BULLIVANT GERALD GRANT US THY PEACE SATB & PIANO ACCOMPANIMENT AD LIB

BULLIVANT GERALD GRANT US THY PEACE SATB & PIANO ACCOMPANIMENT AD LIB

John Joubert: Solus Ad Victimam

Solus Ad Victimam  is a work by  John Joubert for Unaccompanied SSATBB Choir, written for the Elizabethan Singers. The work sets text by medieval philosopher Peter Abelard and lasts around 10 minutes.

Tristan Keuris: Aria

Version for Flute and Piano.

G.F. Handel: Where'er You Walk

This gorgeous aria from Semele is here arranged for Organ.

Bach, JS: Sighing, Weeping

Soprano Aria From Cantata No. 21 'My Spirit Was In Heaviness'

Handel: Where'er You Walk From The Opera Semele

Aria from Semele, for Tenor Voice and Piano written in the key of B flat.

Basil Harwood: The Office For The Holy Communion in G minor Op.63

For SATB Choir and Organ ad lib.

Philip Herbert: Silent Aria (Abridged Version)

Philip Herbert is a British composer based in Leicester. This delightful and wistful piece started life as a dance project with choreographer Henry Oguike, and was first performed in its entirety in 2013 in Leicester as part of Black History Month. This, slightly abridged version, gives the Oboe a singing line of great beauty. Herbert himself notes that he combines 'hypnotic and expressive melismas in the melodic line supported by the accompaniment supplied by the Piano, which draws on the influence of minimalism and chordal figuration that is to be found in some of the keyboard preludes of J.S. Bach'. The E flat section in the middle provides some contrast, and the delicately ornamented ending brings the piece to a calm conclusion. The metronome mark should be carefully noted so that the piece floats and flows nicely without getting stuck and indulgent.

Derek Healey: Introduzione, Aria E Passacaglia Organ

Simon Bainbridge: Ad Ora Incerta (Score)

Four orchestral songs from Primo Levi. Commissioned by the BBC this work was premiered in the Royal Festival Hall on the 29th March 1995 by the BBC Symphony Orchestra. Study score.

Michael Christian Festing: Largo, Allegro And Aria For Organ

Arranged for three-staves by George Thalben-Ball.

Byrd, W Lumen Ad Revelationem Ssatb/Acc

John Mudd: O God, Who Hast Prepared (SATB/Organ)

Written by John Mudd, organist of Peterborough Cathedral, and edited by H. Elliot Button. For SATB choir with an ad lib Organ part.

Christopher Tye: Laudate Nomen Domini/G.F. Handel: O Lord, We Trust Alone In Thee

A motet, by Dr. Christopher Tye (with English alternative) for SATB Choir with Organ ad lib, and a short anthem by George Frideric Handel for SATB and accompaniment.

Alexander Mackenzie: Postlude (In Memorium) Organ/Violins (Ad Lib)

Tchaikovsky, P How Blest Are They Ssaattbb/Accompaniment Ad Lib

Henry Hugh Bancroft: Three Pieces Organ (For Manuals-pedals Ad Lib)

C.S. Lang: Remember, O Thou Man Unison/Organ (Satb Chorus-ad Lib)

Stephen Cleobury: Silent Night (2009 Setting)

This arrangement of Silent Night is the 2009 Setting by Stephen Cleobury for SATB Choir with Organ Ad Lib. A setting of the enduring Christmas carol with lyrics by Joseph Mohr and melody by Franz Gruber, a full performance lasts around 3 minutes.

Tarik O'Regan: Dorchester Canticles (Vocal Score)

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary?s Church, Dorchester in a performance on 22nd May, 2004 conducted by David Gostick. The piece includes the options of Harp and Percussion players to ad lib.

Tarik O'Regan: Dorchester Canticles (Full Score)

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary?s Church, Dorchester in a performance on 22nd May, 2004 conducted by David Gostick. The piece includes the options of Harp and Percussion players to ad lib.

J.S. Bach: Magnificat In D

Bach's Magnificat In D was originally composed in 1723 for the Christmas Vespers in Leipzig, with Christmas specific texts that would be later removed to make the work suitable for year-round performance.The work can be divided into twelve parts grouped into three movements, beginning with an aria and ending with a fugal chorus.This edition is edited by Neil Jenkins for SATB with a Piano accompaniment. In the original key of D.

Tarik O'Regan: De Sancto Ioanne Baptista

This work for SATB choir was commissioned by the Chapel of St John?s College, Oxford. The text, in Latin, is taken from page 103 of the Horæ Beatæ Mariæ ad usum Romanum (France, ca 1524). This Book of Hours is currently manuscript 10 in the Lessing J. Rosenwald Collection, Library of Congress, Washington D.C.

G.F. Handel: Rejoice Greatly, O Daughter Of Zion (12/8)

A popular aria for Soprano from Handel's celebrated Messiah, edited by Watkins Shaw. This particular edition is presented in 12/8 time, rather than the more familiar 4/4 version, but with the Continuo line provided in the original simple time. The piece features the intimate arrangement of two Violins and Continuo with the Soprano soloist, and the music is brimming with Handel's delightful imitative melodic writing, creating an energetic dialogue between the soloist and the strings.

G.F. Handel: Rejoice Greatly, O Daughter Of Zion (12/8) - Accompaniment Parts

The accompaniment parts for this popular aria for Soprano from Handel's celebrated Messiah, edited by Watkins Shaw. This particular edition is presented in 12/8 time, rather than the more familiar 4/4 version, but with the Continuo line provided in the original simple time. The piece features the intimate arrangement of two Violins and Continuo with the Soprano soloist, and the music is brimming with Handel's delightful imitative melodic writing, creating an energetic dialogue between the soloist and the strings.