Variazioni sul tema lamenti

Aria e Danza

Aria e Danza

Symphoniae Sacrae III - Schütz, Heinrich

for 4 Voices, 2 Violins and Basso continuo / Complementum ad libitum complete edition, score, Urtext edition, Anthology Voc./mixed choir ad lib./Instr/Bc Indbundet udgave

Puccini Highlights

Giacomo Puccini was one of the all time great opera composers andis especially famed for his wonderful, warm-blooded melodies, hiscolourful instrumentations, his compelling dramatics, his musicalfantasy and his power to reflect exotic ambiences in sounds. ForPuccini Highlights, Wil van der Beek has made use of musical materialfrom the tenor aria ‘E lucevan le stelle’ (Tosca), the choral aria ‘Girala cote’ (Turandot) and the soprano aria ‘Un bel di vedremo’ (MadamButterfly). An operatic masterpiece that will go down a storm at anyconcert.

Symphoniae Sacrae III - Schütz, Heinrich

for 4 to 5 Solo Voices, 2 to 3 Instruments und Basso continuo / Complementum ad libitum complete edition, score, Urtext edition, Anthology Voc./mixed choir ad lib./Instr/Bc Indbundet udgave

Concerto - Elgar, Edward

for Violoncello and Orchestra score, Urtext edition Vc-solo/2Fl(Fl-picc ad lib.)/2Ob/2clarinet/2bassoon/4Hn/2Trp/3trombone/Tb ad lib./timpani/2V/Va/Vc/double bass Paperback E minor

Una Furtiva Lagrima : from L'elisir d'amore

Una Furtiva Lagrima is a brilliant arrangement by Jacob de Haan, of the aria from Gaetano Donizetti’s opera L’Elisir d’Amore (The Elixir of Love) for concert band. The subject of this song is the power of love: Nemorino, the main character of the opera, sings the aria as he notices that his love potion is starting to take effect on his beloved. A furtive tear (Una Furtiva Lagrima) betrays his beloved’s feelings towards him in this emotional piece.

Sensorium : Aria from The Navigator opera - Libretto by Patricia Sykes

Geistliche Chormusik - Schütz, Heinrich

The 5-part Motets, Nos. 1 to 12 complete edition, singing score, Anthology, Urtext edition mixed choir/Bc ad lib. Indbundet udgave

Symphoniae Sacrae III - Schütz, Heinrich

for 3 Voices, 2 Instruments and Basso continuo / 4 part Complementum ad libitum complete edition, score, Anthology, Urtext edition Voc./mixed choir/Instr Indbundet udgave

G.F. Handel: Messiah - Full Score (Edited By Watkins Shaw)

Handel?s masterpiece Messiah, the most frequently performed of his choral works, composed in 1741, edited by Watkins Shaw. An inspiring sacred oratorio with spontaneous melodies, and bright orchestration from the first aria Every Valley Shall Be Exalted, to the thunderous final Amen chorus.

Bach Js Aria No 1 Cantate Bwv78 2 Trumpet & String Orch Score/Parts

Grande Symphonie FunÞbre et Triomphale - Berlioz, Hector

complete edition, score, Urtext edition mixed choir: SSTTBB ad lib./trombone-solo/Fl-Picc/Fl/Ob/clarinet-es/clarinet-B/2bassoon/bassoon-Co/4Hn/4Trp/2Pist/3trombone/trombone-B/2Op/timpani/percussion/Str Indbundet udgave

Nessun Dorma

Nessun Dorma, an aria from Puccini’s Turandot, is now instantlyrecognised due mainly to the performance by the late Pavarotti at the1990 World Cup in Italy. Since that time its popularity has continuedto grow and it is now often thought of as Pavarotti’s theme tune.This version for concert band retains all the intense feeling of theoriginal.

Reverie : for Solo Bb Euphonium (or Baritone ad lib.) and Concert Band

Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work, to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities.

Shamadan Dance : for Solo Bb Euphonium (or Baritone ad lib.) and Concert Band

Pulse : for Solo Bb Euphonium (or Bb Baritone ad lib.) and Concert Band

Pulse is a solo work for baritone or euphonium and concert band. As the title suggests, this piece is very rhythmic in nature. Pulse represents life and vitality, which also characterises the work. The tempo remains virtually constantthroughout the piece. Even during the cadenza, played by the baritone, the pulse of the timpani continues to beat steadily. This work is dedicated to the young soloist Felix Geroldinger of upper Austria.

Pie Jesu : from Requiem opus 48

Pie Jesu is the famous aria for soprano and orchestra from Gabriel Fauré’s Requiem, opus 48. Fauré (1845- 1924) composed the work in 1887, two years after his father’s death and only a short time before his mother passed away. Fauré’s Pie Jesu is richly atmosphere and peaceful, and Robert van Beringen perfectly captures the essence of Fauré’s beautiful music in this arrangement for fanfare band.

Una voce poco fa

Italian composer Gioacchino Rossini is undoubtedly best known forhis opera The Barber of Séville. This opera features the sopranoaria ‘Una voce poco fa’, which has been performed by many divasincluding Maria Callas, Teresa Berganza and Kathleen Battle. Thistranscription by Gerard Posch has been written for alto saxophoneand concert band, however the saxophone solo can also be sungby a soprano - as in the original aria

Pie Jesu : from Requiem opus 48

Pie Jesu is the famous aria for soprano and orchestra from Gabriel Fauré’s Requiem, opus 48. Fauré (1845- 1924) composed the work in 1887, two years after his father’s death and only a short time before his mother passed away. Fauré’s Pie Jesu is richly atmosphere and peaceful, and Robert van Beringen perfectly captures the essence of Fauré’s beautiful music in this arrangement for concert band.

Fenster. Shloshim : für Flöte, Klarinette (B), präparierte Harfe und Schlagzeug mit Projektion und Verstärkung ad lib.

Orgelbuch Light Zum Gotteslob 2 : Einfache, dreistimmige Begleitsätze manualiter z.T. mit instrumentaler Oberstimme ad lib - ab GL 352

Es war einmal ... (Once Upon a Time...) : Singspiel for narrator, actors (ad lib.), children's choir and concert band

Full Score and Study Score of this work are available for sale.A set of individual parts are for rental only, not for sale.Prices and conditions are available on request.Please contact: Hal Leonard Europe BV -RentaldepartmentE-Mail: rental@halleonardeurope.nlIn this musical drama, composed in honour of the 150th anniversary of the death of Jacob Grimm in 2013, song andspoken word continually alternatewith one another. The orchestra also plays an important role, giving the entire work great variety in terms of content but also in terms of sound. Es war einmal… (Once Upon a Time) can beperformed in concert and also creates an opportunityfor a partially staged production.

Symphony Asrael Op. 27

Roughly eight months after the death of Anton n Dvorák (1 May 1904), his son-in-law Josef Suk began to compose a funeral symphony. While he was working on it fate struck a second time with the death of his beloved wife, Otilie. He dedicated the five-movement symphony to Dvorák and his daughter Otilie and named it after the Angel of Death “Asrael”.The principal source for our edition is the first edition of the score (1907), supplemented by thecorrections Suk entered at the suggestion of conductor Václav Talich (1921). The most significant change was the expansion of the orchestra to include ad libitum parts for the fifth and sixthhorns.Firstscholarly-critical editionIncludes Suk’s later corrections, including ad libitum parts for the fifth and sixth hornsDetailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by theeditorPerformance material (BA9532-72) available for hire