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Cloud Microphones 44-A Active Ribbon Microphone

Cloud Microphones 44-A Active Ribbon Microphone

Voice or Music The Cloud 44-A is the first and only active ribbon microphone with switchable Voice/Music response curves. Voice Setting Instantly reduces the bass proximity effect associated with being close to the microphone. Reduces rumble and vibration. Music Setting Full bass response at close proximity for a variety of sources that require that special ribbon micsound. Made in the USA Shipped in a road-ready custom wood case. Two year ribbon warranty and free limited lifetime warranty on all other parts. Specifications Figure 8 polar pattern, excellent side null rejection Frequency Response: 20 Hz to above 20 kHz Maximum SPL: 138 + dB SPL above 1 kHz Output Sensitivity: -28 dBv/Pa Output Impedance (in Ohms): 150 ohms Phantom Powered “Cloudlifter” Class A, Discrete Circuity Ribbon dimensions: .19" wide, 2.35" long, 1.8 microns thick New mount offers 180 degree range of motion Internally shock mounted 2 year ribbon warranty Free limited lifetime warranty on all other parts Handmade entirely in the USA Dimensions: 7.75” x 3” x 1.75” Weight: 1.07lbs Recommended Load (in Ohms): 1kohm or greater Supply Current: 4mA Filter Frequency: 80Hz

SEK 16493.00
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Pro Tools HDX Core : Hardware

Pro Tools HDX Core : Hardware

The Pro Tools HDX Core offers a Pro Tools HDX card with no software, great to expand an existing setup or step up a legacy system to the extra power of HDX. Main Features Unleash your creativity with up to 5x more power per card than Pro Tools HD AccelMix bigger, better mixes faster with 256 tracks (up to 768) and double the I/O per card, plus 4x more ADCGet higher resolution sound and more headroom with the floating-point architectureCapture and reproduce audio with pristine clarity using Pro Tools HD Series interfacesIncrease your power and track counts by simply adding additional cardsSupports the AAX plug-in format for better workflows and sound parity with native systemsHDX card only, no software includedWhen you're faced with dozens of audio sources, hundreds of tracks, and thousands of clips, only one system can give you the power to deliver. Pro Tools® HDX. Create bigger, better sounding mixes. Get up to 5x more power than previous generations. And tackle even the most massive music and post-production projects with the confidence that comes with guaranteed performance. Mix Bigger, Better Projects With Pro Tools HDX, you get up to 5x more power per card than Pro Tools HD Accel, so you can focus on your mix—not your mixer. Create bigger, more complex mixes with 4x more tracks (up to 768 voices with three cards). Double your ins and outs with up to 64 channels of I/O per card (up to 256 total). And handle large plug-in-heavy mixes easily with 4x more Automatic Delay Compensation. Get More Headroom—Less HeadachesPro Tools HDX uses floating-point calculations for plug-in processing and mixing, enabling you to achieve the best sound quality possible, with the least effort. Record and mix in higher resolution—up to 32-bit, 192 kHz audio—and significantly greater dynamic range. And let your mixes breathe with increased headroom, eliminating clipping and obsessive gain staging. It's All About The SoundThere's a reason why more professionals trust the sound of Pro Tools than with any other DAW. Get the highest audio fidelity, greatest dynamic range, and pristine audio clarity when you pair Pro Tools HDX with any Pro Tools HD Series interface. Create richer sounding, more complex mixes with the high-performance Avid Audio Engine in Pro Tools. Mix with an extended selection of built-in metering standards. Plus, with over 60 high-quality virtual instruments and sound processing plug-ins included, you can create great-sounding mixes easily. Pro Tools HDX Core Specifications Supported channels/tracks (per card, except where noted)Maximum audio tracks @ 48/96/192 kHz Single card: 256/128/64Maximum stereo audio tracks @ 48 / 96 / 192 kHz Single card: 128/64/32Simultaneous record tracks: 256Total instrument tracks: 512Total MIDI tracks: 512Total auxiliary tracks: 512Busses: UnlimitedMaximum channels of I/O: 192 (hardware dependent)Host card: 1 (PCIe)DSP power: 18 x 350 MHz processors (T1)Mixer resolution: 64-bit floating pointProcessing resolution: 32-bit floating pointASIO/Core Audio streams: 64Automatic Delay Compensation (ADC): 16k @ 48 kHzSupported plug-in formats: AAX DSP, AAX Native, AudioSuiteSurround mixer: Up to 7.1 Supported Avid InterfacesPro Tools HD I/OPro Tools HD OMNIPro Tools HD MADIPro Tools PRE™Pro Tools SYNC HD™ System Requirements Avid-qualified PCIe-equipped Mac or PC (for the latest HDX hardware and OS requirements, visit the avid website)

SEK 66177.00
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Les Indes Galantes RCT 44 : Ballet Heroïque With A Prologue and Four Acts

Les Indes Galantes RCT 44 : Ballet Heroïque With A Prologue and Four Acts

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.Sylvie Bouissou’s new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer’s need for Rameau’s various revisions while finally making accessible a version actually authorised byRameau. For the first time it is presented in its complete stylistic and dramatic context.

SEK 5733.00
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Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The earlyversions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in aseparate edition BA 8713 in 2016.)Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching andduring the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire sourcematerial now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions inwhose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that isrooted in the tradition of the opéra comique.Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin andMarguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”,and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed.Only in details of orchestration do other numbers differ from the well-known pieces.

SEK 15141.00
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Blackstar HTV-412 A MK III Cabinet

Blackstar HTV-412 A MK III Cabinet

HT skåp. Det blir inte bättre. HT Venue MK III-serien har fyra enastående högtalarskåp, alla utrustade med Celestion-enheter och speciellt inställda för att fungera med HT Venue MK III-förstärkare och ett brett utbud av andra produkter. Alla modeller har självlåsande kamförband, kraftiga kablar och en diskret vintagelook. Specifikationer 4 x 12" Celestion-enheter Vinklad övre halva (finns även med rak front - HTV-412 B) 320 watt 4 eller 16 ohm mono / 2 x 8 ohm stereo Stängd ryggdesign Gedigen konstruktion byggd för vägen Mått: 751 x 756 x 358 mm Vikt: 37,6 kg

SEK 8309.00
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