BORGO ELLIOT DEL PRELUDE AND DANCE CONCERT BAND SCORE & PARTS

BORGO ELLIOT DEL PRELUDE AND DANCE CONCERT BAND SCORE & PARTS

VERDI GUISEPPE LA FORZA DEL DESTINO (LAKE/KENT) CONCERT BAND SC/PTS

VERDI GUISEPPE LA FORZA DEL DESTINO (LAKE/KENT) CONCERT BAND SC/PTS

Elliot Del Borgo: Danse Infernale

Spanning several different musical styles, this exciting new work from Elliot Del Borgo makes use of a driving rhythm. With easy harmonics and mutes, the lyrical middle section is extremely well scored; a departure from the thick sound of the full ensemble. A must for concert or festival repertoire.

Fanfare del Popolo

Fanfare del Popolo - fanfare of the people - is a reminder of the terrible periods of fascism and dictatorship in world history. It describes a revolution of the oppressed against the tyrant. The people storm the bastions of the dominion and take their fate into their own hands. This fanfare was commissioned by the Symphonic Band Vorarlberg and its conductor Thomas Ludescher. It is dedicated to all people who currently have to live in countries under dictatorship. This item makes an ideal opening work for any concert.

Fiesta del Pacifico : Quarter Military Band QMB 340

Fiesta del Pacifico is one of several festivals held annually in various communities in California which celebrate the Old Spanish Days of the State. This particular festival is held in San Diego for 12 days in the summer andfeatures a play on the history of the area with a cast of over 1,000, a parade, a rodeo, and street dances. (8:00)

Angelo del Cielo : from the Opera Suor Angelica

The one-act opera Suor Angelica is set in the cloisters of an Italian convent at the end of the seventeenth century. Of noble birth, Angelica has been a nun for seven years, forced there by her family as punishment for an unknown sin. When her aunt visits her, she tells Angelica that her child had died. This terrible news becomes the reason for her only aria, Senza Mamma, a heart-wrenching song of restraint and dignity to her little 'angel in heaven' (Angelo del Cielo). The set contains solo parts, for soprano voice, cello and a duet for soprano and cello. There is also an optional solo part for trombone or euphonium.

Las carboneras del Nalón

La Forza del Destino

Elliot Del Borgo: Dies Irae

This symphonic poem is based on a chant attributed to Jacopone da Todi (c. 1230?1306) and describes the day of wrath and impending doom, while asking for mercy and salvation. The opening, treated like a Gregorian chant, soon moves into a whirlwind of energy as a large battery of percussion adds to the bold statements in the brass and flourishes in the upper woodwinds. A substantial work for your next concert program.

La Virgen Del La Macarena

The Spanish classic as performed by the Canadian Brass. Featuring solo cadenzas for both clarinet and trumpet, this audience favorite is an awesome display of the fiery Spanish style. An impressive selection for concert band.

Elliot Del Borgo: Phantom Ship

Written in a D minor/modal tonality, this work quickly moves from a singing style of 84 beats per minute, to a moving 138. The meter is 3/4 throughout with all the instrumental ranges very modest.

Elliot Del Borgo: New England Suite

This one-movement festival work uses a slightly reduced instrumentation, insuring that bands of all sizes will be able to enjoy it. The work is written in three sections, each based on material from a New England song. Consider this new piece from one of the country's most prolific composers.

Elliot Del Borgo: Lest We Forget

This extensive work is powerful and emotionally riveting. Slight variations of Civil War songs are recognizable while providing new material to keep the performer and listener engaged in the music. The piece changes style and tempo several times, ending with a very sensitive underscoring as a narrator recites Lincoln's second inaugural address before a heroic ending.

Tattoo

(Full score). Tredici, D, Del

Libro del frío : for Soprano and Ensemble

Franz Joseph Haydn: L'Anima Del Filosofo Ossia Orfeo Ed Euridice. Dramma Per Musica

coronAtion II: Naufraghi del mondo che hanno ancor : cinque isole della fatica - für Klavier, Flöte, Klarinette in B, Violine und Viola

A Verdi Salute

This work brings fragments from three of Giuseppe Verdi’s operas together in a single composition. Opening the work is the Triumphal March from Aida. Next come two notable motifs from La forza del destino, before the famous Anvil Chorus from Il Trovatore. Wil van der Beek’s arrangement for concert band is a rousing hit with opera melodies that everyone knows and loves.

Symphony No.7 In A Major Op.92

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Verdi's Triumphs

This piece, as the title might suggest, brings together Verdi’s greatest operatic triumphs. Amongst his best hits are Nabucco from 1842, which signified a turn-around after the flop of a previous opera, as well as Rigoletto, which in 1851 propelled him to international fame. Verdi’s Triumphs features: Triumphmarch and Su! Del nilo al sacro lido from Aida, the Prisoners’ Freedom Choir from Nabucco and La donna è mobile from Rigoletto.

Symphony no. 9 in D minor op. 125 : Harmoniestimmen

With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorialprocess was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising thatBärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widelyusedpublication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scoresand complete performance material to Beethoven’s Nine Symphonies are available for sale.Full score & performance material (BA9009), study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for sale

Concerto

The Barenreiter Facsimile seal is used exclusively for facsimile publications that meet the highest technical and scholarly demands. The distinguishing features include A facsimilein high resolution full-colour printing, reflecting the original Specially selected paper Decorative binding in keeping with the historic theme Individually trimmedpages, as far as the edition allows A commentary by internationally renowned scholarsFacsimile of the autograph in the Royal College of Music, LondonWith an introduction by Jonathan Del Maranda preface by Stephen Isserlis (English/German)

Destino Re-Immaginare : (A Fantasy on Motifs of G. Verdi)

The overture to Giuseppe Verdi's 1862 opera La Forza del Destino (The Power of Fate) has remained standard repertoire for orchestras around the world. In this imaginative work for winds, Jay Bocook pays homage to the mastery of Verdi and begins with the ominous 3-note fate theme from the overture. Throughout the piece melodies are recast and harmonies are embellished, culminating in an exhilarating conclusion where the final seven bars quote Verdi's original almost identically. A brilliant addition to the wind band repertoire.

Complete Sonatas for Pianoforte - Critical Report

Alongside the Urtext edition of Beethoven’s 35 piano sonatas which sets new standards for the 21st century, world-renowned Beethoven expert Jonathan Del Mar presents a Critical Commentary to this body of works. With diligence and factual accuracy, he documents readings and editorial decisions, discusses problematic sections and provides answers for questions that have occupied and divided scholars for decades, including Beethoven’s notational idiosyncrasies and particular issues relating to performance practice. The Critical Commentary is more than a mere list of findings: It is a fascinating read offering valuable glimpses into Beethoven’s compositional process. Thisscholarly contribution is unparalleled in its precision and indispensable for in-depth studies of Beethoven’s piano sonatas.

Coro degli Armigeri

A technique much employed by Verdi is to alternate main scenes of a drama with others which allow the listener to relax temporarily. These moments are often entrusted to the choir (as in the case of the well-known Rataplan in La forza del destino). In Trovatore, the soldiers’ chorus precedes the scene of the capture of the gipsy woman Azucena by Conte di Luna’s men. The soldiers are about to attack the fortress of Castellor in which Manrico (the troubadour) and Leonora, together with many other rebels, have found shelter. The very easy-going choir is in blunt contrast to the following scene in which Ferrando, the loyal squire of Conte di Luna, recognizes theold gipsy woman. This recognition marks the beginning of wicked developments for all protagonists in this drama.