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A Guitar Lesson With David Bromberg

Bert Jansch Conundrum: Thirteen Down

Rolly Brown: A Nuts & Bolts Approach To Melody

Rolly Brown: A Nuts & Bolts Approach To Chords

David Bromberg And His Big Band In Concert

David Bromberg And His Big Band In Concert

For a man who quit an established recording career in order to study the fine art of making violins, David Bromberg sure knows how to work a room. A veteran sideman to Dylan, Ringo Starr and Jerry Jeff Walker, as well as a solo performer and bandleader of more than 40 years standing, the bearded and bespectacled Bromberg may have kept a low profile through the so-called MTV era. But he didn't sleep through the more recent recording industry implosion and its attendant rise of the Pod People. Rather, he took his boundary busting energy back to the live stage, with the Count Basie Theatre in Red Bank, New Jersey playing a big role in this master entertainer's game plan.The multi-instrumentalist and musicologist has made the Count Basie Theatre a crucial pit stop in his annual tour schedule for each of the last four years ... While Bromberg may take the spotlight for an unaccompanied number or two, it's his role as bandleader and raconteur that prompted the New York Times to brand him "electrifying." A performance by the 12-piece David Bromberg Big Band fireballs forward like a bull in a used record shop, tracing its own musical logic - Bob Wills to Bob Dylan to Bo Diddley to Dave Dudley - with station stops anywhere from Sam Cooke to "a bluegrass tribute to Ethel Merman." Not to mention some fondly remembered originals from his vintage albums and a lot of things that you thought had been written by the Grateful Dead, Patsy Cline, Cab Calloway or even the Clash.Titles include: Sloppy Drunk, I'll Take You Back, Dark Hollow, Make Me A Pallet On Your Floor, Who's Lovin' You Tonight, This Love Affair, Tongue, It Takes A Lot To Laugh It Takes A Train To Cry, If You Don't Want Me, Nobody's, Sharon and Driving Wheel

SEK 267.00
1

Fiddle Tunes For Fingerstyle Guitar

Spiced Up Fingerstyle Arrangements : Taught by Cory Seznec

Spiced Up Fingerstyle Arrangements : Taught by Cory Seznec

This lesson features a mixed bag of six songs arranged in a variety of ways with the idea of adding some spicy seasoning to the fingerpicker’s cookbook. The lesson employs tricks and licks that Cory has picked up over the years in his quest to find his own “style”. In this almost four hour lesson each song has it’s own built-in exercises for fingerpicker’s looking to head in new directions. The old standard A Sin To Tell A Lie becomes a highly arpeggiated waltz with some fun licks up the neck. Somebody Stole My Gal incorporates counterpoint, chord inversions, and nice bass movement. The old jug band tune Sadie Green (The Vamp of New Orleans) gets revamped with a feel that bounces from down low New Orleans rumba to punchy ragtime picking and back again. A highly unorthodox treatment of Blind Willie McTell’s East St Louis Blues gets deep into Cooder-esque syncopation, and a chorus was added to make it a little less repetitive. The instrumental “showpiece” No Hiding Place was influenced by Cool John Ferguson’s virtuosic zinger off of a Music Maker Relief Foundation music compilation (likely Ferguson’s take on the old gospel number No Hiding Place Down Here), and then taken on a bunch of detours. Those looking to “Africanize” their playing will enjoy Cory’s take on The Parting Glass which takes this old Celtic drinking ballad on a trip to east Africa, featuring funky polyrhythms and muted strings in 12/8. Titles include: Somebody Stole My Gal, A Sin To Tell A Lie, East St Louis Blues, Sadie Green (The Vamp of New Orleans), No Hiding Place, The Parting Glass

SEK 377.00
1

Scott Nygaard: Bluegrass Lead Guitar - Fiddle Tunes, Crosspicking And Blues

Cory Seznec: New Orleans Fingerstyle Blues Guitar (DVD)

Ton Van Bergeyk: Lulu's Back In Town - Hot Guitar Solos

Martin Carthy: British Fingerstyle Guitar

Hot Licks : Exercises and Creative Tips for the Electric Guitarist

Hot Licks : Exercises and Creative Tips for the Electric Guitarist

In this lesson we will explore Alberto Lombardi’s approach to single note techniques on the electric guitar. The electric guitar has always been Alberto’s main instrument, despite his deep love for fingerstyle acoustic guitar. Growing up as a musician in the early 1990s, there was a lot of focus on technique but at the same time Alberto was fascinated by the players that used their instrument in a very musical way, i.e. with unusual picking and note choice solutions. He was oriented by “pure” techniques like speed with alternate picking or super fast tapping, but he also loved fast flying phrases that were at the same time flashy and musical. As in his “Hot Licks for the Acoustic Guitarist” lesson, the aim in this lesson is to collect patterns and ideas to build a vocabulary, strengthen the hands and open a path to further exploring. Two recommendations: 1) Consider this lesson just a starting point, make your own variations and adaptations. 2) Start slowly and always use a metronome, this will help build a clean technique and sound. In this lesson we will explore and study: Legatos Alternate Picking Hybrid Picking Sweep Picking Bending Notes Finger Strengthening Exercises And lots of Hot LicksIn this lesson we will explore Alberto Lombardi’s approach to single note techniques on the electric guitar. The electric guitar has always been Alberto’s main instrument, despite his deep love for fingerstyle acoustic guitar. Growing up as a musician in the early 1990s, there was a lot of focus on technique but at the same time Alberto was fascinated by the players that used their instrument in a very musical way, i.e. with unusual picking and note choice solutions. He was oriented by “pure” techniques like speed with alternate picking or super fast tapping, but he also loved fast flying phrases that were at the same time flashy and musical. As in his “Hot Licks for the Acoustic Guitarist” lesson, the aim in this lesson is to collect patterns and ideas to build a vocabulary, strengthen the hands and open a path to further exploring. Two recommendations: 1) Consider this lesson just a starting point, make your own variations and adaptations. 2) Start slowly and always use a metronome, this will help build a clean technique and sound. In this lesson we will explore and study: Legatos Alternate Picking Hybrid Picking Sweep Picking Bending Notes Finger Strengthening Exercises And lots of Hot Licks

SEK 292.00
1

Spirituals For Fingerstyle Guitar : Taught by Cory Seznec

Fingerpicking Blues Guitar Solos

Advanced Fingerpicking Guitar Techniques: Blues Guitar

Happy Traum: American Stranger

Happy Traum: American Stranger

This collection brings together Happy Traum's second Kicking Mule album in an enhanced CD along with a separate DVD of Happy in a solo concert in 1981.Here's what Eric Andersen said about American Stranger: "Haunted and ancient. That's how Golden Bird sounded the first time Happy sang it to me. Catskill Rip Van Winkle poetry. And true. Nothing strange there. A wizard's hand appeared from the dark wood. Diamonds that glitter and gold that shines. Catskill magic. The strings weave through the trees and out again into our ears. Remember when neighbors lived far away and people were seldom seen? Our ancestors in Appalachia and the Smokies? Dulcimers, fiddles, and psalteries were our only telephones then. They made us less lonely, for the mountains possessed us in the dark. No other music quite ever retrieved like mountain music the irretrievable like love or life lost forever. The strings and wood were rubbed with rue as well as joy. So be it. Happy is a hero. He had me singing gospel songs one crazy night. He took my head over the Blue Ridge on another. He had me dreaming to the strains of his concertina and when I woke up I was lying somewhere on a shore in England. He's a walking campfire. He's got the Instincts of a rock and roller; he's a master of the groove. And these songs were made to travel. There's one about a stranger sailing toward his string of broken hearts and another trail churning in his wake. There are buckets of moonbeams and a dark road East Texas blues, Irish melodies and a Bahamian murder ballad. A lot of these songs could have written themselves. And maybe they did. Some call it the greatest irony of all and some call It folk music. Remember the cowboy's love for his horse? Can you hear the wind whistling through the rigging of a 3-masted ship heading out of Liverpool to someplace distant and mysterious? Nothing strange there except that the singer Is an American. So tune your ears through the murmurings of the soil and the waterfalls of mountains and hear those fiddles play! I'm sure his music will strike a chord In your ancient soul."

SEK 210.00
1

From The Woodshed To The Stage - Volume Two

Fred Sokolow: Complete Intermediate Ukulele Guide

From The Woodshed To The Stage - Volume One

Duck Baker: Introduction To Gospel Fingerstyle Guitar

Dave Van Ronk: Folk, Blues And Ragtime

Stefan Grossman: Fingerpicking Delights

Stefan Grossman: Fingerpicking Country Blues Gospel Guitar