cagion di quell?atroce pena (seconda parte) [Gesualdo, Carlo]19. O tenebroso giorno! [Gesualdo, Carlo]20. Se tu fuggi, io non resto [Gesualdo, Carlo]21. ?T?amo, mia vita? la mia cara vita Librettist: Guarini, Giovanni Battista [Gesualdo, Carlo]

SEK 3262.00
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La Calisto : Dramma per musica in three acts

La Calisto : Dramma per musica in three acts

La Calisto one of Cavalli’s most frequently performed operas today was premiered in Venice in 1651 but didn’t achieve its first real breakthrough until the 20th century.The foundation for this successmay be the rediscovery of the dramaturgic and musically masterful construction: Faustini interwove several mythological models; the love between the Nymph Kallisto and Jupiter and between Diana and the shepherd Endymion, as wellas Kallisto’s transformation into a bear and his emanation as a well-known constellation. Numerous amusing minor roles are included, and Cavalli succeeded in combining the various storylines and characters to produce aneffective,musically cohesive whole.This first volume of the new Bärenreiter series of the works of Cavalli presents a critical edition of the musical text and libretto complete with an English translation, and provides acomprehensive insight into the development of the genre in Italian opera life of the 17th century.Performance material available for hire.

SEK 3220.00
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Feste Romane : Poema Sinfonico per Orchestra

Feste Romane : Poema Sinfonico per Orchestra

Ottorino Respighi was one of the most well known Italian composersfrom the beginning of the twentieth century. His style is influencedby the French impressionists, Rimsky-Korsakov and Richard Strauss,but with his very own touch. Respighi’s fame is mostly based on hisinstrumental works, especially the orchestral triptych of symphonicpoems, which included Feste Romane. This skilful adaptation forconcert band retains all the excitement of the original.

SEK 4647.00
1

A Midnight Clear : A Cantata for Christmas

A Midnight Clear : A Cantata for Christmas

A Midnight Clear is a joyful collection of carols that beautifully and elegantly portray the Christmas story. Stylistic variety abounds, and the optional Chamber Orchestration will provide additional layers of texture and color to the work. Selections can be presented individually or as part of a full-length cantata, making this book an excellent choice for Lessons and Carols services or for concert presentations. Songs include: King Jesus Hath a Garden; Puer Natus in Bethlehem; Blessed Be That Maid Mary; All My Heart This Night Rejoices; It Came Upon the Midnight Clear; O Come, Little Children; In Dulci Jubilo; Carol for the Newborn King; Christmas Celebration.

SEK 2219.00
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