BORGO ELLIOT DEL PRELUDE AND DANCE CONCERT BAND SCORE & PARTS

BORGO ELLIOT DEL PRELUDE AND DANCE CONCERT BAND SCORE & PARTS

VERDI GUISEPPE LA FORZA DEL DESTINO (LAKE/KENT) CONCERT BAND SC/PTS

VERDI GUISEPPE LA FORZA DEL DESTINO (LAKE/KENT) CONCERT BAND SC/PTS

Elliot Del Borgo: Danse Infernale

Spanning several different musical styles, this exciting new work from Elliot Del Borgo makes use of a driving rhythm. With easy harmonics and mutes, the lyrical middle section is extremely well scored; a departure from the thick sound of the full ensemble. A must for concert or festival repertoire.

Fanfare del Popolo

Fanfare del Popolo - fanfare of the people - is a reminder of the terrible periods of fascism and dictatorship in world history. It describes a revolution of the oppressed against the tyrant. The people storm the bastions of the dominion and take their fate into their own hands. This fanfare was commissioned by the Symphonic Band Vorarlberg and its conductor Thomas Ludescher. It is dedicated to all people who currently have to live in countries under dictatorship. This item makes an ideal opening work for any concert.

Fiesta del Pacifico : Quarter Military Band QMB 340

Fiesta del Pacifico is one of several festivals held annually in various communities in California which celebrate the Old Spanish Days of the State. This particular festival is held in San Diego for 12 days in the summer andfeatures a play on the history of the area with a cast of over 1,000, a parade, a rodeo, and street dances. (8:00)

Angelo del Cielo : from the Opera Suor Angelica

The one-act opera Suor Angelica is set in the cloisters of an Italian convent at the end of the seventeenth century. Of noble birth, Angelica has been a nun for seven years, forced there by her family as punishment for an unknown sin. When her aunt visits her, she tells Angelica that her child had died. This terrible news becomes the reason for her only aria, Senza Mamma, a heart-wrenching song of restraint and dignity to her little 'angel in heaven' (Angelo del Cielo). The set contains solo parts, for soprano voice, cello and a duet for soprano and cello. There is also an optional solo part for trombone or euphonium.

Olivier Messiaen: Traité de Rythme, de Couleur, et d'Ornithologie Vol.2 (Book)

Rythmes non rétrogradables; Technique des Rythmes; Augmentations et Diminutions; Pédales et Canons; Personages rythmiques; Analyse de 'Rite of Spring'; Analyse de 'Turangalîla'; Valeurs irrationelles; Rythmes contemporains; Essai d'Interpolations et Metaboles

BENT SØRENSEN TUNNELS DE LUMIÉRE SC

BENT SØRENSEN TUNNELS DE LUMIÉRE SC

Las carboneras del Nalón

La Forza del Destino

La Virgen Del La Macarena

The Spanish classic as performed by the Canadian Brass. Featuring solo cadenzas for both clarinet and trumpet, this audience favorite is an awesome display of the fiery Spanish style. An impressive selection for concert band.

Elliot Del Borgo: Dies Irae

This symphonic poem is based on a chant attributed to Jacopone da Todi (c. 1230?1306) and describes the day of wrath and impending doom, while asking for mercy and salvation. The opening, treated like a Gregorian chant, soon moves into a whirlwind of energy as a large battery of percussion adds to the bold statements in the brass and flourishes in the upper woodwinds. A substantial work for your next concert program.

Elliot Del Borgo: Phantom Ship

Written in a D minor/modal tonality, this work quickly moves from a singing style of 84 beats per minute, to a moving 138. The meter is 3/4 throughout with all the instrumental ranges very modest.

Elliot Del Borgo: Lest We Forget

This extensive work is powerful and emotionally riveting. Slight variations of Civil War songs are recognizable while providing new material to keep the performer and listener engaged in the music. The piece changes style and tempo several times, ending with a very sensitive underscoring as a narrator recites Lincoln's second inaugural address before a heroic ending.

Elliot Del Borgo: New England Suite

This one-movement festival work uses a slightly reduced instrumentation, insuring that bands of all sizes will be able to enjoy it. The work is written in three sections, each based on material from a New England song. Consider this new piece from one of the country's most prolific composers.

Bent Sørensen: De Fire Årstider (Score)

Bent Sørensen' s De Fire Årstider (The Four Seasons) for Recitation, Alto Saxophone, Accordion and Double Bass. Commissioned by and written for POING with support from Norsk Kulturråd / Arts Council Norway.  

Rene de Boisdeffre: Suite Romantique Op.24 No.1-3

Suite Romantique Op.24 by Rene de Boisdeffre, including Ballade, set on the Trinity Guildhall syllabus.

Libro del frío : for Soprano and Ensemble

Le Calife de Bagdad : Overture

François-Adrien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

Le Calife de Bagdad : Overture

François-Adrien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

Tattoo

(Full score). Tredici, D, Del

The Red Tower : Based on the painting by Giorgio de Chirico

The Red Tower was inspired by the painting of the same name (La Torre Rossa) by the Italian artist Giorgio de Chirico, and was awarded first prize in the International Composition Contest in Oman. One of the towers of the mediaeval walls of the Italian town of Soncino (home to the band for whom Johan de Meij wrote the work for) shows a remarkable resemblance to the tower in the work of De Chirico.

Los Colores de Fiesta

Los Colores de Fiesta was commissioned by the Pride of San Antonio Show Band to celebrate the year-long 300th Anniversary Fiesta of the city in 2018. As a former member of the South San Antonio and John Jay High School Bands, and later with the 5th Army Band, composer Charles Booker marched in the Fiesta Flambeau Parade, America's largest illuminated night parade and the highlight of Fiesta. This rhapsodic work celebrates the exciting atmosphere of Fiesta, as well as the rich and diverse cultures it represents.

Messe de Requiem : Op. 54

Saint-Saëns’ colorful Messe de Requiem op. 54, originally opulently scored, is published here in an ingenious reduced version, so that smaller choirs, and choirs with more limited resources of space or finance can also perform this attractive work with smaller instrumental forces. The original large forces – quadruple wind and brass and four harps – may have been a reason why the expressive and richly colored work was less well-known than the composer’s Oratorio de Noël (Carus 40.455), a popular work the world over. To expand the options for performance, Carus has therefore published two versions of the Messe de Requiem – the original version, whose material has been arranged in such a way that the work can alternatively be performed with 11 instead of 20 wind and brass instruments (Carus 27.317), and a version without any wind or brass, scored just for strings, one or two harps, and organ. These versions are based on an arrangement published by Durand in 1927, and newly adapted by Klaus Rothaupt. The organ is allocated sections of the original wind and brass parts; registration details will help rehearsing. The vocal and string parts are unaltered compared with the original composition, so the vocal and choral score of the original version can also be used for this version. This is a fine-sounding, distinctive setting of the Requiem Mass which is undoubtedly one of the composer’s most important works.

The Red Tower : Based on the painting by Giorgio de Chirico (1888-

The 2nd movement of The Venetian Collection refers to a painting by the Italian artist Giorgio de Chirico, and was commissioned by the Banda Civica di Soncino [Italy]. One of the main towers of the ancient walls that surround themedieval town of Soncino, La rocca sforzesca, has a significant resemblance with the tower on De Chirico's painting. De Meij has constructed an exciting and warm-blooded work, based on a simple four-note motif, with lyric solopassages for bassoon, bass clarinet and soprano saxophone in the middle section. In November of 2000, THE RED TOWER was awarded 1st Prize in the International Composition Competition of OMAN. (Duration 8:30)