M'E PIU DOLCE IL PENAR, SSATB

M'E PIU DOLCE IL PENAR, SSATB

IL BIANCO E DOLCE CIGNO, SATB

IL BIANCO E DOLCE CIGNO, SATB

OFFNBCH I RACCONTI HOFFMANN BARCAROLE-DOLCE NOTTE-2 VOICES/PIANO

OFFNBCH I RACCONTI HOFFMANN BARCAROLE-DOLCE NOTTE-2 VOICES/PIANO

Metodo per il Flauto Dolce

Il metodo ideale per imparare a suonare il flauto dolce. Per bambini dai 6 anni. Il flauto dolce è uno strumento ideale per il primo contatto con il fantastico mondo della musica. In questo metodo lo studio del flauto dolce viene affrontato, fin dall?inizio, in modo comprensibile; le nozioni basilari per lle note vengono proposte e spiegate con studiata gradualità. Questo metodo offre tutte le nozioni necessarie ai bambini (ed ai genitori), a partire dalla giusta posizione da tenere, fino all?apprendimento di note melodie popolari. Completano l?offerattica consigli sul modo ottimale per esercitarsi e sulla cura del flauto, nonchè tabelle che illustrano la diteggiatura.

Gaetano Donizetti: Piangete Voi? Al dolce guidami castel natio, da Anna Bolena (Soprano)

Spartito Canto, Pianoforte dell?aria per Soprano Piangete Voi? Al dolce guidami castel natio, da Anna Bolena di Gaetano Donizetti

Johann Sebastian Bach: Concerto Nach Italianischem Gusto

Canzon, sal dolce loco

Andreoni Metodo Flauta Dolce Rec Bk

G.F. Handel: Nell Dolce Dell'oblio (Soprano)

Kaija Saariaho: Dolce Tormento (Solo Piccolo)

Written for solo piccolo.

77 Rounds And Canons

Kenneth Simpson. This collection is divided into ten sections: music; learning music; times and seasons; Christmas; greetings; gusto; drollery; getting around; birds and beasts; and miscellanea. Most of the items are musically straightforward and of moderate compass.

Concerto in la minore : per violoncello solo, con violini e basso continuo

The source of the present edition is preserved in the Archivio di Stato, Bologna. Editorial principles: In the score, the number of editorial interventions has been kept to a minimum. The original dynamic and expression markings are extremely few and far between, but precise. Only three dynamic levels are specified: forte, dolce ( = piano) and dolce assai ( = pianissimo). As regards expression markings we note the complete absence of the legato sign, though the appoggiatura, staccato, trill and two different types of bow-vibrato (both in association with dolce or dolce assai) can all be found. It is a well known fact that 18th century vibrato, obtained not by a movement of theleft hand but rather by a variation in the pressure of the bow, was an expressive effect to be used with discretion and not, as today, a constant means of sound production. Territorial restrictions may apply. Please ask before ordering.

Teoría del Conjunto Coral

Nociones elementales de cultura coral. La clase de Conjunto Coral no es un simple coro en el que el alumno tiene la posibilidad de participar por gusto o por afición. No es cuestión de afición, sino de obligatoriedad en el conjunto de estudios que el alumno debe cursar.

Fluytenlusthof

Contents: La Bergere · Verdwälde Koninghin · Onder de Linde gröne · Wat zal men op den Avond doen · Kits almande · Rosemondt · Bravade · Engels Nachtegältje · De zöte Zoomer Tyden · Courant, of Ach treurt mijn bedröfde... · L'AmieCillae · Questa dolce sirena · Fantasia en echo · Puer nobis nascitur · De lof-zangh Marie.

Ludovico Einaudi: The Violin Collection (Book/Online Media)

This exclusive collection contains eight pieces by Ludovico Einaudi for Violin and Piano, with full score and pull-out Violin part. Pieces include: The crane dance, Dolce droga, Dna, Indaco, L'origine nascosta, Sarabande, Una mattina and Underwood . As well as the printed score, this book includes a range of supporting digital features: SoundCheck - This unique assessment and feedback software lets you use your phone, tablet or computer to help you practice. Simply open up the piece you're working on and SoundCheck gives you an instant report on your performance and advice on how to improve! Ebook - A digital edition of your music to read on any device. Audio - Full demonstration recordings of each piece plus accompaniment-only and solo-only backing tracks.

Helen Marlais: Sight Reading And Rhythm Every Day - Book 5

A straightforward way to develop the ability to sight read with ease, accuracy, and musicality! In the Every Day plan for Book 5, students learn: 6/8 and 3/8 compound meter and cut time. First-inversion and second-inversion chords. Simple counterpoint, first and second endings. Continued comfort with using the entire keyboard and variety of major and minor keys. Music terms: dolce, meno and sempre. The inclusion of Rhythm Flashes!, Interval Flashes!, and Pattern Flashes! guaranteed to teach students how to think and plan quickly! In The Every Day plan for Book 5, students review: Ledger line reading, ostinato patterns, harmonizing, and transposing. Parallel and relative minor keys. Reading intervals from M2 to P8. Plagal and authentic cadances and suspension chords.

Pilgerchor : from the Opera 'Tannhauser'

During his time in Weimar (1848-1861), Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827-1908) fromTiefurt, he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ,Liszt, by means of this example, laid the foundations for the (not always undisputed) tradition, extending to the present day, of organ transcriptions from the operas of Wagner. 'Organistic' elements in the pilgrims' Choir are theclassical chorale theme, the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification, from the antiphonal-organ-like piano dolce of the beginning to the 'full organ', can berealized in a convincing manner with an orchestrally conceived three-manual organ, with the sensitive use of the swell box and the successive, seamless build-up of the crescendo pedal being of particular significance. Importantrepertoire piece marking the 200th birthday of Richard Wagner in 2013.