Piano piccolo : 111 Little and Very Easy Original Cassical Piano Pieces

Piano Piccolo has been designed as a beginner’s introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners.Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing tofamily and friends.

Concerto piccolo

Teatro piccolo

Piccolo Tango

March Symph Metam : Piccolo

Circus Polka : Flute / Piccolo

Pocket-Info Querflöte und Piccolo

Heroischer Marsch Mit Fanfaren : Piccolo

Heroischer Marsch Mit Fanfaren : Piccolo

Concerto piccolo per organo solo

Carmina Burana - Suite fur Blasorchester : Piccolo

Allegro e Dolce/Presto

Molto tranquillo : für Piccolo (auch Altflöte), Violoncello und Klavier

pour Roland Cavin : for piccolo, flute and alto flute

FuSe Pattern - Images in Sound 2 : for piccolo, flute and violin

Concerto dolce : fur Viola mit Streichorchester und Harfe

Quasi improvvisando : Flute, Piccolo, 2 Oboes, Clarinet, Bass Clarinet, Bassoon, Contrabassoon, 2 Horns, Trumpet [C]

Fluytenlusthof

Contents: La Bergere · Verdwälde Koninghin · Onder de Linde gröne · Wat zal men op den Avond doen · Kits almande · Rosemondt · Bravade · Engels Nachtegältje · De zöte Zoomer Tyden · Courant, of Ach treurt mijn bedröfde... · L'AmieCillae · Questa dolce sirena · Fantasia en echo · Puer nobis nascitur · De lof-zangh Marie.

Three movements from the Ballet The Seagull : arranged for flute (piccolo), oboe (cor anglais), clarinet and piano by Olli Mustonen

Pilgerchor : from the Opera 'Tannhauser'

During his time in Weimar (1848-1861), Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827-1908) fromTiefurt, he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ,Liszt, by means of this example, laid the foundations for the (not always undisputed) tradition, extending to the present day, of organ transcriptions from the operas of Wagner. 'Organistic' elements in the pilgrims' Choir are theclassical chorale theme, the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification, from the antiphonal-organ-like piano dolce of the beginning to the 'full organ', can berealized in a convincing manner with an orchestrally conceived three-manual organ, with the sensitive use of the swell box and the successive, seamless build-up of the crescendo pedal being of particular significance. Importantrepertoire piece marking the 200th birthday of Richard Wagner in 2013.