Love Is All You Need : (A Tribute to The Beatles )

Master arranger Bruce Healey brings us a spectacular showcase of pop music's greatest act with 13 memorable songs, each given a new creative treatment in this stunning symphonic arrangement. Includes: All My Loving, All YouNeed Is Love, Blackbird, Can't Buy Me Love, Come Together, Day Tripper, Here Comes The Sun, If I Fell, Lady Madonna, Let It Be, Ob-La-Di, Ob-La-Da, Something, and Yesterday.

Pro Tools MTRX Pristine 8 DA card : Hardware

Developed for Avid by Digital Audio Denmark, the Pro Tools | MTRX is a powerful multi-format I/O for Pro Tools. It can be used as both a Pro Tools HD Interface or an integrated monitor section for Avid Control Surfaces and Pro Tools, for use in the most demanding Immersive Post Production and Music Studios. Features include modular interface options, Eucon controlled monitor functionality, a massive integrated router and exceptionally high quality analog input, output and Mic Pre card options. AD Preamp Cards can be added for control of 48 high quality remote mic preamps supporting the EUCON and the Avid PRE protocol.

Pro Tools HD I/O DA Option Card : Hardware

Expand your I/O capabilities with Avid Pro Tools HD Expansion Cards. For starters, these expansion cards sport all new convertors that are even better than the previous incarnations. Then Avid decoupled the power supply from the convertors, further enhancing sound quality and decreasing jitter. When coupled to your choice of compatible Pro Tools HD interfaces (and their sonic enhancements), the world's leading audio production system just got better! This is an Avid Pro Tools HD Expansion Card for digital-to-analog conversion.Expansion board for the Avid HD I/O8 high quality analog outputs with premium analog circuitryUltra low latencystate-of-the-art digital-to-analog conversionExpand the analog outputs on the chassis or swap out cards for customized configurations

La buona figliuola - Piccinni, Niccolò

edition of selected works, score, Urtext edition 5SSolo/TSolo/2BarSolo/2Fl/2Ob/2Trp/2Hn/2V/V/Basso Indbundet udgave

Le Temple de la Gloire

La damnation de Faust - Berlioz, Hector

LÞgende dramatique in four parts complete edition, score, Urtext edition MezSolo/TSolo/BarSolo/BSolo/mixed choir: SSTTBB/children choir: SS/3Fl/2Ob/2clarinet/clarinet-B/4bassoon/4Hn/2Trp/2Pist/3trombone/Op/Tb/timpani/percussion/8/10harp/Str Indbundet udgave

Pro Tools MTRX 8 Line Pristine AD card : Hardware

Pro Tools MTRX is fully modular, enabling you to customize it with up to eight analog and/or digital audio I/O option cards to create a 64-channel interface for Pro Tools ¦ HD. You can install a maximum of six AD and/or DA cards to support up to 48 analog channels. Or design an all-digital box - or any combination between. The Pro Tools ¦ MTRX 8 Line Pristine AD Card enables the addition of eight channels of line-level analog inputs.

La clemenza di Tito - Gluck, Christoph Willibald

Dramma per musica in 3 acts Neapel 1752 Generalbassaussetzung: Franz Giegling complete edition, score, Urtext edition 5SSolo/TSolo/2Fl/2Ob/2bassoon/2Hn/2Trp/2V/Va/harpisc./Vc/double bass Indbundet udgave

Pro Tools MTRX Dual SDI/HD/3G Card : Hardware

Pro Tools MTRX is fully modular, enabling you to customize it with up to eight analog and/or digital audio I/O option cards to create a 64-channel interface for Pro Tools HD. You can install a maximum of six AD and/or DA cardsto support up to 48 analog channels. Or design an all-digital box - or any combination between. The Pro Tools MTRX Dual SDI/HD/3G Card enables the addition of 2 x 16 channels of SDI/HD/3G connections (embed/de-embed) withbuilt-in sample rate conversion.

Le nozze di Figaro (Die Hochzeit des Figaro) KV492 : Complete Edition hardcover, Opera buffa in four acts

Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart’s and Lorenzo Da Ponte’s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was notentirely due to Mozart’s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work’s spread outside the German-speakingcountries. At least equally responsible for the opera’s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Manyof the sources for Mozart’s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ‘New Mozart Edition’ volume was published. These include the autograph scores of acts 3 and4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor’s copy from the first performance of 1786.These original sources, now available again,offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ‘New Mozart Edition’ reflecting the latest musicological researchWith findings from originalsources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01), Vocal score (BA4565-92), study score format 22.5 x 16.5cm & Facsimile (BVK1882) available for saleV43 Performance material(BA4565-72) available to hire

Suite from It's a Wonderful Life

Includes optional vocal solo and SATB choir (40 parts included). Theme may be performed year-round as a single movement. I. Prologue II. Theme III. Christmas Eve Finale

Cosý fan tutte ossia La scuola degli amanti - Mozart, Wolfgang Amadeus

Dramma giocoso in two acts 2 Parts complete edition, score, Urtext edition 3SSolo/TSolo/2BSolo/mixed choir-SATB/2Fl/2Ob/2clarinet/BaHn/2bassoon/2Hn/2Trp/timpani/Str/Bc half-leather binding

Cosý fan tutte ossia La scuola degli amanti - Mozart, Wolfgang Amadeus

Dramma giocoso in two acts 2 Parts complete edition, score, Urtext edition 3SSolo/TSolo/2BSolo/mixed choir-SATB/2Fl/2Ob/2clarinet/BaHn/2bassoon/2Hn/2Trp/timpani/Str/Bc Indbundet udgave

The Adventures of Han : From Solo: A Star Wars Story

From Solo: A Star Wars Story Performance time - ca. 3:45

Cloud Microphones 44-A Active Ribbon Microphone

Voice or Music The Cloud 44-A is the first and only active ribbon microphone with switchable Voice/Music response curves. Voice Setting Instantly reduces the bass proximity effect associated with being close to the microphone. Reduces rumble and vibration. Music Setting Full bass response at close proximity for a variety of sources that require that special ribbon micsound. Made in the USA Shipped in a road-ready custom wood case. Two year ribbon warranty and free limited lifetime warranty on all other parts. Specifications Figure 8 polar pattern, excellent side null rejection Frequency Response: 20 Hz to above 20 kHz Maximum SPL: 138 + dB SPL above 1 kHz Output Sensitivity: -28 dBv/Pa Output Impedance (in Ohms): 150 ohms Phantom Powered “Cloudlifter” Class A, Discrete Circuity Ribbon dimensions: .19" wide, 2.35" long, 1.8 microns thick New mount offers 180 degree range of motion Internally shock mounted 2 year ribbon warranty Free limited lifetime warranty on all other parts Handmade entirely in the USA Dimensions: 7.75” x 3” x 1.75” Weight: 1.07lbs Recommended Load (in Ohms): 1kohm or greater Supply Current: 4mA Filter Frequency: 80Hz

International Inventory of Musical Sources (RISM), series A/I. Individual Prints before 1800, Database on CD-ROM -

with user manual Additional copies for libraries available at a reduced price upon request CD-Rom

La grotta di Trofonio, opera comica in 2 acts : Libretto, Giovanni Battista Casti, Wien, 12 October 1785

Les Indes Galantes RCT 44 : Ballet Heroïque With A Prologue and Four Acts

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.Sylvie Bouissou’s new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer’s need for Rameau’s various revisions while finally making accessible a version actually authorised byRameau. For the first time it is presented in its complete stylistic and dramatic context.

Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The earlyversions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in aseparate edition BA 8713 in 2016.)Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching andduring the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire sourcematerial now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions inwhose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that isrooted in the tradition of the opéra comique.Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin andMarguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”,and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed.Only in details of orchestration do other numbers differ from the well-known pieces.

Opera serias which have been fragmentarily handed down: Artaserse (Mailand 1741) / Il Tigrane (Crema 1743) / La Sofonisba (Mailand 1744) / L'Ippolito

Drammi per musica Continuo realization: Thomas Hauschka complete edition, score, Anthology, Urtext edition Soli/Orch Indbundet udgave

The Venetian Collection

The Venetian Collection by Johan de Meij consists of four movements which are all a musical reflection of the four paintings of the same names from the Peggy Guggenheim Museum in Venice.Voice of Space is the first movement of The Venetian Collection. The picture on which the music is based on was painted by the Belgian surrealist artist René Magritte. Along with Ensor, Permeke and Delvaux he was one of the most important painters of the 20th century.The Red Tower was inspired by the painting of the same name (La Torre Rossa) by the Italian artist Giorgio de Chirico, and was awarded first prize in the International Composition Contest in Oman. One of the towers of the mediaevalwalls of the Italian town of Soncino (home to the band for whom Johan de Meij wrote the work for) shows a remarkable resemblance to the tower in the work of De Chirico. Magic Garden contrasts starkly with the other movements of the cycle. As with the painting, Johan de Meij has tried to reflect the colourful, naive dream world of Paul Klee. The transparent texture, in which the woods play an important role, makes a striking impression throughout this serene movement.Empire of Light is also based on a work by René Magritte. He was a versatile and productive artist producing over 1100 paintings and 700 gouaches. Johan de Meij used the painting Empire of Light as his theme for the last movement of his Venetian Collection.

A Marvin Hamlisch Celebration

Nobody Does It Better At the Ballet The Entertainer They're Playing My Song The Way We Were One What I Did for Love

A Tribute to Irving Berlin

Includes: Alexander's Ragtime Band; Always; Anything You Can Do; Blue Skies; How Deep Is the Ocean (How High Is the Sky); Puttin' on the Ritz; There's No Business Like Show Business

KORG B2-WH - Hvid Digitalpiano

88-tangenters digitalpiano med fantastisk spilfornemmelse og 12 gode pianolyde Digitalpiano med 12 nøje udvalgte pianolyde og 88 vægtede tangenter, som giver en skøn spilfornemmelse med god dynamik. Modellen leveres med et aftageligt nodestativ, som du let kan montere. Du kan også fuldende med et flot gulvstativ i træ samt trippelpedalen PU-2. Et meget prisrigtigt digitalpiano i Korg-kvalitet!   Specifikationer B2-BK: Sort digitalpiano 88 vægtede & anslagsfølsomme tangenter 12 pianolyde 12 demosange Indbygget reverb & chorus 120 stemmers maks. polyfoni 2 x15w forstærker 2 x 100 mm x 50 indbyggede højtalere Kombineret Line- & hovedtelefonudgang med 3,5mm minijackstik Audioindgang med 3,5mm minijackstik USB Type B-stik Indgang for pedal PU-2 (sælges separat) Ekstra tilbehør: Stativ STB1-BK (sælges separat) Aftageligt nodestativ, sustainpedal & adapter inkluderet Bredde: 1312mm Dybde: 336mm Vægt: 11,4 kg KORG - Innovation siden -60’erne Korg blev grundlagt i Japan i begyndelsen af 60'erne af Tsutomu Katoh og hans kollega Tadashi Osanai. Virksomheden hed oprindeligt Keio Electronic Laboratories og flyttede ind i sine første lokaler i 1962. Navnet Keio blev valgt, fordi det indeholdt initialerne til de to grundlæggeres efternavne. Det var også navnet på jernbanelinjen, der passerede lige uden for vinduet på deres værksted. I 1963 blev Katohs og Osanais første produkt DoncaMatic DA-20, en elektronisk rytmeboks baseret på et system af roterende diske, introduceret. DA-20 fik en efterfølger i DA-11, en helt igennem elektronisk DoncaMatic-model.   Et par år senere blev Katoh kontaktet af Fumio Mieda, en ingeniør, der ønskede at bygge en ny type orgel. I modsætning til de fleste af datidens orgler var Miedas version programmérbar. Selvom han selv brugte ordet orgel, havde Mieda i realiteten konstrueret en synthesizer. Halvtreds eksemplarer blev fremstillet og solgt under det nye navn Korg, som var en sammentrækning af navnet Keio og Organ (engelsk for orgel, som bekendt). I løbet af 70'erne udviklede Korg en række synthesizermodeller som Mini Basket, PE-1000 Polyphonic Ensamble og MS-20. Virksomheden begrænsede sig ikke kun til forskellige synthesizere. I 1975 lancerede de verdens allerførste tuner i lommestørrelse, WT-10, et produkt, der siden har fået utallige tilhængere. I 1981 kom PolySix, en synthesizer, der var unik, fordi den både var programmérbar, polyfonisk og (måske vigtigst af alt) så billig, at stort set alle havde råd til at købe en. Et andet stort udviklingsskridt blev taget i 1988 med Korg M1, en synthesizer, der indeholdt realistiske sample-baserede lyde, trommemaskine, sequencer og digital effektenhed, alt sammen kombineret til et instrument - verdens første workstation, kort sagt.  

KORG B2-BK - Sort Digitalpiano

88-tangenters digitalpiano med fantastisk spilfornemmelse og 12 gode pianolyde Digitalpiano med 12 nøje udvalgte pianolyde og 88 vægtede tangenter, som giver en skøn spilfornemmelse med god dynamik. Modellen leveres med et aftageligt nodestativ, som du let kan montere. Du kan også fuldende med et flot gulvstativ i træ samt trippelpedalen PU-2. Et meget prisrigtigt digitalpiano i Korg-kvalitet!   Specifikationer B2-BK: Sort digitalpiano 88 vægtede & anslagsfølsomme tangenter 12 pianolyde 12 demosange Indbygget reverb & chorus 120 stemmers maks. polyfoni 2 x15w forstærker 2 x 100 mm x 50 indbyggede højtalere Kombineret Line- & hovedtelefonudgang med 3,5mm minijackstik Audioindgang med 3,5mm minijackstik USB Type B-stik Indgang for pedal PU-2 (sælges separat) Ekstra tilbehør: Stativ STB1-BK (sælges separat) Aftageligt nodestativ, sustainpedal & adapter inkluderet Bredde: 1312mm Dybde: 336mm Vægt: 11,4 kg KORG - Innovation siden -60’erne Korg blev grundlagt i Japan i begyndelsen af 60'erne af Tsutomu Katoh og hans kollega Tadashi Osanai. Virksomheden hed oprindeligt Keio Electronic Laboratories og flyttede ind i sine første lokaler i 1962. Navnet Keio blev valgt, fordi det indeholdt initialerne til de to grundlæggeres efternavne. Det var også navnet på jernbanelinjen, der passerede lige uden for vinduet på deres værksted. I 1963 blev Katohs og Osanais første produkt DoncaMatic DA-20, en elektronisk rytmeboks baseret på et system af roterende diske, introduceret. DA-20 fik en efterfølger i DA-11, en helt igennem elektronisk DoncaMatic-model.   Et par år senere blev Katoh kontaktet af Fumio Mieda, en ingeniør, der ønskede at bygge en ny type orgel. I modsætning til de fleste af datidens orgler var Miedas version programmérbar. Selvom han selv brugte ordet orgel, havde Mieda i realiteten konstrueret en synthesizer. Halvtreds eksemplarer blev fremstillet og solgt under det nye navn Korg, som var en sammentrækning af navnet Keio og Organ (engelsk for orgel, som bekendt). I løbet af 70'erne udviklede Korg en række synthesizermodeller som Mini Basket, PE-1000 Polyphonic Ensamble og MS-20. Virksomheden begrænsede sig ikke kun til forskellige synthesizere. I 1975 lancerede de verdens allerførste tuner i lommestørrelse, WT-10, et produkt, der siden har fået utallige tilhængere. I 1981 kom PolySix, en synthesizer, der var unik, fordi den både var programmérbar, polyfonisk og (måske vigtigst af alt) så billig, at stort set alle havde råd til at købe en. Et andet stort udviklingsskridt blev taget i 1988 med Korg M1, en synthesizer, der indeholdt realistiske sample-baserede lyde, trommemaskine, sequencer og digital effektenhed, alt sammen kombineret til et instrument - verdens første workstation, kort sagt.