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Woody Mann: Fingerstyle Blues Guitar

Woody Mann: Fingerstyle Blues Guitar

Woody Mann's Fingerstyle Blues Guitar illustrates how traditional country blues guitar techniques and styles can be extended and explored to create new textures and feelings. Woody demonstrates blues in the keys of A, D, and E and shows how variations and improvisational ideas can be developed. The playing ideas of Blind Boy Fuller, Big Bill Broonzy, Lonnie Johnson, Blind Lemon Jefferson, Rev. Gary Davis and Scrapper Blackwell as well as other blues ledgends are discussed.Woody combines these playing techniques and styles into a series of instrumentals that will illustrate new possibilities for playing fingerstyle blues. A 24 page tab/music booklet is included.

SEK 301.00
1

Rockabilly Guitar

Rockabilly Guitar

Discover the very roots of modern Rock n' Roll with over an hour of Rockabilly guitar magic. The combination of electric Blues, country Blues, Travis fingerpicking and Boogie Woogie rhythms remains as potent as ever. In this DVD Fred Sokolow introduces the licks and techniques that have made the recordings of Carl Perkins, Eddie Cochrane and Chuck Berry so distinctive. By the end of this lesson you will know how to play...Boogie Woogie backup licks Turnarounds Blues/Rock licks in the classic Blues key of E Moveable Blues/Rock scales Fingerpicking patterns and a host of riffs from the best Rockabilly stars including Buddy Holly and Scotty Moore.

SEK 301.00
1

Fingerpicking Country Blues Guitar

Fingerpicking Country Blues Guitar

This DVD lesson has been designed to help beginner and intermediate students of fingerpicking country blues guitar improve their playing skills and increase their repertoires using an alternating bass technique. Stefan Grossman illustrates and explains in detail ten fingerstyle arrangements in the keys of C, D, E, A, G and F. These popular blues and ragtime songs come from the playing of the Mississippi John Hurt, Rev Gary Davis, Mance Lipscomb and Elizabeth Cotten. Each tune is discussed and taught phrase by phrase and played slowly on a split screen so that you can clearly see what each hand is doing. A detailed 44 page tab/music booklet is included with this lesson.

SEK 301.00
1

Stefan Grossman: Country Blues Guitar

Stefan Grossman: Country Blues Guitar

A three volume DVD collection taught by Stefan Grossman.In this three lesson DVD series Stefan Grossman explores the world of country blues guitar. It is a fascinating and challenging study that covers blues, folk and ragtime arrangements in the keys of A, C, D, E and G. Each tune is discussed and taught phrase by phrase and played split screen so that you can clearly see what each hand is doing.You will learn about the playing styles and techniques of legendary blues guitarists as Rev. Gary Davis, Frank Stokes, Blind Blake, Blind Boy Fuller, Mance Lipscomb, Lightnin' Hopkins, Mississippi John Hurt, Willie Brown, Robert Johnson, Sam McGee, Lonnie Johnson and Elizabeth Cotten.A detailed 56 page booklet is included with this collection.

SEK 485.00
1

Fred Sokolow: Electric Blues Guitar

Fred Sokolow: Electric Blues Guitar

If you want to play blues guitar like B.B. King, Eric Clapton or Buddy Guy then this eighty minute DVD will get you on track. Starting at the beginning with first-position key-of-E blues licks, Fred Sokolow shows how to play lead and backup like a modern blues guitarist. Includes a 48 page tab music booklet. You'll learn: Several moveable scale patterns and licks for soloing. Moveable chords and chord based licks for backup. How to play melodies, chord backup and improvised solos on blues classics Stormy Monday, Everyday I Have The Blues, Killing Floor and Baby Please Don't Go. Intros and endings. Enough theory to understand the 12-bar blues structure and be able to play backup and solo in any key. Boogie bass lines, vibrato, note-bending and more

SEK 301.00
1

Tom Feldman: The Guitar Of Fred McDowell

Tom Feldman: The Guitar Of Fred McDowell

Who hasn't been influenced by Mississippi Fred McDowell? Imitated by just about everyone that has picked up a slide, his impact has spread the world over. With so many trying to figure out exactly how he played, we are so fortunate to have a lesson like this one where we get to learn from the man himself. The footage of Fred McDowell seen in this lesson is a treasure because it's as if it was filmed with us, the students of McDowell's style, in mind. With clear shots of his left and right hands, it's like your own private lesson with the master himself.DISC ONE is devoted to footage of Fred McDowell performing many of his classic tunes in Open E tuning. After each performance, Tom Feldmann breaks down Fred's techniques and then goes to the split screen, playing the song slowly as you play along.DISC TWO is devoted to the recordings of McDowell in Open A tuning. Tom performs this time around as none of the available footage has McDowell performing in Open A.A detailed tab/music booklet is included as a PDF file on each DVD. In addition the original recordings of all the tunes in lesson two are included. On Disc Two there is 51 minute interview with Tom Feldmann where he talks about his influences as well as performing a wide variety of tunes.Titles Include: OPEN E TUNING: When I Lay My Burden Down, Keep Your Lamp TrimmedAnd Burning, John Henry, Break 'Em On Down, Louise, Mojo Hand, I Heard Somebody Call OPEN A TUNING: Write Me A Few Lines, Been Drinking Out of A Hollow Log, Fred's Worried Life Blues, The Train I Ride, Kokomo Blues

SEK 382.00
1

Fingerpicking Blues Guitar Solos

Fingerpicking Blues Guitar Solos

This DVD lesson is for the intermediate and advanced fingerstyle guitar player. It is for the student who feels comfortable with an alternating bass technique and wants to expand and explore ideas in blues and ragtime using more advanced right and left hand techniques. The four instrumentals featured in this lesosn are all extended compositions offering a variety of musical ideas. Piano sounding blues in the key of A are presented in 'Mississippi Blues' and 'Blues For The Mann'. A Blind Blake approach in the key of C is used for the 'Glory Of Love'. 'Struttin' Rag' in the key of E Brings together thress distinct sections. It opens with a blues piano sounding motif and then steps into a more country atmosphere. It finishes with a series of bass licks reminiscent of Merle Travis's 'Walkin' The Strings'.

SEK 301.00
1

Fiddle Tunes For Fingerstyle Guitar

Fiddle Tunes For Fingerstyle Guitar

It is a challenge to arrange and play American fiddle tunes and Celtic melodies on the guitar. This set of lessons presents several approaches for the intermediate guitarist with 3 CDs containing 3 full hours of instruction. Written in notation and tablature. LESSON ONE: Dave Laibman's arrangement of Colored Aristocracy features a Chet Atkins approach. Midnight on the Water, a beautiful Texas waltz, was arranged by Duck Baker and features counterpoint lines and variations on the theme. The West Wind is an evocative Irish air played with a classical feel. LESSON TWO: American fiddle tunes: Boys, My Money's All Gone played in a Nashville style and Last of Callahan, an arrangement using a counterpoint bass line played against the melody. LESSON THREE: Fiddle tunes from Ireland and America: Rights of Man and Drunken Wagoner both played in a dropped D tuning (D A D G B E).

SEK 355.00
1

Blues And Ragtime Fingerstyle Guitar

Blues And Ragtime Fingerstyle Guitar

In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave, a discography, 6 tunes in notation and tablature, and 3 CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson ends with Blind Lemon Jefferson's One Kind Favor. LESSON TWO: Sunday Street is an original Dave Van Ronk song and is an excellent example of Dave's arranging skills. Four choruses are taught demonstrating how this tune can develop. Bessie Smith's classic blues You've Been A Good Old Wagon is taught in the key of E. LESSON THREE: Dave's arrangement of St. Louis Tickle was the first great challenge for fingerpickers interested in classic ragtime. This four sectioned rag is played in the keys of C and F. It is an excellent example of contemporary ragtime guitar.

SEK 385.00
1

Tom Feldmann: The Gospel Guitar Of Mississippi John Hurt

Tom Feldmann: The Gospel Guitar Of Mississippi John Hurt

Mississippi John Hurt is certainly renowned for his blues songs, whether tales of murder like Stack O'Lee and Frankie or the tongue-in-cheek Candy Man Blues, yet it is his gospel songs that may more accurately reflect the heart of the man himself; gentle yet powerful, simple yet substantial.In this lesson Tom Feldmann takes you step by step through Mississippi John Hurt's most celebrated and inspiring gospel songs in the keys of G, C, D and E. Whether beginner or intermediate you will learn to pick in the distinctive "Hurt" style and build a large repertoire of classic gospel country blues.A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original old recordings of all the tunes are included. Titles include: Do Lord Remember Me, Here I Am Oh Lord Send Me, Blind Man Sit In The Way And Cried, Since I?ve Laid My Burden Down, Weeping and Wailing, Blessed Be The Name, Praying On The Old Camp Ground, Nearer My God To Thee, Beulah Land and Oh Mary Don?t You Weep

SEK 301.00
1

Tom Feldmann: Delta Blues Guitar From Dockery Plantation

Tom Feldmann: Delta Blues Guitar From Dockery Plantation

In this lesson Tom Feldmann takes you to where it all began, Dockery Plantation, dubbed "The Birthplace of the Blues", and highlights the earliest recording artists that gave Dockery its legendary status, Charlie Patton, Son House, Willie Brown and Tommy Johnson.You will learn a few songs by each artist, giving you a taste of the individuals themselves as well as the genre as a whole. The majority of the lesson is done out of standard tuning, focusing on E, C and A positions. From standard tuning you move to Drop D tuning for Tommy Johnson's Big Road Blues and then to Open G (Spanish tuning) for Willie Brown's Future Blues. Of course no lesson on Delta blues guitar would be complete without a look at bottleneck slide and this lesson is no exception with Tom closing with two trailblazers of bottleneck slide, Son House and Charlie Patton.A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original recordings of all the tunes are included. Titles include: STANDARD TUNING: M&O Blues, Stone Pony Blues, 34 Blues, Morning Prayer Blues, A Down The Staff, Lonesome Home Blues DROP D TUNING: Big Road Blues SPANISH TUNING: Future Blues, Levee Camp Moan, It Won't Be Long

SEK 301.00
1

Tom Feldmann: Guitar Of Charlie Patton

Tom Feldmann: Guitar Of Charlie Patton

Charlie Patton, considered the ?Father of the Delta Blues,? is generally recognized as the most influential blues artist active in the first decades of the twentieth century. No single individual can be credited with ?inventing? the Delta blues style but Patton was one of the first mainstream stars of the Delta blues genre. Old fashioned and modern at the same time, Patton's music bridged the musical traditions of the 19th century while simultaneously creating a framework of his own that would inspire just about every other blues musician from that point on. In this double DVD lesson, Tom Feldmann gives you a note-for-note, detailed look at 18 of Patton's most celebrated tunes. Making this the definitive Charlie Patton lesson. DVD One is dedicated to songs in standard tuning, covering C, E, A and F positions. You'll learn Patton's relaxed right hand strum, top tapping technique, and of course his signature licks as you work through songs like, Down The Dirt Road Blues and Pony Blues. DVD Two focuses in Patton's bottleneck slide and non slide numbers in Spanish (Open G) and Vestapol (Open D) turnings. Songs like, Banty Rooster Blues, When Your Way Get's Dark and Screamin' and Hollerin' the Blues will become heavy hitters in your blues arsenal.A detailed tab/music booklet is included as a PDF file on both DVD's. In addition the original recordings of all the tunes are included.

SEK 382.00
1

Fred Sokolow: Jamming The Blues

Fred Sokolow: Jamming The Blues

Playing the blues is a great way to lose the blues, and jamming with other people is one of the most fun things to do in life! Using blues classics like Stormy Monday, The Thrill is Gone, Keys To the Highway, Big Boss Man, Come Back Bay and Every Day I Have the Blues as examples, Fred teaches all the skills and info you need to jam with other blues players. This lesson covers accompaniment techniques for many different rhythm grooves (shuffle beat, straight 8ths, straight 4 and rock and funk beats) and soloing strategies (key-of-E licks, four moveable blues boxes and some chord-based licks). You'll also learn intros, turnarounds, the twelve-bar and eight-bar blues forms and more. Fred has been jamming with other players and leading jam classes most of his life, and his practical tips are sure to give you all the tools you need to get out there and play the blues with other people. Along the way, you'll learn some blues history and hear stories about some of the great players. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in an accompanying book in the form of a PDF file. Titles include: 'Baby What Do You Want Me To Do', 'All The Love I Miss Loving', 'Stormy Monday', 'Big Boss Man', 'How Long Blues', 'Hesitation Blues', 'Stagerlee', 'As The Years Go Passing By', 'Corrine Corrina' and 'Every Day I Have the Blues'.

SEK 293.00
1

The Guitar Of John Lee Hooker

The Guitar Of John Lee Hooker

John Lee Hooker recorded hundreds of songs throughout his career that spanned from the late 1940's until his death in 2001. Very few blues musicians reached the heights that Hooker achieved, among his many awards Hooker was inducted into the Blues Hall of Fame, the Rock and Roll Hall of Fame, awarded the Grammy Lifetime Achievement Award, and has a star on the Hollywood Walk of Fame. John Lee Hookers trademark one chord blues style can be traced back to his Mississippi roots where he first learned to play guitar and although often described as a simple technique, the rhythm found in his playing is the bedrock by which all things blues, fingerstyle, rock, etc., is based upon. John Lee Hooker played out of standard tuning, E position, and Spanish tuning, typically Open A, and nearly all his recorded works fall into either category. Breaking this collection into two parts Feldmann walks you through every aspect of Hookers playing style in both Standard and Spanish tuning. You'll even be treated to live video footage of Hooker performing the tunes taught out of Standard tuning on electric, and more rare, acoustic guitar. Whether your looking to learn Hookers songs, licks, or playing style you'll find those elements in spades, plus most importantly you'll improve your rhythmic technique which will benefit your own playing regardless of genre. Tunes include: 'Maudie', 'Tupelo, MS', 'I'll Never Get Out of These Blues Alive', 'Boom Boom', 'Boogie Chillen', 'Hobo Blues', 'I'm A Crawling King Snake', 'Bundle Up and Go'.

SEK 327.00
1

John Miller: Memphis Blues Guitar

John Miller: Memphis Blues Guitar

Memphis has long been a landing place for musicians from the surrounding rural areas in Tennessee, Arkansas and Mississippi, and in the 1920s and 1930s, it was a wide open town with plenty of opportunities for musicians to perform their music and make a living. As a result of Memphis's hub status, it developed a strong blues scene in the 1920s and 1930s, with a host of outstanding singers and players. Many of these musicians had successful careers as recording artists, but a surprisingly large number of similarly gifted musicians went unrecorded or only got the opportunity to record a few titles.This DVD lesson offers instruction in the music of many of the finest guitarists to record out of Memphis in the 1920s and 1930s. Included on this DVD are transcriptions and teaching of performances from the spectacular and hugely influential Memphis Minnie, transplanted Mississippians Furry Lewis, Robert Wilkins and Frank Stokes and more obscure names from the past like Tom Dickson and Allen Shaw. The songs that are taught on the DVD have been selected for their musical merit, but also to build your skills as a Country Blues guitarist, with numbers in D, G, E and C in standard tuning, as well as Open G tuning. The technique building that will come from learning these tunes will give you tools to go in whatever direction you wish to take your music.A detailed tab/music booklet is included as a PDF file on the DVD. This includes all the lyrics to the songs as well as transcriptions of the guitar playing. The original old recordings of all the tunes is also included.Titles include: Tom Dickson/Happy Blues; Allen Shaw/I Couldn't Help It; Robert Wilkins/Long Train Blues; Frank Stokes/Frank Stokes' Dream; Memphis Minnie/Reachin' Pete and Furry Lewis/Good Looking Girl Blues

SEK 301.00
1

Deep Texas Blues -The Early Blues Of Lightnin' Hopkins

Deep Texas Blues -The Early Blues Of Lightnin' Hopkins

In this second DVD lesson devoted to the guitar playing of Lightnin? Hopkins, Ernie Hawkins dives into Lightnin's early catalogue from the Aladdin and Gold Star record labels. There was an amazing variety to Lightnin's early work. Listening to his early recordings we hear an artist at his prime. He effortlessly employing widely different rhythms, keys and tunings. The deeper we listen to these songs, the deeper our insight into what a master of Texas blues Lightnin' Hopkins really was.Lightnin's style itself came along at the perfect time: the advent of the electric guitar. His style, strong rhythms punctuated by his flowing but compact lead lines created a stinging and heart-tearing evocative sound. Lightnin's guitar style and technique worked great for both the acoustic or electrical guitars. The blues of Freddy King, Albert Collins, the Vaughn brothers, Billy Gibbons, testify to the power of this style. Lightnin' connects the generations of players, starting with Blind Lemon Jefferson, for whom he was lead-boy in the early 1920s. Standing tall at the center of the Texas Blues story is Lightnin? Hopkins.In this double DVD set, Ernie Hawkins covers songs in unusual keys such as: drop D(Sugar Mama), in drop D but played in the key of A (Santa Fe Blues), in G (Bad Luck and Trouble), as well as in the usual blues in A, Come Back Baby and the country gospel Needed Time in the key of E. As a bonus, Ernie teaches his version of Lightnin's Hideway, the Freddy King tune coming back home to Lightnin'.Ernie teaches phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing. Detailed tab/music booklets are included as PDF files on both DVDs. 186 minutes ? Level 2/3 ? Detailed tab/music PDF files on the DVDs

SEK 382.00
1

John Miller: Improving Your Ear For The Country Blues Guitarist

John Miller: Improving Your Ear For The Country Blues Guitarist

In this lesson John Miller will provide you with the tools you need to develop your ability to tell what position or tuning a Country Blues performance was played out of simply by listening to the recording. Believe it or not, this is a learnable skill and John, who has taught it for many years, will show you what to listen for and help you get started hearing the various auditory clues that identify the distinctive sound of the different playing positions and tunings most commonly used in Country Blues guitar playing. Developing your ability to do this kind of informed listening, or listening with knowledge will reap significant rewards for your playing, most especially improving your ability to learn by ear and increasing the speed with which you're able to pick up new material.One of the real advantages of having this material presented in this 2DVD format is that it allows John to go over the material in real detail, presenting the sound characteristics of the different playing positions and tunings at length, and providing you with memory devices to help you remember the sound of alternating bass for the different positions and tunings. The material is not presented in the abstract, either - as John goes along, he plays a host of examples drawn from Country Blues performances that help illustrate and exemplify the characteristic sound of each playing position. The PDF study guide that accompanies the lesson includes a summary of the sound characteristics that identify each of the playing positions/tunings presented in the lesson, as well as the memory devices that will help you remember the sound of the bass in the different positions. Also included on the DVD is a test to take when you have completed the lesson, with a selection of recordings of Country Blues played out of different positions and tunings for you to identify using your new skills. Disc One: E position, standard tuning ? C position, standard tuning ? D position, standard tuning ? A position, Standard tuningDisc Two: G position, standard tuning ? F position, standard tuning ? Dropped-D tuning ? Vestapol tuning ? Spanish tuning230 minutes ? Level 1 ? Detailed PDF booklet file on the DVD

SEK 301.00
1

John Miller: Introduction To Chord Theory And Chord Voicing For The Guitarist

John Miller: Introduction To Chord Theory And Chord Voicing For The Guitarist

In this 2-DVD set master guitarist and instructor John Miller walks you through the fundamentals of chord theory, providing you with the conceptual tools needed to understand chord structure, and then shows you how to apply that knowledge to the neck of guitar, making practical sense of the information so that you will be equipped to voice chords up and down the neck in any key.In Volume One of the set, John goes over the major scale and its structure, and then moves on to intervals, familiarizing you with the different interval types and the language used to define and describe them. He moves then into triads and shows how the diatonic triads are derived from scale structure, following up triads with seventh chords, the diatonic seventh chords and the various seventh chord types. As you move through these topics, you will find a variety of exercises on the PDF that is included on your DVD, exercises that will test and build your knowledge of these topics. Having laid the initial theoretical groundwork, John then shows you how to voice triads and seventh chords out of the E, A, C, D and F positions.In Volume Two, John starts out by defining sixth chords and showing how to voice them, then discusses tonic function and seventh chord function. The remainder of Volume Two is devoted to working on songs, seeing how to play the same song in a variety of keys and positions and how to use the way the guitar is tuned to transpose from one key to another in the easiest possible fashion. After working through this 2-DVD set you will have a sound fundamental understanding of triad, sixth and seventh chord structures in a variety of positions, and won't be deterred from learning songs in flat keys or playing up the neck without a capo. If you are really interested in understanding chords and ready to work on developing your understanding, Introduction to Chord Theory and Chord Voicing for the Guitarist will get you well on your way towards that goal.On the PDF accompanying the DVD you'll have the opportunity to diagram all of the chords.

SEK 382.00
1

David Laibman: Playing The Classic Rags Of Scott Joplin, James Scott & Joseph Lamb

David Laibman: Playing The Classic Rags Of Scott Joplin, James Scott & Joseph Lamb

The great ragtime pieces of the early 20th century were written mostly for Piano, but many translate superbly for the Guitar, and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar, and if they weren't player on the Guitar at all (until some of us started doing so half a century ago), then why do they work so will on Guitar?Well, thumb vs. three fingers on the right hand (we'll leave out the pinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed, from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive, with moods and tempers, hills and valley. You can capture some of this with left-hand notes (slides, hammer-ons, pull-offs), with right-hand brushes, rolls, nail strokes, with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano, or of a dixieland or jazz band. It is, simply - ragtime Guitar.In these lessons, I have tried, for the most part, to meet two goals. First, to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar, so when you play them you are working with the instrument, not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck, and to keep left hand gymnastics to a minimum. Second, I didn't want these arrangements to sound like 'student' arrangements, too elementary to be believable. It is all about striking a balance. I am generally pleased with the result, and I hope you will be too.While the focus of these lessons is on the 'greats' - Joplin, Lamb and Scott - I have also included one of my own recent compositions: Pandora's Rag. This version is simpler than the one I play on my recent CD, Adventures in Ragtime, in Em, G and E, rather than Am, C and A, and not so high up the neck. I hope you like it; I think it has some nice harmonies. No one will ever touch the ragtime masters, but I would not be doing them justice if I didn't try to use their inspiration to strike out on my own a bit.And that is what you should do too! It would be great is you learn to play these charming and challenging pieces. But even greater if you improve the arrangements, adapt them to your own tastes, see if you can apply the various techniques to other music - ragtime, and beyond - that can give pleasure to yourself and others, and enrich the treasure-house of fingerstyle Guitar. None of us has tapped even a fraction of its full potential - and that's what makes it fun!" - David Laibman

SEK 325.00
1