Vocal Repertoire for the Twenty-First Century : Volume 1 - Works Written Before 2000

Vocal Repertoire for the Twenty-First Century is an insightful and practical interpretive guide to contemporary repertoire assembled by celebrated soprano Jane Manning. This first of the two-volume set covers works composed prior to the year 2000.

Vocal Repertoire for the Twenty-First Century : Volume 2 - Works Written From 2000 Onwards

Vocal Repertoire for the Twenty-First Century is an insightful and practical interpretive guide to contemporary repertoire assembled by celebrated soprano Jane Manning. This second of the two-volume set covers works composed after the year 2000.

Fanfare 2000

Fanfare 2000

Fanfare 2000

Mozart-Jahrbuch 2000 -

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Poul Ruders: Abysm (Score)

Work for Ensemble dating from 2000.

For Cello And Orchestra, Kopi

For Cello And Orchestra was composed by Pelle Gudmundsen-Holmgreen in 1996 (rev. 2000).

The Unorthodox Guitar : A Guide to Alternative Performance Practice

Harry Potter and the Sorcerer's Stone : Children's Suite for Orchestra - Deluxe Score

I. Hedwig's Flight II. Hogwarts Forever III. Voldemort IV. Nimbus 2000 V. Fluffy and His Harp VI. Quidditch VII. Family Portrait VIII. Diagon Alley IX. Harry's Wondrous World

Analytical Essays on Music by Women Composers : Concert Music from 1960-2000

A Merry Christmas Party

When Christmas is coming, a nice medley should always be in your programme. This accessible medley by Simon Fahnholz includes ‘All I Want for Christmas Is You’, ‘Christmas Time’, ‘Feliz Navidad’ and ‘Thank God It’s Christmas’. A nice alternative to the usual Christmas anthems! When Christmas is coming, a nice medley should always be in your programme. This accessible medley by Simon Fahnholz includes ‘All I Want for Christmas Is You’, ‘Christmas Time’, ‘Feliz Navidad’ and ‘Thank God It’s Christmas’. A nice alternative to the usual Christmas anthems!

Hilda Paredes: Ah Paaxo'Ob (Parts)

For Sinfonietta. Published in 2001.Commissioned by the City of Frankfurt as part of the millenium programme 'Frankfurt am Main 2000' and Ensemble Modern.First performed by Ensemble Modern, conducted by Stefan Asbury. Mozart Saal, Alte Oper, Frankfurt, 19th May 2001.

Claude Debussy: Fourteen Preludes (Score)

Ensemble1 Flute in C db. Alto Flute in G and Piccolo1 Clarinet in A and Bb(1 Contrabass Cl. in Bb *)1 Bassoon (db. Contra Bassoon *)1 Trumpet in BbHarp1 Violin1 Viola1 VioloncelloThe score is written in transposition*) The part of the Contrabass Clarinet should be the first choice. However, if aplayer/instrument is not available, the part may be performed on the ContraBassoon.The part of the Contrabass Clarinet was initially performed by the Bassoonplayer of the Danish Chamber Players.Thus, the Cb.Cl./Cfg. does not playsimultaneously with the Bassoon.The three Prelude-arrangements (No. 1-5, 2-1, 2-2) that uses the ContrabassClarinet incorporate the alternative part for Contra Bassoon in the performancematerial.The alternative scores with Contra Bassoon are included in an appendix at theend of the score.The arranger suggests that the Preludes are played without conductor.

Praise to You : Christ hier, Christ aujourd'hui - International Ju

The year 2000 is a jubilee year for the Roman Catholic Church. To celebrate this the Vatican Church commissioned Jean-Paul Lecot to compose a hymn for the festivities. The composition, 'Christ hier, Christ aujourd 'hui', became well known through the Vatican-approved CD recording made by Andrea Bocelli. Roland Kernen has produced this professional arrangement which retains all the beauty of the original.

Praise to You : Christ hier, Christ aujourd'hui - International Ju

The year 2000 is a jubilee year for the Roman Catholic Church. To celebrate this the Vatican Church commissioned Jean-Paul Lecot to compose a hymn for the festivities. The composition, 'Christ hier, Christ aujourd 'hui', became well known through the Vatican-approved CD recording made by Andrea Bocelli. Roland Kernen has produced this professional arrangement which retains all the beauty of the original.

Seaside Road : Concert March

This piece was composed in the summer of 2000, on commission of the Whightull Wind Ensemble. Seaside Road is a march in two-four time. The work begins with a tempestuous sound, followed by a light passage. Featuring, amongst others, your Bass Clarinet and Euphonium soloists in the trio section, the work builds towards an agile tutti before concluding with a powerful closing section. A must for all your summer season concerts.

Seaside Road : Concert March

This piece was composed in the summer of 2000, on commission of the Whightull Wind Ensemble. Seaside Road is a march in two-four time. The work begins with a tempestuous sound, followed by a light passage. Featuring, amongst others, your Bass Clarinet and Euphonium soloists in the trio section, the work builds towards an agile tutti before concluding with a powerful closing section. A must for all your summer season concerts.

Chain

Chain was composed between June and August 2000 as the test piece for the 2002 European Brass Band Championship. The composer’s idea was to compose a one-movement piece - a work that starts mysteriously and develops in various directions. As his basic material, he chose a figure that is the abbreviation of the European Brass Band Championship: EBBC. This figure is developed in a chain of figures which gradually lead to the climax of the piece.

Chaharah (Calligraphy No. 19) : for 10 Solo String Instruments Score and Parts

Châhârgâh (Calligraphy No. 19) for string quartet with optional contrabass may be performed using the Persian Traditional Tuning System. A detailed chart to set the interval measurements is included with the music. Châhârgâh (Calligraphy No. 19) is part of Reza Vali's Calligraphies series, an ongoing cycle of works based on the Persian modal system, the Dastgâh, which he has been composing since 2000. Versions for string quartet and 10 solo string instruments are available from the publisher.

Dashti (Calligraphy No. 18) : for Choir and String Quartet Score and Parts

Dashti (Calligraphy No. 18) for singing string quartet may be performed using the Persian Traditional Tuning System. A detailed chart to set the interval measurements is included with the music. Dashti (Calligraphy No. 18) is part of Reza Vali's Calligraphies series, an ongoing cycle of works based on the Persian modal system, the Dastgâh, which he has been composing since 2000. Versions for singing string quartet and string quartet with choir are available from the publisher. For choir and stringquartet version, the choral score is available separately.

Black River Overture

The Black River Overture was commissioned by the music society Pfarrkapelle Schwarzenbach, on the occasion of its 50th anniversary. Schwarzenbach literally means “black brook” - hence the title of the work. This light-hearted piece is a compliment to all music societies and wind bands that have continued despite alternative, modern leisure-time activities in villages; as such, they are able to offer a wonderful and meaningful occupation to both the young and young-at-heart: namely, making music! These societies are the basis for all cultural work, making life rich and colourful.

From Both Sides Now : Instrumental Solo with Band

“From Both Sides Now”, written in 1967, is one of the most famous songs by Canadian singer/songwriter Joni Mitchell. A novel by Saul Bellow, “Henderson the Rain King”, was her inspiration to write the song. She has recorded the song twice: first in 1969 on the album “Clouds” and again in 2000 on the album “Both Sides Now”. The latest recording feature a more orchestrated, jazz-inspired version of the song. This arrangement is written in “quasi-tango” style. There are three solo-options included: Bb-Inatruments, Eb-Instruments and C-Instruments (Bass Clef).

Kaija Saariaho: L'amour De Loin (Full Score)

Saariaho?s L?armour De Loin is an opera in five acts and was premiered in Salzburg in August 2000, with additional productions being staged at the theatre Bern in Switzerland. The story is based on the life of Prince of Bleye, one of the first great troubadours of the 12th century, and follows his glowing passion for a woman from the East of whom he has only heard is the central theme of the libretto. Libretto written by Amin Maalouf.This is the Full Score of Saariaho?s remarkable opera.

The Red Tower : Based on the painting by Giorgio de Chirico (1888-

The 2nd movement of The Venetian Collection refers to a painting by the Italian artist Giorgio de Chirico, and was commissioned by the Banda Civica di Soncino [Italy]. One of the main towers of the ancient walls that surround themedieval town of Soncino, La rocca sforzesca, has a significant resemblance with the tower on De Chirico's painting. De Meij has constructed an exciting and warm-blooded work, based on a simple four-note motif, with lyric solopassages for bassoon, bass clarinet and soprano saxophone in the middle section. In November of 2000, THE RED TOWER was awarded 1st Prize in the International Composition Competition of OMAN. (Duration 8:30)