Giacomo Puccini: O Mio Babbino Caro (Gianni Schicchi) - Soprano and Piano

Giacomo Puccini's O Mio Babbino Caro from his Opera Gianni Schicchi in the original key for Soprano with Piano accompaniment.

Giacomo Puccini: O Mio Babbino Caro (Gianni Schicchi) - Soprano and Piano (Key of F)

Giacomo Puccini's famous aria O Mio Babbino Caro (O My Beloved Father) from his one act opera Gianni Schicchi, for Soprano (in F Major) and Piano accompaniment.

Sonate per clavicembalo - Volume 10 : Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini)

The 10th volume of Domenico Scarlatti’s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer’s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti’s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources’ examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti’s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

Il Teuzzone RV 736 : Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte

With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the “Red Priest” for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer’s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera’s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi’s opera underwent, an operation that sheds light on the inner workings of Vivaldi’s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.

Maria Grossi: Metodo Per Arpa Con L'aggiunta Di 65 Piccoli Studi Facili E Progressivi Di Ettore Pozzoli

Maria Grossi: Metodo Per Arpa Con L'aggiunta Di 65 Piccoli Studi Facili E Progressivi Di Ettore Pozzoli

Composizioni per viola e chitarra : a cura di Simone Gramaglia

Paganini’s Sei Sonate op. 2 (M.S. 26), his Cantabile (M.S. 109) and his Sonata concertata (M.S. 2) bring out all of the timbral and sonic possibilities of both the viola and the guitar. In these pieces, the two voices blend together in a natural way, creating a compelling and well-balanced duo. These three transcriptions make up a perfect introduction to Paganini by way of his chamber compositions and give the violists the opportunity to enrich their concert repertoire by adding the works of an author who is still too rarely performed on the viola.

Improvvisazione 12/a : per arpa (1965)

Opera completa per pianoforte : a cura di Giuseppe Filianoti

From his earliest Scherzo (1883) to the Piccola suite Danza (1947), the complete piano compositions of Francesco Cilea (1866-1950) are presented in this volume for the first time in full version, collated with the source material, by Giuseppe Filianoti. Conceived in part for pedagogical purposes, these compositions are embued with the essence of the noble Italian tradition of “Salon music,” from the modest little descriptive sketch to the album leaf of moderate difficulty, to the more technically demanding pages with an old-fashioned or impressionist flavor. Cilea’s works for the piano are enhanced by a simplicity and beauty designed to instruct young learners, delight refined pianists, and be appreciated by the most savvy listeners. The volume includes an introductory essay and a chronology of Cilea’s life and works in Italian and English.

Stanze : versione originale per pianoforte

Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. (L. Einaudi)

20 Pezzi facili per pianoforte

This selection of pieces spans a very long period of Beethoven’s activity. Some are widely recognized, while others are much less known. Together, they constitute a short but significant introduction to the art of the Bonn genius. Each piece includes indications for pedalling and fingering.

Passaggi difficili e "a solo" : per Violoncello

Stanze : versione originale per arpa

Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. One day my friend Cecilia Chailly calls me and asks me if I have a harp piece for her to play. I give her Vega to try. Two days later I go to her house to listen and, with mutual enthusiasm, I give her all the pieces that we will soon be recording. Cecilia will perform them in concert on various and memorable occasions. Here, I would like to express my profound thanks for her heartfelt help in correcting this new harp edition. (L. Einaudi)

Il Flaminio : Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé

Some few months after returning to Naples from Rome, where he had gone to follow the premiere of L’Olimpiade at the Teatro Tordinona during the 1735 carnival season, Giovanni Battista Pergolesi –– notwithstanding the quickened pace of the disease that would soon bring his brief life to a close — presented the public with a new work, Il Flaminio, a “commedeja pe’ mmuseca” set to a libretto by Gennarantonio Federico. The opera was staged as the second of season that fall at the Teatro Nuovo sopra Toledo (one of three traditional venues, together with the Teatro dei Fiorentini and the Teatro della Pace, dedicated to the production of opere bu e), where it met with a generally favorable reception. The edition includes a historical Introduction, a description of all the sources considered and a Commentary with critical notes and information related to specific problems of performance practice.

Five stanzas for a love song : per pianoforte

La musica vocale da camera per voce e pianoforte : A cura di Chiarastella Onorati

This volume brings together all of Giuseppe Martucci’s (1856-1909) works for vocal ensemble: from the Romanza he composed as a young man in 1872 (dedicated to the tenor Gaetano Fraschini), to his Canzone dei ricordi from 1887 (dedicated to the mezzo-soprano Alice Barbi); from the Sogno d’amore, Sogno di morte and Pagine sparse written in 1888 to his Tre pezzi op. 84 of 1906 by way of the 1889 Ballando! These pieces are marked by a constant search for new musical solutions, from both a harmonic and formalistic point of view, drawing some inspiration from the Lieder repertoire north of the Alps while still maintaining a natural, completely Italian, lyricism that manages to generate intense emotions without giving in to decadent excesses.

Alla spagnola : Per violino solo | For solo violin - A cura di | Edited by Italo Vescovo

The autograph composition entitled Alla spagnola is a fleeting piece, similar, in size, to other small works that Paganini called “capricci”, that he gave, on more than one occasion, to friends, colleagues and other figures he encountered during his travels: a piece which gives us a clear sense of the spirit of the Genoese master of brief compositions. The publication of this pleasant piece will add to his significant and varied body of pieces for solo violin.

Concerto per Violino e Archi a Cinque Parti RV 813 : a cura di Federico Maria Sardelli

This concert in five parts for violin and strings has a curious and rather controversial history. Excluded from the Vivaldi’s catalogue on account of doubts raised by its musical language and by its preservation in two different manuscripts that carried conflicting attributions to Torelli and Vivaldi, it’s with this edition that it finally attributed to Vivaldi. Set of Parts: PR 00145200

Sonatine e sonate facili per pianoforte

A complete collection of Beethoven’s Sonatinas and easy Sonatas from all stages of his career. Contents: Zwei Sonatinen: Ahn. 5/1-2 Zwei Sätze einer Sonatine Leichte Sonate op. 49/1 Leichte Sonate op. 49/2 Leichte Sonate WoO 51 Drei Sonaten: WoO 47/1-2-3

Lied : per violino

Tornasole : per viola

Prélude : per pianoforte

Messa per Rossini

Lied : per violoncello