NORGARD PER MOMENTUM CELLO CONCERTO NO2 CELLO & ENSEMBLE SCORE

NORGARD PER MOMENTUM CELLO CONCERTO NO2 CELLO & ENSEMBLE SCORE

NORGARD PER EN LYS TIME A LIGHT HOUR 2008 PERCUSSION SCORE

NORGARD PER EN LYS TIME A LIGHT HOUR 2008 PERCUSSION SCORE

Per Nørgård: Piano Concerto - Concerto In Due Tempi

Per Nørgård PIANO CONCERTO 'Concerto in due Tempi' was composed 1994-95 and dedicated to Per Salo, the pianist who also gave the world premiere on May 5, 1996 with the Danish National Radio Symphony Orchestra conducted by Leif Segerstam.The work has a duration of appr. 30 minutes. It unfolds itself as an uninterrupted interplay between the piano and the orchestral instruments, often in soloistic or chamber music combinations. An alto saxophone separates itself from the rest of the instruments, but contributes in a dramatic way to the ensemble playing, as a kind of ?anti-soloist?. ?Due tempi? does not refer to the number of movements, of which there is only one. This movement, however, invites a three-part interpretation (downwards, solo cadenza in the bass register, upwards!). The ?two tempi? in fact exist simultaneously and are in the ratio 7:5 (approximately the square root of two).Per Nørgård

Per Nørgård: Between - Cello Concerto No. 1 (Score)

Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra, composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt, August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra), the latter of which the soloist in a simple accompanying role, but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved, with the soloist at last being on equal terms with the orchestra. Per Nørgård

Olivier Messiaen: Traité de Rythme, de Couleur, et d'Ornithologie Vol.2 (Book)

Rythmes non rétrogradables; Technique des Rythmes; Augmentations et Diminutions; Pédales et Canons; Personages rythmiques; Analyse de 'Rite of Spring'; Analyse de 'Turangalîla'; Valeurs irrationelles; Rythmes contemporains; Essai d'Interpolations et Metaboles

Fantasie per Sei

BENT SØRENSEN TUNNELS DE LUMIÉRE SC

BENT SØRENSEN TUNNELS DE LUMIÉRE SC

Ciaccona Per Diversi Strumenti

Syntax : per orchestra (2014)

Sinfonia per Banda : (1872)

This overture, called Sinfonia, is without doubt one of the best original works for concert band to emerge from the 19th century. It is characterised by its fluid spontaneity as well as its rich texture. This arrangement off ers bands the opportunity to perform a work of high artistic value, which otherwise would be forgotten.

200 Sonate per clavicembalo (pianoforte)

Package price for the four-volume set.

Per Nørgård: Suite (Babette's Feast)

Based on a story by Isak Dinesen (Karen Blixen), who also wrote Out of Africa, the inspiration for the 1985 Academy Award winning film. Babette's Feast tells the story of Babette Hertsard (Stéphane Audran), a 19th century Parisian political refugee who flees on a boat to Frederikshavn in Denmark with the help of her nephew, and her relationship with two elderly and religious sisters. The sisters Martina (named for Martin Luther) and Philippa (named for Luther's friend and biographer Philip Melanchthon) were the daughters of a pastor who had founded his own religious sect.

Bent Sørensen: De Fire Årstider (Score)

Bent Sørensen' s De Fire Årstider (The Four Seasons) for Recitation, Alto Saxophone, Accordion and Double Bass. Commissioned by and written for POING with support from Norsk Kulturråd / Arts Council Norway.  

Per Nørgård: Seadrift (Set Of Parts)

Work for Solo Soprano, Flute, Piano, Guitar, Violin, Cello and Percussion. Text: Walt Whitman. Full Score available: WH30008

Nostalgia : per oboe solo e banda

Ballata n° 7 : per ensemble (2018)

Feste Romane : Poema Sinfonico per Orchestra

Ottorino Respighi was one of the most well known Italian composersfrom the beginning of the twentieth century. His style is influencedby the French impressionists, Rimsky-Korsakov and Richard Strauss,but with his very own touch. Respighi’s fame is mostly based on hisinstrumental works, especially the orchestral triptych of symphonicpoems, which included Feste Romane. This skilful adaptation forconcert band retains all the excitement of the original.

Per Nørgård: Symphony No.4 (Score)

Indischer Roosengaarten und Chineesischer Hexensee. Work for Orchestra dating from 1981.

Concerto Italiano : Per Pianoforte E Orchestra

Rene de Boisdeffre: Suite Romantique Op.24 No.1-3

Suite Romantique Op.24 by Rene de Boisdeffre, including Ballade, set on the Trinity Guildhall syllabus.

Le Calife de Bagdad : Overture

François-Adrien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

Le Calife de Bagdad : Overture

François-Adrien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

The Red Tower : Based on the painting by Giorgio de Chirico

The Red Tower was inspired by the painting of the same name (La Torre Rossa) by the Italian artist Giorgio de Chirico, and was awarded first prize in the International Composition Contest in Oman. One of the towers of the mediaeval walls of the Italian town of Soncino (home to the band for whom Johan de Meij wrote the work for) shows a remarkable resemblance to the tower in the work of De Chirico.

Sonata per archi : No. 1 G Major

Per Nørgård: Det Guddommelige Tivoli (Full Score)

Opera scored for Soprano, Contralto, Tenor, Two Baritones, Bass-Baritone, 6 Dancers, 6 Percussionists, Amplified Cello and Synthesiser. Text: After Adolf Wolfli. English Title: The Divine Circus.