Breve Metodo per l?allievo Pianista, Volume 1

Basato sulle opere di Beyer, Burgmüller, Duvernoy, Herz, Lebert e Stark, Le Carpentieer, Schmitt e altri autori con l?aggiunta di un riassunto teorico e note tecniche sul pianoforte di Marino Beraldi.Con la presente raccolta viene offerta all?allievossibilità di trovare riunito e disposto in modo rigorosamente graduale tutto il materiale didattico, tecnico ed elementarmente artistico che gli permetta di arrivare ad agganciarsi ai testi di corsi più avanzati, di cui è ricca la letteratura didattanistica...

Macchine per comporre : Guida alle tecnologie elettroniche per il Sound Design

Ladies in White

This piece was composed in 2010 to honor the Ladies in White, a group of women whose white clothing protests their unjustly incarcerated relatives in Habana.

Someday in Paris

Someday in Paris is a tonal composition with a highly eclectic style in which improvisation and composition intertwine with rhythmic overlays of melodies influenced by Jazz and Flamenco music. The composition was written in Paris for a Gala performance that took place in the Grand Auditorium of the UNESCO World Headquarters in Paris.

SNAKES IN HEAVEN

SNAKES IN HEAVEN

IN TERRA PAX

IN TERRA PAX

SERENATA IN VANO

SERENATA IN VANO

SNAKES IN HEAVEN

SNAKES IN HEAVEN

SERENATA IN VANO

SERENATA IN VANO

IN DULCI JUBILO

IN DULCI JUBILO

IN TEMPORIS NOCTIS

IN TEMPORIS NOCTIS

Albert Ketelbey: In A Persian Market (In C)

Version for Voice and Piano in the key of C.

Singin’ in the Rain : from Singin’ in the Rain

Though the song Singin’ in the Rain first appeared in an early American sound film in 1929, its popularity nowadays is largely attributed to the unforgettable scene from the 1952 film of the same name, with Gene Kelly gleefully singing and dancing through the streets of Hollywood in the pouring rain and getting soaked to the skin. The swinging charm of the song’s melody, also now a popular jazz standard, has now successfully been encapsulated in Anthony Gröger’s new arrangement for string quartet.

J.S. Bach: Magnificat In D/Magnificat In E Flat

Magnificat in D has long been regarded as one of Bach's finest short choral works and is frequently performed on festive occasions. Included in this edition is the far less well known Magnificat in E flat composed in 1723. Arranged for solo voices, SATB choir and orchestra, edited with a new translation of the four Lauds, by Neil Jenkins.Orchestral material is available on hire from the publisher.

Pierre Bensusan: In Concert

The evocative and exciting music of Pierre Bensusan is presented in its full glory in this 75 minute concert recorded at the Freight and Salvage in Berkeley, California in 1995.

Careers In Music

Musicians often seek jobs in performing or teaching, but in addition there are a wealth of exciting opportunities in the music industry that music students tend to know very little about.Careers For Musicians explores what is available and offers insights into how different skills and personalities suit different types of job. It has advice from people in all walks of life as to the pros and cons of their line of work, how to find the right openings and how to progress in your chosen career.

In Shadow

Six short movements, furtive or elegiac in mood, with a network of shadows and echoes cast between the instruments.

In the Pink

James Galway & Henry Mancini: In the Pink

Missa In Tempore Belli : Mass in Time of War

Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister.Prince Nicolaus IIdemanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in theBergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined whenpreparingthis edition the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion,and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score, parts (BA4652), vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94)available for sale

Bent Sørensen: I In Them And You In Me (SATB)

I In Them And You In Me for mixed voices SSAATTBB by Bent Sørensen (2017). Commissioned by the Council of Lutheran Churches in Great Britain for a Service held in Westminster Abbey on the 31st of October 2017 to mark the 500th Anniversary of the Reformation and first performed by the Special Service Choir of Westminster Abbey, conducted by James O´Donnell.

Mass In C Minor : Mis in c klein

Edition Peters Urtext version of W.A. Mozart's Mass In C Minor for Mixed choir with Piano Accompaniment.

In Memoriam

In Memoriam (2020) composed for saxophone and string quartet by Sunleif RasmussenIn Memoriam (2020) composed for saxophone and string quartet by Sunleif Rasmussen

In Memoriam

In Memoriam (2020) composed for saxophone and string quartet by Sunleif RasmussenIn Memoriam (2020) composed for saxophone and string quartet by Sunleif Rasmussen

Missa In Jazz

This is the individual Bass part for Peter Schindler's 'Missa In Jazz'.The Missa in Jazz is based on the five parts of the Ordinary of Roman Catholic liturgy. These texts, which originated at the time of early Christianity, have served as inspiration for composers throughout the ages. Missa in Jazz continues this tradition and encounters the words and meanings of the Ordinary of the Mass through the elements of jazz - improvisation and pulsating rhythm - one of the musical languages possible in the present age.

In Nomine : Coronae

Philipp Maintz‘ Werk für die neue Orgel in der Jesuitenkirche St. Michael in München bezieht sich auf Bachs wunderschönes Choralvorspiel zu O Mensch, bewein dein Sünde groß aus demOrgelbüchlein: „Ich wollte eine Musik schreiben, die in ihm wurzelt, ihr Material aus ihm bezieht und sich durchaus seinem Gestus verpflichtet fühlt und ihm nachspürt – eben wie die Sonnenkorona dieSonne umgibt und in alle Richtungen strahlt.'- Anspruchsvolles Werk für eine symphonisch disponierte, moderne Konzertorgel- Anregende Literatur für Orgel-Orchestrationskünstler-Fortführung der geistig-religiösen, klanglichen Welt von Skrjabin, Tournemire, Messiaen und Jean-Louis Florentz