Breve Metodo per l?allievo Pianista, Volume 1

Basato sulle opere di Beyer, Burgmüller, Duvernoy, Herz, Lebert e Stark, Le Carpentieer, Schmitt e altri autori con l?aggiunta di un riassunto teorico e note tecniche sul pianoforte di Marino Beraldi.Con la presente raccolta viene offerta all?allievossibilità di trovare riunito e disposto in modo rigorosamente graduale tutto il materiale didattico, tecnico ed elementarmente artistico che gli permetta di arrivare ad agganciarsi ai testi di corsi più avanzati, di cui è ricca la letteratura didattanistica...

Band Time Expert ( Score ) ( Condensed )

Another reason why I don't keep a gun in the house : Paperback

for solo voice and piano Cipullo's settings of poems by Billy Collins are, at turns, darkly humorous and touching. The New York Times has called his music 'haunting' and the Pittsburgh Post-Gazette called him 'an expert in writing for the voice'.

William Tell Overture

Expert Level (correlates with Book 2, p. 30)

Parade Of The Wooden Soldier

Expert Level (correlates with Book 2, p. 30)

Colors of the Wind

Expert Level (correlates with Book 2, p. 30)

Silver Bells

Expert Level (correlates with Book 2, p. 30)

Rudolph the Red-Nosed Reindeer

Expert Level (correlates with Book 2, p. 30)

Bashana Haba'ah

Expert Level (correlates with Book 2, p. 30)

Technique in Practice

Technique in Practice is an innovative approach to violin technique by Mary Cohen, developed from her unique ‘weightless balance’ methodology. Concise exercises are structured into sets that cover all aspects of technique alongside the author’s expert advice guiding you through like a personal trainer. This book will develop a relaxed, secure technique and increase confidence in every part of the instrument – without the need to spend hours practising. It has been written with the needs of advanced students, teachers and professional players in mind, although the early sets are also ideal for use with students at late-intermediate level.

Alexander Skrjabin: Piano Sonata No.3 in F Sharp minor Op.23

Scriabin?s third piano sonata is an early composition that was still fully written in the romantic tradition. For a long time it has been part of the core piano literature ? and rightly so. In addition to the surviving sketches and the first edition (published in 1898), our edition of the sonata also takes into account a recording that Scriabin made of his work on a mechanical piano. The Russian Scriabin expert Valentina Rubcova knowledgeably sheds light on this unusual source situation.

Classical Ukulele Anthology - Vol. 3 : from Advanced to Expert

J. S. Bach: Trio Sonata In G BWV 1038

Bach?s Trio Sonata In G BWV 1038 For Flute, Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand ? yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research, however, this tone sensitive sonata is presumed to be an original work by Bach. Editor, Peter Wollny, a declared expert, outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source, so this version has provided a part in original notation as well as in standard notation for regularly tuned violins.

Harpsichord Concerto no. 1 in d minor BWV 1052

Bach’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach’s Harpsichord concerti, G. Henle Publishers presents a Piano reduction and study edition(score) of the d-minor concerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions.

Concerto No.1 In C Major Op.15 For Piano

The Bärenreiter Urtext edition of Ludwig Van Beethoven's Concerto No.1 In C Major Op.15 For Piano features a detailed commentary by Bärenreiter editor and Beethoven expert Jonathan Del Mar.InBeethoven’s autograph for Concerto No.1 In C Major Op.15 For Piano Del Mar found no less than 17 corrections which were made after the work was published. These have been brought to light in this volumeand all the sources and findings made by the editor have been documented.This critical edition reflects the latest musicological research and sets the highest scholarly standards without losing sight of the needs ofmodernperformers. This is a reduction for two Pianos. The full score can be found here.

In nativitatem Domini canticum

Charpentier composed “In Nativitatem Domini Canticum” during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi andhis contemporaries, but is more easily described as a “Grand Motet” or “Histoire sacrée”, a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had aliturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful, the actual story of the birth of Jesus and the adorationofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work, prepared by the acknowledged Charpentier expert Joel Schwindt, ispresented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- FirstUrtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward, clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score, performancematerial (BA7673) & Vocal score (BA7673-90) available for sale.

In Nativitatem Domini Canticum

Charpentier composed “In Nativitatem Domini Canticum” during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi andhis contemporaries, but is more easily described as a “Grand Motet” or “Histoire sacrée”, a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had aliturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful, the actual story of the birth of Jesus and the adorationofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work, prepared by the acknowledged Charpentier expert Joel Schwindt, ispresented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- FirstUrtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward, clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score, performancematerial (BA7673) & Vocal score (BA7673-90) available for sale.

Bass Signature Licks: Motown Bass

This book/CD pack by blues expert Dave Rubin provides bassists with a step-by-step breakdown of the styles and techniques of Motown, with an emphasis on the legendary James Jamerson - the bassman in demand.

Step One: Teach Yourself Bass Guitar (DVD Edition)

Your all-in-one package for learning to play the bass guitar. Guidebook gets you playing right away and allows you to practise along with accompanying audio tracks. The DVD features an expert teacher and more.

Johannes Brahms: Symphony No.2 In D Op.73 (Henle Score)

During composition of his First Symphony, Brahms was still very much under Beethoven's influence - in his Second Symphony he loosened the ties considerably. The principle of motivic embellishment now infuses not just thedevelopment section but the whole of the first movement. In the following movements, too, everything appears to be interrelated. The premiere in Vienna's Musikverein was one of the greatest triumphs of Brahms's career, and hewrote enthusiastically: The orchestra here rehearsed, played, and praised me with a zeal that has never happened to me before. With the aid of this study-score edition, conductors, students and Brahms aficionados can enjoy theUrtext of the Brahms Complete Edition (likewise published by Henle) in a convenient small format. In his preface, the editor - Brahms expert Robert Pascall - presents interesting information about the work's genesis andpublishing history.

Step One: Teach Yourself Drums (DVD Edition)

Your all-in-one package for learning to play the drums. The guidebook gets you playing right away and allows you to practise along with accompanying audio tracks. The DVD features a demonstration with an expert and more.

Concerto For Violin In D, Op.61

Beethoven’s Concerto For Violin And Orchestra is one of the most famous works in the history of music. Over the last 150 years it has been published in numerous editions, none of which have up to nowdone justice to the work. For this edition Jonathan Del Mar has freed the work of additions made over the decades by various editors and violinists. The significance of Beethoven’s solo and tutti markings hasalso been clarified for the first time. Following the publication of the full score, Piano reduction and orchestral parts (BA 9019) in the autumn of 2009, Bärenreiter is now publishing a study score of thispioneeringcritical edition which will prove indispensible for all violinists and students as well as for orchestras and music libraries. An introduction by Beethoven expert Barry Cooper on the history ofthis concerto is included for the first time. Del Mar’s edition clarifies Beethoven’s solo and tutti markings for the first time.

Henry Vieuxtemps: Violin Concerto No. 5 In A Minor Op. 37

Of all of Henry Vieuxtemps ' Violin concertos, his fifth in a minor is the best known and most popular by far. The Violin Concerto No. 5 In A Minor Op. 37 was composed between 1860-61 as an obligatory examination piece for the students of Vieuxtemps ' friend Hubert Léonard at the Brussels Conservatory. The work soon made its way into the concert hall and owes its popularity not only to the brilliant Violin part but also to the distinguished form of the three movements that combine without interruption. This Henle Urtext edition has been edited by the The violinist and musicologist Ray Iwazumi, who also undertook the bowings for the solo part. The preface was penned by the Belgian expert on Vieuxtemps, Marie Cornaz.

Barry Cooper: Beethoven - An Extraordinary Life

In this, the fifth biography in the ABRSM Extraordinary Lives series, Beethoven expert Professor Barry Cooper provides a fascinating and compact summary of the key moments in Beethoven?s life. In exploring crucial documents, Cooper provides fresh insights into Beethoven?s personality and motivations whilst challenging much of the prevalent ?mythology? that surrounds him.

Taco Time!

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)