Pro Tools MTRX Pristine 8 DA card : Hardware

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Pro Tools HD I/O DA Option Card : Hardware

Expand your I/O capabilities with Avid Pro Tools HD Expansion Cards. For starters, these expansion cards sport all new convertors that are even better than the previous incarnations. Then Avid decoupled the power supply from the convertors, further enhancing sound quality and decreasing jitter. When coupled to your choice of compatible Pro Tools HD interfaces (and their sonic enhancements), the world's leading audio production system just got better! This is an Avid Pro Tools HD Expansion Card for digital-to-analog conversion.Expansion board for the Avid HD I/O8 high quality analog outputs with premium analog circuitryUltra low latencystate-of-the-art digital-to-analog conversionExpand the analog outputs on the chassis or swap out cards for customized configurations

Le nozze di Figaro (Die Hochzeit des Figaro) KV492 : Complete Edition hardcover, Opera buffa in four acts

Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart’s and Lorenzo Da Ponte’s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was notentirely due to Mozart’s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work’s spread outside the German-speakingcountries. At least equally responsible for the opera’s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Manyof the sources for Mozart’s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ‘New Mozart Edition’ volume was published. These include the autograph scores of acts 3 and4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor’s copy from the first performance of 1786.These original sources, now available again,offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ‘New Mozart Edition’ reflecting the latest musicological researchWith findings from originalsources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01), Vocal score (BA4565-92), study score format 22.5 x 16.5cm & Facsimile (BVK1882) available for saleV43 Performance material(BA4565-72) available to hire

Love Is All You Need : (A Tribute to The Beatles )

Master arranger Bruce Healey brings us a spectacular showcase of pop music's greatest act with 13 memorable songs, each given a new creative treatment in this stunning symphonic arrangement. Includes: All My Loving, All YouNeed Is Love, Blackbird, Can't Buy Me Love, Come Together, Day Tripper, Here Comes The Sun, If I Fell, Lady Madonna, Let It Be, Ob-La-Di, Ob-La-Da, Something, and Yesterday.

Giulio Cesare in Egitto HVW 17 : Opera in three acts

“Giulio Cesare in Egitto” is by far Handel’s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel’s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations essentially four versions on the basis of a meticulous study of the sources within the framework of the “Halle Handel Edition”. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini.The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically.In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in “Giulio Cesare”. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel’s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions.

Pro Tools MTRX Dual SDI/HD/3G Card : Hardware

Pro Tools MTRX is fully modular, enabling you to customize it with up to eight analog and/or digital audio I/O option cards to create a 64-channel interface for Pro Tools HD. You can install a maximum of six AD and/or DA cardsto support up to 48 analog channels. Or design an all-digital box - or any combination between. The Pro Tools MTRX Dual SDI/HD/3G Card enables the addition of 2 x 16 channels of SDI/HD/3G connections (embed/de-embed) withbuilt-in sample rate conversion.

Israel in Egypt - Händel, Georg Friedrich

Oratorio in three parts Edition in 2 volumes complete edition, score, Urtext edition 2SSolo/2ASolo/TSolo/2BSolo/2mixed choir-SATB/2Ob/2bassoon/2Trp/3trombone/timpani/Str/Bc Indbundet udgave

Symphony in Green : Symphony No. 2

As with the first symphony, the second symphony is not programmatic as such, but also takes its inspiration from the confrontation of man with his role in nature. Dedicated to the 2011 National Garden Show in Upper Austria, this symphony earned its subtitle Symphony in Green and explores musically the connotation of this colour as the colour of nature, of life and of hope.

Pro Tools MTRX 8 Line Pristine AD card : Hardware

Pro Tools MTRX is fully modular, enabling you to customize it with up to eight analog and/or digital audio I/O option cards to create a 64-channel interface for Pro Tools ¦ HD. You can install a maximum of six AD and/or DA cards to support up to 48 analog channels. Or design an all-digital box - or any combination between. The Pro Tools ¦ MTRX 8 Line Pristine AD Card enables the addition of eight channels of line-level analog inputs.

Solomon HWV 67 : Oratorio in three acts

Composed in 1748, Handel’s oratorio on the wise and righteous King Solomon is one of the most lavish works he created in this genre.He attached special importance to the choir: rarely does Handel’smusic have such extended choral numbers, ranging from homophonic settings to choruses of jubilation in eight contrapuntal parts.- Clear, straightforward piano reduction in the vocal score- Urtext of the Halle HandelEdition- Full score (BA10709-01) & vocal score (BA10709-90) available for sale- Performance material available for hire

The Cunning Little Vixen : Opera in three acts

Leos Janácek began composing his seventh opera, “The Cunning Little Vixen”, based on the popular feuilletons of Rudolf Tesnohlídek, in January 1922. The first copy of the score, since lost, was completed by Václav Sedlácek inOctober 1923, while the second copy was prepared by Jaroslav Kulhánek in January 1924. The world premiere took place on 6 November 1924 under the direction of Ota Zítek and was conducted by Frantisek Neumann. The vocal score waspublished in Czech before the event and then again in 1925 along with the German translation by Max Brod, which is something of a separate version of the text in its own right.This volume of the complete edition reprints thecritical edition by Jirí Zahrádka, which was published by Universal Edition in 2010. The present edition newly includes transcriptions of the libretto in three languages (Cz/Eng/Ger) and a detailed Critical Report (Eng). Theedition draws on all extant sources and – in consideration of Janácek’s active participation in rehearsals for the premiere production – integrates both the dynamics of František Neumann and the performance markings of Sir CharlesMackerras into the musical text.This is the third opera to be published in the complete edition, following “Fate” and “The Makropulos Affair”.

Agrippina HWV 6 : Opera in three acts

Handel’s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and thisvocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightlyconstructed, the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband, the Roman emperor Claudius. After he is presumed dead, she attempts with deception andintrigueto place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted orreplaced by other numbers, versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score(BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction

Symphony No. 9 in D minor Op. 125 Facsimile Score

With his ninth symphony, Beethoven ventured into new musical dimensions. In the final movement, soloists and choir join forces with the orchestra and Schiller’s “Ode to Joy” becomes a global aspiration, a declaration: “Alle Menschen werden Brüder ! / All mankind becomes brothers.”In his commentary the great Beethoven scholar Lewis Lockwood describes the plea which Beethoven wanted to deliver at that time with this work and how views of this have changed over the centuries. Jonathan Del Mar, a renowned editor of Beethoven’s works, comments on noteworthy passages in the autograph manuscript and allows the reader to share in the composer’s working process.,br>Already thelarge-format paper which Beethoven used for some passages makes the large forces clear. Cuts, sometimes reversed later, show how he wrestled with the final version of the musical text and refined it right down to the last detail.The history of the autograph manuscript reflects an episode in German history: after storage in various places because of the war, the major parts were returned to Berlin but were initially divided by the Berlin Wall and only reunited in 1990. Martina Rebmann who is the Director of the Music Department at the Staatsbibliothek zu Berlin traces this story.In 1972 the main theme of the last movement was chosen by the Council of Europe as the European anthem and in 1985 it was adopted by the European Community as its official anthem. In 2001 the manuscript was listed in UNESCO’s Memory of the World Register. For the first time the facsimile presents all the parts of the manuscript including pages preserved in Bonn and Paris as well as the trombone and contrabassoon parts.The first edition (2010) was awarded with the German Music Edition Prize “Best Edition” 2011. With his ninth symphony, Beethoven ventured into new musical dimensions. In the final movement, soloists and choir join forces with the orchestra and Schiller’s “Ode to Joy” becomes a global aspiration, a declaration: “Alle Menschen werden Brüder ! / All mankind becomes brothers.”In his commentary the great Beethoven scholar Lewis Lockwood describes the plea which Beethoven wanted to deliver at that time with this work and how views of this have changed over the centuries. Jonathan Del Mar, a renowned editor of Beethoven’s works, comments on noteworthy passages in the autograph manuscript and allows the reader to share in the composer’s working process.,br>Already thelarge-format paper which Beethoven used for some passages makes the large forces clear. Cuts, sometimes reversed later, show how he wrestled with the final version of the musical text and refined it right down to the last detail.The history of the autograph manuscript reflects an episode in German history: after storage in various places because of the war, the major parts were returned to Berlin but were initially divided by the Berlin Wall and only reunited in 1990. Martina Rebmann who is the Director of the Music Department at the Staatsbibliothek zu Berlin traces this story.In 1972 the main theme of the last movement was chosen by the Council of Europe as the European anthem and in 1985 it was adopted by the European Community as its official anthem. In 2001 the manuscript was listed in UNESCO’s Memory of the World Register. For the first time the facsimile presents all the parts of the manuscript including pages preserved in Bonn and Paris as well as the trombone and contrabassoon parts.The first edition (2010) was awarded with the German Music Edition Prize “Best Edition” 2011.

Iphigénie en Aulide - Iphigenie in Aulis - Gluck, Christoph Willibald

Opera in 3 acts Paris version complete edition, score, Urtext edition 3SSolo/MezSolo/TSolo/BarSolo/2BSolo/mixed choir/ballet/2Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/trombone/timpani/Str Indbundet udgave

Symphonie Fantastique Op. 14 : Faksimile Der Autographen Partitur In Der Bibliotheque Nationale De France

Facsimile of the autograph score held in the Bibliothèque nationale de FranceDocumenta musicologica II/532920 pp. of facsimile and 12 pp. of Commentary (Eng/Ger/French)Half-leather binding Loveand insanity, tenderness and vulgarity bordering on the grotesque: Hector Berlioz never avoided extremes, neither in his life nor in his oeuvre. His entire Symphonie fantastique is pervaded by a musical “idéefixe” representing a woman he adored. The symphony brought about his breakthrough and has remained popular ever since. The impact of his masterly approach to composition, especially in the treatment oftheorchestration, could still be felt in the 20th century. Berlioz revised the work for years before it finally reached its definitive version. He entered many of these changes in the autograph score, which was also usedfor performances, by pasting strips of paper over the bars or parts in question. This facsimile edition, in high-quality four-colour reproduction, presents the manuscript as it is today – with strips of paper that can befolded out, making both versions visible. Hugh Macdonald, General Editor of the New Berlioz Edition, explains the work’s genesis and presents particular passages from each movement.

Teaching Music through Performance in Band: Bundle : Volumes 1-11 books and CDs

Perfect for libraries, schools, and individuals! This best-selling series of books and CDs has quickly become an indispensable resource for music educators searching for the best possible music at all levels. Each book includes analyses of select pieces and insights from national leaders in the field. Recordings by top ensembles make this series truly invaluable. This bundle includes all 11 volumes in the Teaching Music through Performance in Band series plus all corresponding CDs at a specially discounted price. Build your library today!

The Makropulos Affair : Opera in three Acts, Brno Version

The new edition of Janácek’s penultimate opera “The Makropulos Affair” is a reconstruction of the work’s original version, which shows only a few deviations from the final version. The opera was premiered on 18 December 1926 at the National Theatre Brno with the composer in attendance. The second authorized copy of the score, prepared by Jaroslav Kulhánek, was used for the performance material. This copy also served as the primary source for the new critical edition of the full score. This edition features clearly marked performance instructions by one of the editors, the experienced Janácek conductor Tomáš Hanus. As they have been graphically offset, they can easily be distinguished from the original version.These practical suggestions facilitate the production of the opera and allow the conductor to study the work more easily. In this way, the performance material offers a welcome alternative to previous editions of the opera.

Mass In E Minor

World Musics In Context

KORG C1-WH - Hvid Digitalpiano

KORG C1 er et fremragende klaver, både som et alternativ til et akustisk instrument, eller hvor et traditionelt klaver ikke kan bruges. Designet og lavet i Japan med 30 realistiske instrumentlyde, herunder samplinger af både tysk og japansk flygel. Stativet med indbyggede højttalere gør dette digitalklaver til et smukt møbel, der passer lige godt på scenen som i ethvert hjem. Et utroligt overkommeligt digitalklaver i ægte Korg-kvalitet! Specifikationer C1 WH: Hvid digitalpiano 88 vægtede & anslagsfølsomme tangenter 30 fremragende klaverlyde 50 demosange Indbygget reverb, brilliance & chorus 120 stemmers maks. polyfoni 2 x25w forstærker 2x 100 x 20mm indbyggede højtalere Udgange: Line- & 2 stk. hovedtelefonudgange med 3,5mm minijackstrik MIDI In & Out Stativ med indbyggede højtalere, 3-vejspedal og adapter inkluderet Bredde: 1346mm Dybde: 347mm Højde: 770mm Vægt: 35 kg   KORG - Innovation siden -60’erne Korg blev grundlagt i Japan i begyndelsen af 60'erne af Tsutomu Katoh og hans kollega Tadashi Osanai. Virksomheden hed oprindeligt Keio Electronic Laboratories og flyttede ind i sine første lokaler i 1962. Navnet Keio blev valgt, fordi det indeholdt initialerne til de to grundlæggeres efternavne. Det var også navnet på jernbanelinjen, der passerede lige uden for vinduet på deres værksted. I 1963 blev Katohs og Osanais første produkt DoncaMatic DA-20, en elektronisk rytmeboks baseret på et system af roterende diske, introduceret. DA-20 fik en efterfølger i DA-11, en helt igennem elektronisk DoncaMatic-model. Et par år senere blev Katoh kontaktet af Fumio Mieda, en ingeniør, der ønskede at bygge en ny type orgel. I modsætning til de fleste af datidens orgler var Miedas version programmérbar. Selvom han selv brugte ordet orgel, havde Mieda i realiteten konstrueret en synthesizer. Halvtreds eksemplarer blev fremstillet og solgt under det nye navn Korg, som var en sammentrækning af navnet Keio og Organ (engelsk for orgel, som bekendt).   I løbet af 70'erne udviklede Korg en række synthesizermodeller som Mini Basket, PE-1000 Polyphonic Ensamble og MS-20. Virksomheden begrænsede sig ikke kun til forskellige synthesizere. I 1975 lancerede de verdens allerførste tuner i lommestørrelse, WT-10, et produkt, der siden har fået utallige tilhængere. I 1981 kom PolySix, en synthesizer, der var unik, fordi den både var programmérbar, polyfonisk og (måske vigtigst af alt) så billig, at stort set alle havde råd til at købe en. Et andet stort udviklingsskridt blev taget i 1988 med Korg M1, en synthesizer, der indeholdt realistiske sample-baserede lyde, trommemaskine, sequencer og digital effektenhed, alt sammen kombineret til et instrument - verdens første workstation, kort sagt.

Complete Letters in 12 Volumes : Set of 12 Books and CD-Rom

Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture. As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt. The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated. This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe. The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made. This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos. The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived. The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete). - German text only

Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The earlyversions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in aseparate edition BA 8713 in 2016.)Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching andduring the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire sourcematerial now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions inwhose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that isrooted in the tradition of the opéra comique.Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin andMarguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”,and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed.Only in details of orchestration do other numbers differ from the well-known pieces.

KORG B2-WH - Hvid Digitalpiano

88-tangenters digitalpiano med fantastisk spilfornemmelse og 12 gode pianolyde Digitalpiano med 12 nøje udvalgte pianolyde og 88 vægtede tangenter, som giver en skøn spilfornemmelse med god dynamik. Modellen leveres med et aftageligt nodestativ, som du let kan montere. Du kan også fuldende med et flot gulvstativ i træ samt trippelpedalen PU-2. Et meget prisrigtigt digitalpiano i Korg-kvalitet!   Specifikationer B2-BK: Sort digitalpiano 88 vægtede & anslagsfølsomme tangenter 12 pianolyde 12 demosange Indbygget reverb & chorus 120 stemmers maks. polyfoni 2 x15w forstærker 2 x 100 mm x 50 indbyggede højtalere Kombineret Line- & hovedtelefonudgang med 3,5mm minijackstik Audioindgang med 3,5mm minijackstik USB Type B-stik Indgang for pedal PU-2 (sælges separat) Ekstra tilbehør: Stativ STB1-BK (sælges separat) Aftageligt nodestativ, sustainpedal & adapter inkluderet Bredde: 1312mm Dybde: 336mm Vægt: 11,4 kg KORG - Innovation siden -60’erne Korg blev grundlagt i Japan i begyndelsen af 60'erne af Tsutomu Katoh og hans kollega Tadashi Osanai. Virksomheden hed oprindeligt Keio Electronic Laboratories og flyttede ind i sine første lokaler i 1962. Navnet Keio blev valgt, fordi det indeholdt initialerne til de to grundlæggeres efternavne. Det var også navnet på jernbanelinjen, der passerede lige uden for vinduet på deres værksted. I 1963 blev Katohs og Osanais første produkt DoncaMatic DA-20, en elektronisk rytmeboks baseret på et system af roterende diske, introduceret. DA-20 fik en efterfølger i DA-11, en helt igennem elektronisk DoncaMatic-model.   Et par år senere blev Katoh kontaktet af Fumio Mieda, en ingeniør, der ønskede at bygge en ny type orgel. I modsætning til de fleste af datidens orgler var Miedas version programmérbar. Selvom han selv brugte ordet orgel, havde Mieda i realiteten konstrueret en synthesizer. Halvtreds eksemplarer blev fremstillet og solgt under det nye navn Korg, som var en sammentrækning af navnet Keio og Organ (engelsk for orgel, som bekendt). I løbet af 70'erne udviklede Korg en række synthesizermodeller som Mini Basket, PE-1000 Polyphonic Ensamble og MS-20. Virksomheden begrænsede sig ikke kun til forskellige synthesizere. I 1975 lancerede de verdens allerførste tuner i lommestørrelse, WT-10, et produkt, der siden har fået utallige tilhængere. I 1981 kom PolySix, en synthesizer, der var unik, fordi den både var programmérbar, polyfonisk og (måske vigtigst af alt) så billig, at stort set alle havde råd til at købe en. Et andet stort udviklingsskridt blev taget i 1988 med Korg M1, en synthesizer, der indeholdt realistiske sample-baserede lyde, trommemaskine, sequencer og digital effektenhed, alt sammen kombineret til et instrument - verdens første workstation, kort sagt.  

KORG B2-BK - Sort Digitalpiano

88-tangenters digitalpiano med fantastisk spilfornemmelse og 12 gode pianolyde Digitalpiano med 12 nøje udvalgte pianolyde og 88 vægtede tangenter, som giver en skøn spilfornemmelse med god dynamik. Modellen leveres med et aftageligt nodestativ, som du let kan montere. Du kan også fuldende med et flot gulvstativ i træ samt trippelpedalen PU-2. Et meget prisrigtigt digitalpiano i Korg-kvalitet!   Specifikationer B2-BK: Sort digitalpiano 88 vægtede & anslagsfølsomme tangenter 12 pianolyde 12 demosange Indbygget reverb & chorus 120 stemmers maks. polyfoni 2 x15w forstærker 2 x 100 mm x 50 indbyggede højtalere Kombineret Line- & hovedtelefonudgang med 3,5mm minijackstik Audioindgang med 3,5mm minijackstik USB Type B-stik Indgang for pedal PU-2 (sælges separat) Ekstra tilbehør: Stativ STB1-BK (sælges separat) Aftageligt nodestativ, sustainpedal & adapter inkluderet Bredde: 1312mm Dybde: 336mm Vægt: 11,4 kg KORG - Innovation siden -60’erne Korg blev grundlagt i Japan i begyndelsen af 60'erne af Tsutomu Katoh og hans kollega Tadashi Osanai. Virksomheden hed oprindeligt Keio Electronic Laboratories og flyttede ind i sine første lokaler i 1962. Navnet Keio blev valgt, fordi det indeholdt initialerne til de to grundlæggeres efternavne. Det var også navnet på jernbanelinjen, der passerede lige uden for vinduet på deres værksted. I 1963 blev Katohs og Osanais første produkt DoncaMatic DA-20, en elektronisk rytmeboks baseret på et system af roterende diske, introduceret. DA-20 fik en efterfølger i DA-11, en helt igennem elektronisk DoncaMatic-model.   Et par år senere blev Katoh kontaktet af Fumio Mieda, en ingeniør, der ønskede at bygge en ny type orgel. I modsætning til de fleste af datidens orgler var Miedas version programmérbar. Selvom han selv brugte ordet orgel, havde Mieda i realiteten konstrueret en synthesizer. Halvtreds eksemplarer blev fremstillet og solgt under det nye navn Korg, som var en sammentrækning af navnet Keio og Organ (engelsk for orgel, som bekendt). I løbet af 70'erne udviklede Korg en række synthesizermodeller som Mini Basket, PE-1000 Polyphonic Ensamble og MS-20. Virksomheden begrænsede sig ikke kun til forskellige synthesizere. I 1975 lancerede de verdens allerførste tuner i lommestørrelse, WT-10, et produkt, der siden har fået utallige tilhængere. I 1981 kom PolySix, en synthesizer, der var unik, fordi den både var programmérbar, polyfonisk og (måske vigtigst af alt) så billig, at stort set alle havde råd til at købe en. Et andet stort udviklingsskridt blev taget i 1988 med Korg M1, en synthesizer, der indeholdt realistiske sample-baserede lyde, trommemaskine, sequencer og digital effektenhed, alt sammen kombineret til et instrument - verdens første workstation, kort sagt.  

Brokeback Mountain : Opera in Two Acts