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Fred Sokolow: Jamming The Blues

Fred Solokow: Rockabilly Guitar

Fred Sokolow: Beginners Fingerpicking Blues Classics

Martin Carthy: British Fingerstyle Guitar

Fred Sokolow: Electric Blues Guitar

Stefan Grossman: Fingerpicking Country Blues Gospel Guitar

The Guitar Of Blind Willie McTell

Fingerpicking Country Blues Guitar

Fred Sokolow: Complete Intermediate Ukulele Guide

Dave Evans: Sad Pig Dance

Ragtime Guitar Of Rev. Gary Davis - 2 DVD Set

Contemporary Ragtime Guitar

Stefan Grossman/John Renbourn: Under The Volcano

Stefan Grossman/John Renbourn: Under The Volcano

"The material is a mix of traditional and original, the playing superb. Grossman and Renbourn combine their talents and mix of styles here to produce appealing instrumental music of rare beauty and taste." ? AllMusic.comOn their duet records, John Renbourn and Stefan Grossman meet on the common turf of American blues and Celtic fiddle tunes and airs. Under The Volcano is a collection of seven duets. Including an extended four-part work for which the album is named, and one solo by each of the players, the album has what has come to be the characteristic sound of the duo. Reflecting what Stefan quite accurately describes as "an interweaving of styles," it is quite difficult, and somewhat pointless, to tell which of the two is playing the lead in most parts of the album. The original compositions are at once down-home and high-flown, brimming with contrapuntal funkiness, and the music manages to sound both loose and precise. Grossman and Renbourn contribute equally to the composition and arrangement of the traditional material. They aren't uptight about overdubbing or using the occasional electric guitar texture. But the lingering impression is one of crisp, snapping strings and air being moved by wooden-boxed guitars.Track Listing:1. Idaho Potato2. Medley: Sheebeg An Sheemore & Drunken Wagoner3. Under The Volcanoa) Resurrection of Blind Joe Deathb) Four for the Rosesc) Montagu's Pactd) Rights of Man4. Medley: Bonaparte's Retreat & Billy In The Lowgrounds5. Swedish Jig6. Water Gypsy7. All Things Parallel Must Converge8. The Blarney Pilgrim9. Mississippi Blues No. 3(All tunes except for "Bonaparte's Retreat" have been transcribed and included in a pdf tab/music booklet on the CD)

SEK 159.00
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John James: In Concert

John James: In Concert

The British folk club scene is a fairly huge and unique underground institution. At anytime since the early 1960's you would have been able to find a thousand or so weekly or monthly clubs gathering in all sizes of pub rooms around the land and in the Universities and colleges. In the great majority of these the guitar has been the commonest instrument; picked, strummed, thrashed and caressed in a multitude of styles and levels of competence. Fashions and fads come and go, but certain players have such a widespread influence that their own styles become part of the mainstream. When I heard the tapes of this album it impressed me as the essential John James. Probably because he was a working musician, "live" that is, I never felt that his earlier studio albums (except for "Sky In My Pie" with Peter Berryman) did him full justice. His recent Kicking Mule debut "Descriptive Guitar Instrumentals" was probably the first to really showcase what a lively, fluent, creative and dynamic player he really is. This one not only does all that but really catches the essence of a John James performance. I'm a great believer in albums which truly represent the artist and if you've never seen John "live" you can take my word for it that this one does. What's more, it has a real cross section of the favourite tunes and songs from his stage repertoire over the past decade, plus a selection of newer goodies to join that company. ? Ian Anderson/FolkRootsTrack Listing: Picture Rags, Opus 18, Silver Swan, Suitcase Shaped Like That, Black And White Rag Rosebud March, How Can I Tell You, Pickles And Peppers, Ragtime Millionaire, Head In The Clouds, Coconut Dance, Victory Rag, You And I Across The Water, B Minor Run, Tears and You Got Something There

SEK 162.00
1

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

The ragtime and early jazz music pioneers during the first decades of the last century didn?t know that the sounds they created would echo in the music that people loved for years to come. They started an American music tradition that is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist, I never thought that playing back-up in a jazz band was for me. I?d rather do something with these songs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music, with a steady left hand playing bass notes and chords together with the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classical ragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all the notes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make my arrangements not too difficult to play, so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though, is to make the tune sound like Guitar music, not Piano music played on the Guitar.

SEK 301.00
1

John Miller: Memphis Blues Guitar

John Miller: Memphis Blues Guitar

Memphis has long been a landing place for musicians from the surrounding rural areas in Tennessee, Arkansas and Mississippi, and in the 1920s and 1930s, it was a wide open town with plenty of opportunities for musicians to perform their music and make a living. As a result of Memphis's hub status, it developed a strong blues scene in the 1920s and 1930s, with a host of outstanding singers and players. Many of these musicians had successful careers as recording artists, but a surprisingly large number of similarly gifted musicians went unrecorded or only got the opportunity to record a few titles.This DVD lesson offers instruction in the music of many of the finest guitarists to record out of Memphis in the 1920s and 1930s. Included on this DVD are transcriptions and teaching of performances from the spectacular and hugely influential Memphis Minnie, transplanted Mississippians Furry Lewis, Robert Wilkins and Frank Stokes and more obscure names from the past like Tom Dickson and Allen Shaw. The songs that are taught on the DVD have been selected for their musical merit, but also to build your skills as a Country Blues guitarist, with numbers in D, G, E and C in standard tuning, as well as Open G tuning. The technique building that will come from learning these tunes will give you tools to go in whatever direction you wish to take your music.A detailed tab/music booklet is included as a PDF file on the DVD. This includes all the lyrics to the songs as well as transcriptions of the guitar playing. The original old recordings of all the tunes is also included.Titles include: Tom Dickson/Happy Blues; Allen Shaw/I Couldn't Help It; Robert Wilkins/Long Train Blues; Frank Stokes/Frank Stokes' Dream; Memphis Minnie/Reachin' Pete and Furry Lewis/Good Looking Girl Blues

SEK 301.00
1

Deep Texas Blues -The Early Blues Of Lightnin' Hopkins

Deep Texas Blues -The Early Blues Of Lightnin' Hopkins

In this second DVD lesson devoted to the guitar playing of Lightnin? Hopkins, Ernie Hawkins dives into Lightnin's early catalogue from the Aladdin and Gold Star record labels. There was an amazing variety to Lightnin's early work. Listening to his early recordings we hear an artist at his prime. He effortlessly employing widely different rhythms, keys and tunings. The deeper we listen to these songs, the deeper our insight into what a master of Texas blues Lightnin' Hopkins really was.Lightnin's style itself came along at the perfect time: the advent of the electric guitar. His style, strong rhythms punctuated by his flowing but compact lead lines created a stinging and heart-tearing evocative sound. Lightnin's guitar style and technique worked great for both the acoustic or electrical guitars. The blues of Freddy King, Albert Collins, the Vaughn brothers, Billy Gibbons, testify to the power of this style. Lightnin' connects the generations of players, starting with Blind Lemon Jefferson, for whom he was lead-boy in the early 1920s. Standing tall at the center of the Texas Blues story is Lightnin? Hopkins.In this double DVD set, Ernie Hawkins covers songs in unusual keys such as: drop D(Sugar Mama), in drop D but played in the key of A (Santa Fe Blues), in G (Bad Luck and Trouble), as well as in the usual blues in A, Come Back Baby and the country gospel Needed Time in the key of E. As a bonus, Ernie teaches his version of Lightnin's Hideway, the Freddy King tune coming back home to Lightnin'.Ernie teaches phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing. Detailed tab/music booklets are included as PDF files on both DVDs. 186 minutes ? Level 2/3 ? Detailed tab/music PDF files on the DVDs

SEK 382.00
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