Variations and Fugue On A Christmas Carol

This score is based on the old British Carol "I saw three ships." There are seven variations preceding the fugue. After the theme has been stated, the first two variations extend the theme: the third variation introduces the pedals. The next three variations are in the style of Baroque genres: the fourth variation is a noël written as an homage to Daquin: the fifth variation is a figured chorale, in which the chorale Von Himmel hoch, da komm ich her makes its first appearance: and the sixth is a Handelian rigaudon. The seventh variation is a “carillion” in which Von Himmel hoch reappears. After a dramatic, dissonant chord, the score concludes with a chorale fugue during whichVon Himmel hoch appears in the pedal. Composed for and dedicated to David Higgs, in celebration of his twenty-five years of teaching at the Eastman School of Music. Duration: 6:45.

Raise a Song

A joyous setting of Psalm 81:1-2. This work has a stirring organ accompaniment that may be easily adapted for piano.

Like a River Glorious

This arrangement of the familiar Frances Havergal tune WYE VALLEY is set in 6/8 and is reminiscent of a gentle, flowing river. Accessible part-writing and a well-written accompaniment.

Cries a Voice

An accessible Advent anthem based on text from Isaiah 40 and using the tune PUER NOBIS NASCITUR. Effective with both an ensemble or a larger choir.

Lo, How a Rose E'er Blooming

A lush and expressive arrangement of this favorite 14th-century carol.

Come with a Thankful Heart

With an original stately tune and new text by the composer based on Psalm 100, this is in a classic hymn/anthem style. Three stanzas, the first in unison, the second SATB (with the trumpet playing the tune OLD HUNDREDTH above), a short interlude, and the final stanza in unison with descant. A reproducible page is included for optional congregational participation on the third stanza. Duration: 3:30 Instrumental Parts include: Trumpet I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, TimpaniWith an original stately tune and new text by the composer based on Psalm 100, this is in a classic hymn/anthem style. Three stanzas, the first in unison, the second SATB (with the trumpet playing the tune OLD HUNDREDTH above), a short interlude, and the final stanza in unison with descant. A reproducible page is included for optional congregational participation on the third stanza. Duration: 3:30 Instrumental Parts include: Trumpet I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Timpani

Like a Mighty Wind

The ballad-like melody and sweeping text give this anthem a timeless quality, though both elements are brand new. The SATB writing occurs only in spots, the rest is unison and two-part writing. Suitable for Pentecost or general use, there are optional parts for violin and cello. Duration: 3:30

Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

Peter Latona's setting of the Entrance Antiphon for the Dedication of a Church is a perfect balance of solemnity and festivity. It opens with a brass and organ fanfare (echoed later by organ alone) and a chant-like choral section. Then the antiphon unfolds—easily sung by the assembly, while the verses offer some "meat" for SATB choir. Brass Quintet is used well throughout, supporting the antiphons and decorating the verses. Appropriate also for church anniversaries, the Feast of the Dedication of St. John Lateran, Christ the King C, or other festive liturgies. Duration: 8:00 Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F, Trombone I and II, Timpani Part of the Cathedral Series.

A Carol Fantasy

A Joyful Ring

Based on an Israeli folk tune, this piece would be fun for any level 3 three octave group. (An optional Bb3 is included.) Includes mallet and LV techniques. Teaching/learning opportunites are provided at the back.

A Celtic Psalm

A Lenten Reflection

A Christmas Carol

A Carol Fantasy

Eternal Light: A Requiem

Eternal Light: A Requiem

A Glad New Song

This text in the Sacred Harp tradition was first published in 1891, and is filled with enthusiasm for singing and the joy of faith. The musical setting is new, but hearkens back to early American shape-note singing. The harmonies are straightforward, and the rhythmic piano accompaniment serves to maintain the energy of the message. Duration:3:15

How Firm a Foundation

Like a Mighty Wind

Away in a Manger

A Bridge Called Faith

A Christmas Prelude : Complete Set

Set Me as a Seal

Hymns of Praise : A Compilation

A Spiritual Romp for Two