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In the Pocket: Playing in the Groove

In the Pocket: Playing in the Groove

One of the roles of a jazz guitarist is providing accompaniment. Economy of rhythm and harmony while comping and grooving with a band will get jazz guitarists further with their fellow bandmates than playing lots of bulky, cluttered rhythms and chords. "Playing in the Groove" will demonstrate to jazz guitar students how not to overplay in a small jazz group settings but rather play tasty lines and chords that will impress any soloist. In this DVD, emphasis is placed on locking in with a bass player and drummer and using chord voicings that won't clutter up the harmony. The accompanying chart provides abbreviated but clear and easy to understand musical material that is covered in the 48-minute DVD.

SEK 159.00
1

In the Mists

In the Mists

Most of Czech composer Leoš Janá ek’s music for solo Piano was produced during the relatively short period between 1900 and 1912. This was a period in which Janá ek suffered the death of his second child, andhad to come to terms with multiple rejections from the Prague music scene, which denied the composer and his distinctive musical language the opportunity to participate in international musical developments until 1916, when hiswork finally managed to gain international recognition.In the Mists was composed during this period of great difficulty and despair in a house in the garden of the Brno Organ School, hidden from the eyesofthe world, with a broken self confidence and a mind in a state of melancholy.Influenced by Debussy’s impressionism, In the Mists is one of the most remarkable works in 20th-century Piano literature, saidto be 20 years ahead of its time. In the Bärenreiter Urtext edition Janá ek’s cycle is presented in the form that can be found in the Complete Critical Edition of the Works of Leoš Janá ek. A preface by Ji Zahrádka is also included in Czech, English and German.Because of the virtuoso nature of Janá ek’s work, it is more challenging and less accessible, but extremely rewarding when mastered.

SEK 170.00
1

Missa In Tempore Belli : Mass in Time of War

Missa In Tempore Belli : Mass in Time of War

Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister.Prince Nicolaus IIdemanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in theBergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined whenpreparingthis edition the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion,and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score, parts (BA4652), vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94)available for sale

SEK 128.00
1

Missa In Tempore Belli : Mass in Time of War

Missa In Tempore Belli : Mass in Time of War

Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister.Prince Nicolaus IIdemanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in theBergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined whenpreparingthis edition the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion,and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score, parts (BA4652), vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94)available for sale

SEK 186.00
1

Missa In Tempore Belli : Mass in Time of War

Missa In Tempore Belli : Mass in Time of War

Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister.Prince Nicolaus IIdemanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in theBergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined whenpreparingthis edition the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion,and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score, parts (BA4652), vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94)available for sale

SEK 128.00
1

Missa In Tempore Belli : Mass in Time of War

Missa In Tempore Belli : Mass in Time of War

Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister.Prince Nicolaus IIdemanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in theBergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined whenpreparingthis edition the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion,and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score, parts (BA4652), vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94)available for sale

SEK 128.00
1

Missa In Tempore Belli : Mass in Time of War

Missa In Tempore Belli : Mass in Time of War

Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister.Prince Nicolaus IIdemanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in theBergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined whenpreparingthis edition the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion,and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score, parts (BA4652), vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94)available for sale

SEK 128.00
1