Franz Liszt: Ad Nos, Ad Salutarem Undam

Liszt's Ad Nos, Ad Salutarem Undam, or Fantasy and Fugue, is a solo work for Organ, and is part of the Great Performer's Edition, as edited by Anthony Newman.

Richardson: Aria and Allegretto for Oboe and Piano

Richardson, Aria and Allegretto for Oboe and Piano. Duration: c. 6 minutes.

Alexandre Aroutiounian: Aria Et Scherzo

Alexandre Aroutiounian's Aria et Scherzo for B Flat Trumpet and Piano accompaniment. Part of the the Alphonse Leduc catalogue, this work has been produced to the highest editorial and printing standards.

Aria & Danza : for Alto Saxophone and Piano

A work in two halves, a slow expressive aria followed by a lively dance. A welcome addition to the modern repertoire for saxophone.

Alfred Désenclos: Aria et Rondo (Double Bass & Piano)

Modern French composer, Alfred Desenclos (1912-1971) created exceptional works for a variety of instruments. Aria Et Rondo  for Double Bass and Piano, published in 1952, is no exception. Desenclos won the 1942 Prix de Rome following studies at the Conservatory in Roubaix. The composer's compositional style is highly expressive and atmospheric, with uses of extended technique. Aria Et Rondo  reflects these aspects, with a typical performance lasting about 12 minutes. For all advanced Double Bass players, Desenclos 's Aria Et Rondo  is an exciting, alternative piece for the repertoire.

DET ER SÅ YNDIGT AT FØLGES AD

DET ER SÅ YNDIGT AT FØLGES AD

Rued Langgaard: Fri Klaversonate (var. ad lib.)

Fri Klaversonate (var. ad lib.), BVN309, by Rued Langgaard.

Rued Langgaard: Hél-Sfærernes Musik (var. ad lib.)

Hél-Sfærernes Musik (var. ad lib.). BVN371

John Corigliano: Aria For Oboe And Strings (Score And Parts)

Aria for Oboe and Strings may be performed in either two versions: with string orchestra or with string quintet. The materials provided here include footnotes indicating how the piece should be performed dependning on which version is selected.The first performance of Aria was given by the Connecticut String Orchestra on January 6th, 1977 with Bert Lucarelli, oboe and Renato Bonacini, conductor. Aria was adapted from the composer's Concerto for Oboe and Orchestra which is available on rental from the publisher. Duration: ca. 6 minutes.

MOZART ARIA PER QUESTA BELLA MANO KV612 (LEVINSON) BASS-BAR/DB/PF RED

MOZART ARIA PER QUESTA BELLA MANO KV612 (LEVINSON) BASS-BAR/DB/PF RED

PICHAUREAU THESMOPHORIES (LES) SOPRANO PIANO ET PERCUSSION AD LIBITUM

PICHAUREAU THESMOPHORIES (LES) SOPRANO PIANO ET PERCUSSION AD LIBITUM

Joaquin Rodrigo: Aria Antigua For Flute And String Orchestra

Aria Antigua, for flute and string orchestra was first performed by Bernard Wystraete and The Instrumental Soloists Ensemble B W on 23 March 1999 in Versailles. Includes score and parts.

Aria

Aria was commissioned by and written for the remarkable tenor horn player, Sheona White. Philip Sparke had produced a CD recording with Sheona as soloist and had her wonderful sound in his ears while writing this piece. The work opens with an accompanied recitative, which leads to a change of key where the main melody is presented. This, in turn, serves merely as an introduction to another melodic idea, marked calmato. The piano accompaniment takes up this theme and then takes centre stage with a passionate repeat of the main theme, which is completed by the soloist. The piano then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close.

Muzio Clementi: Gradus Ad Parnassum (Selected Studies)

Gradus ad Parnassum by Muzio Clementi - The art of playing the piano, demonstrated in 29 selected studies to which are added scales in thirds for all major and minor keys.

César Franck: Prélude, Aria et Final

César Franck’s last piano work was published in 1888, two years before his death. The fact that this cycle did not enjoy the success of the Prélude, Choral et Fugue is hard to believe, given the expressive content of the first two movements (Prélude and Aria). Franck’s creative process is striking for being grounded in religion and in church music, the profoundly devout composer was for several decades organist of Sainte-Clotilde in Paris.

Muzio Clementi: Gradus ad Parnassum (Book 1)

Gradus ad Parnassum by Muzio Clementi - The art of playing the piano, demonstrated by one hundred exercises of a classical and elegant style, arranged in progressive order. Fingered, revised and annotated by Max Vogrich.

Pelle Gudmundsen-Holmgreen: Ad Cor (Vocal Score 2)

Ad Cor for Double Choir and Orchestra was composed by Pelle Gudmundsen-Holmgreen in 2015.Text: Ursula Andkjær Olsen (spoken text) and the Old Testament (sung text).Vocal Score for Choir 2.

Eugène Bozza: Aria (Book/Download Card)

Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Éditions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!

Gieco Enzo A Plusieurs 4 Flutes Perc Ad Lib Score/Parts

Enzo Gieco composes an exciting work for Flute Quartet with Percussion ad lib accompaniment. From furious, fast passages to legato, lyrical melodies,  A Plusieurs Flûtes  is an exciting addition to the ensemble repertoire. Gieco 's  A Plusieurs Flûtes  is in six movements; 1) The Brazilian Woman, 2) Orillera 1, 3) The Caribbean Woman, 4) The Bolivian Woman, 5) Orilla 2, and 6) The Star, and incorporates features of each of the nationalities. Furthermore, the work has the option of additional 'ad lib' Percussion. For all aspiring, advanced Flute Quartets, Gieco 's  A Plusieurs Flûtes  provides an exciting, alternative ensemble performance work.

Eugène Bozza: Aria (Book/Download Card)

Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano – a free adaptation of the third movement of Johann Sebastian Bach’s Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played Saxo­phone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxo­phonists to carry out “full-scale” practice.

Faure: Sicilienne, extrait de 'Pelléas et Mélisande' pour quatuor de flûtes et piano (ad lib.) (partition et parties)

Sicilienne, extrait de 'Pelléas et Mélisande' pour quatuor de flûtes et piano (ad lib.) (partition et parties). Par Faure aux éditions Leduc. Partition / Livre de chansons pour Flûte

Aria

Aria