Joaquin Turina: Saeta En Forma De Salve A La Virgen De La Esperanza

Saeta En Forma De Salve A La Virgen De La Esperanza is a 1932 work by Spanish composer, Joaquin Turina. This version has been edited by Alvarez Quintero and is for Voice with Piano accompaniment.

Montsalvatge: Tres Fados Ilusorios Para Guitarra

Three Fados arranged for guitar. Da Moureria and Da Chicago are inspired by the characteristic atmosphere of Lisbon districts, and Da Regeira by a narrow street of La Alfamam, in the centre of the old city.

Tomas Breton: La Verbena De La Paloma No.2

La Verbena de la Paloma No.2 Para Voce y Piano. Letra de D Ricardo de la Vega.

Tomas Breton: La Verbena De La Paloma No.5

La Verbena De La Paloma No.5 (Habanera Concertante) para voce y piano. Letra de D.Ricardo De La Vega.

Chueca: Duo De La Alegria de la Huerta

Movement number 2 of the zarzuela La Alegria De La Huerta (UMV53140) by Chueca . Duet for Voice and Piano.

Toldra La Rosa Als Llavis Voice/piano

I El Vent Deixava Dintre La RosellaMocador D'olorSere A Ta Cambra AmigaSi Anessis Tan LlunyVisca L'amor

Valverde La Marcha Da Cadiz (libreto)

Federico Chueca and Joaquin Valverde: La Gran Via No. 3 Tango De La Menegilda

La Gran Via Zarzuela en un acto. No.3 Tango De La Menegilda para voce y piano. Letra de D.F. Perez.

Enrique Morera: La Nit De Lamor - Sardana Llarga

La Nit De Lamor - Sardana Llarga is a romantic and sumptuous work for solo Piano by Enrique Morera.

Breton: Verbena De La Paloma

Breton, 'Verbena De La Paloma' for voice and piano.

Enrique Granados: La Maja De Goya (Tonadilla) (Guitar)

La Maja De Goya from Tonadilla by Enrique Granados. A wonderfuil piece for Guitar solo, transcribed from the original setting, by Muiguel Llobet in 1994.

Francisco Tarrega: Estudio En La Mayor

Estudio en la Mayor by Francisco Tarrega for the guitar.

Francisco Alonso: Madrigal (From La Picarona)

Written for voice and piano. Movement no.8 from La Picarona.

Sebastian Yradier: La Paloma Habanera

The classic La Paloma Habanera which was the source material for Bizet's Habanera from Carmen. Born on January 20, 1809 in Lanciego, in the province of Álava. His publisher in Paris urged him to universalize his name, from Iradier to Yradier. He is known primarily for his habaneras, especially the one titled La Paloma, written around 1860 after a visit to Cuba. La Paloma was extremely popular in both Spain and America (especially Mexico), where it was responsible for the great popularity achieved by the habanera. Another of Iradier's compositions is El Arreglito, an habanera used by Georges Bizet in his opera Carmen. Bizet, thinking it was a folk song, took the melody of El Arreglito and created what is known today as the Habanera from Carmen: the song L'amour est un oiseau rebelle

Jose Padilla: La Violetera (ed. Biok)

Jose Padilla's La Violetera written for accordion and harmonica, edited by Acheter Biok.

Enrique Morera: La Santa Espina - Sardana (Piano)

La Santa Espina - Sardana by Enrique Morera, for the solo Piano.

Espla La Pajara Pinta Piezas Infantiles Piano

'La Pajara Pinta' Piezas Infantiles for the piano by Oscar Espla.

Regino Sainz De La Maza: Musica para Guitarra

A superb collection for guitar solo by the celebrated Spanish composer Regino Sainz De La Maza, one of the most important guitarists of the 20th century whose work succeeded in bringing the guitar to prominence as a virtuoso solo instrument.

Eduardo Sainz de la Maza: Rondena For Guitar

Rondena by Eduardo Sainz de la Maza for the guitar.

Bach: Badinerie De La Suite No. 12 In B Minor BWV 1067

Badinerie de la suite no.2 en si menor para flauta dulce y guitarra. Transcripcion de R.Sainz De La Maza.

Fransico Alonso: Mazurka Del Polison (From La Picarona)

Written for voice and piano. Movement no.2 from La Picarona.

Eduardo Sainz De La Maza: Campanas Del Alba

Eduardo Sainz De La Maza's Campanas Del Alba for solo Guitar.

Eduardo Sainz De La Maza: Platero Y Yo Suite

Platero Y Yo (Platero and I) is a suite of eight short works inspired by a set of poems that Nobel Prize-winning author Juan Ramón Jiménez.wrote about a donkey, and his home region of Andalusia. The words of the poems are to be read over the performance of the witty, modern Andalusian-inspired music. It is a charming work that has performed and recorded many times.Composer and Guitarist Eduardo Sainz De La Maza was a twentieth century Spanish composer, brother of the better known Regino Sainz De La Maza. This suite is his most famous work, along with Campanas del Alba.

Giovanni Palestrina: Credo De La Misa 'Papae Marcelli'

Credo De La Misa 'Papae Marcelli' by Giovanni Palestrina, for six voices.

Bach Allegro (r Sainz De La Maza) Guitar

Bach Allegro revised by R. Sainz de la Maza for the guitar.