Come nella memoria : tre pezzi per pianoforte

Come un'allegoria : per soprano, violoncello, clarinetto e pianoforte

Come un lasciapassare : per elettronica ed orchestra (2014)

Dalla parola al canto : Metodo per una buona emissione attraverso la corretta dizione

Musica come magia infranta - Scritti e interviste : a cura di Pietro Cavallotti e Luigi Pestalozza, Le Sfere Nuova Serie (1)

Da capo al segno (Ricordi Scuola) - vol. 1 : Manuale di grammatica musicale con esercizi e test di verifica scritti

Da capo al segno (Ricordi Scuola) - vol. 2 : Manuale di grammatica musicale con esercizi e test di verifica scritti

Gioacchino Rossini: La Cenerentola - Opera Vocal Score

In the days just before the Christmas of 1816, Rossini was still looking for the subject and the libretto for an opera that he was contractually obliged to stage at the Teatro Valle in Rome in just over a month's time. Jacopo Ferretti proposed a libretto he had himself written based on the famous fairytale by Perrault, Cinderella. Rossini composed the opera in less than a month, completing it on the 24th January 1817, the day before its public debut. Removed from its original fairytale context, Ferretti and Rossini's La Cenerentola is a comedy with some credible situations, where comedy and sentiment come together brilliantly. The opera was a fantastic hit right from the start and is still one of the composer's absolute masterpieces!This is the Vocal Score of Rossini and Ferretti's famous collaboration, La Cenerentola.

Salve Regina RV 616, RV 617, RV 618 : Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé

The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi’s first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994.

Ludovico Einaudi: Le Onde

Solo Piano work written in 1996 by the acclaimed Milanese composer. Einaudi writes "The idea of Le Onde was to write something inspired by Virginia Woolf's novel The Waves. I was really intrigued by the form of the novel, which is very complex and interesting because some parts are written in italics and others in normal text. The parts in italics are like a cadence running through the book. The book is a description of what people see during one day, starting from the light of the morning and by the end of the book night has fallen. Every time the italic chapters come back, you see a different change of light on what's happening on the shore." He started writing all the pieces for Le Onde inspired by this idea, but reached a point when he felt there was still a piece lacking from the overall picture. "I said 'yes, it's missing Le Onde', which had in its opening the cadence of a wave. The idea was that the music flowed and was developing by itself, from the opening arpeggio, like when you see a wave developing in its space, it's developing because it has to. It's perpetual motion."