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Amazing Grace!

Amazing Grace!

Part of our Washington National Cathedral Series, this gorgeous unaccompanied setting divides in all parts to create a lush, sonorous effect. Set in G major with a brief foray into E-flat so the baritone soloist can sound at his best. Duration 3:30 Part of our Washington National Cathedral Series, this gorgeous unaccompanied setting divides in all parts to create a lush, sonorous effect. Set in G major with a brief foray into E-flat so the baritone soloist can sound at his best. Duration 3:30

SEK 65.00
1

With All Your Heart

With All Your Heart

Your choir and congregation will love this original piece with a text by the composer adapted from Proverbs and Isaiah. Tranquil but resolute, the music and message are one of trust and reassurance. Simple and sweet, this music is easy to learn and rewarding to sing. Duration 3:30 Your choir and congregation will love this original piece with a text by the composer adapted from Proverbs and Isaiah. Tranquil but resolute, the music and message are one of trust and reassurance. Simple and sweet, this music is easy to learn and rewarding to sing. Duration 3:30

SEK 70.00
1

Make Me an Instrument of Your Peace

Make Me an Instrument of Your Peace

Although through-composed (as the nature of the text might dictate), this is an easy piece to learn. A soprano soloist is optional at the beginning. There are many places where the texture is two-part mixed. Choirs of any size will enjoy singing this sweet and tuneful anthem. Duration: 3:30 Although through-composed (as the nature of the text might dictate), this is an easy piece to learn. A soprano soloist is optional at the beginning. There are many places where the texture is two-part mixed. Choirs of any size will enjoy singing this sweet and tuneful anthem. Duration: 3:30

SEK 70.00
1

Two Pieces for Organ : Prelude in D and Exultation

Two Pieces for Organ : Prelude in D and Exultation

Prelude in D, written for organist David Ball, is set in a languid 3/4 with a lyrical motif in the melody which passes through several harmonic developments but is consistently soothing and satisfying. Registration suggestions might be for a large instrument, but the elegance of the writing insures success on a smaller instrument as well. Duration: 3:30 Exultation was commissioned by Choir and Organ magazine for the dedication of the Miller-Scott Organ at Saint Thomas Church Fifth Avenue. It is a short, fiery postlude or recital piece. Of the two pieces, the difficulty level we've selected definitely comes from this final one. If you want to start or finish with a bang,consider Exultation. Duration: 1:30 Contents: Prelude in D Major Exultation Part of the Cathedral Series.

SEK 157.00
1

On Christmas Night

On Christmas Night

Do many of your singers go out of town on Christmas Eve? This setting of SUSSEX CAROL was transcribed from a live recording at Mount Olive Lutheran Church with Paul Manz playing on Christmas Eve. The melody is sung in unison throughout, with the organ part doing all the work providing sparkle and variety. Worth having in your choral library. Duration 2:30 Part of the National Lutheran Choir Series. Do many of your singers go out of town on Christmas Eve? This setting of SUSSEX CAROL was transcribed from a live recording at Mount Olive Lutheran Church with Paul Manz playing on Christmas Eve. The melody is sung in unison throughout, with the organ part doing all the work providing sparkle and variety. Worth having in your choral library. Duration 2:30 Part of the National Lutheran Choir Series.

SEK 65.00
1

My Hope Is Built

My Hope Is Built

The tradition hymn tune SOLID ROCK is given a Gospel piano accompaniment as only composer Tom Trenney can write. Highlights of the piece include a contrasting original stanza in the relative minor and fun section at the end where the basses begin and the other parts layer on one by one, creating a stunning effect that sounds complex but is actually not. Your choir will find this fun and different. Duration: 3:30 The tradition hymn tune SOLID ROCK is given a Gospel piano accompaniment as only composer Tom Trenney can write. Highlights of the piece include a contrasting original stanza in the relative minor and fun section at the end where the basses begin and the other parts layer on one by one, creating a stunning effect that sounds complex but is actually not. Your choir will find this fun and different. Duration: 3:30

SEK 73.00
1

Hark! The Herald Angels Sing

Hark! The Herald Angels Sing

Written in a sparkly, joyous 6/8, this is brand new music set to the beloved traditional text. He has specified piano for the accompaniment, but one can hear it being done on organ just as well. Alternatively there are parts for flute, oboe, cello, and harp. This composer's previous settings of well-known Christmas texts with brand new tunes have been very popular. Duration 3:30 Chamber Ensemble: Flute, Oboe, Cello, and Harp Written in a sparkly, joyous 6/8, this is brand new music set to the beloved traditional text. He has specified piano for the accompaniment, but one can hear it being done on organ just as well. Alternatively there are parts for flute, oboe, cello, and harp. This composer's previous settings of well-known Christmas texts with brand new tunes have been very popular. Duration 3:30 Chamber Ensemble: Flute, Oboe, Cello, and Harp

SEK 70.00
1

Hands of God

Hands of God

Written for the ELCA's 25th Anniversary, the composer himself describes this as a "one-rehearsal wonder." Essentially it's a brand new hymn tune and text arranged for SATB and piano, with optional trumpet and soprano descant. The tune is sweeping and majestic, the choral writing easy and effective. The tag line "God's work. Our hands" has been at the heart of the ELCA church since its inception, and the text reinforces that message. Duration 3:30 Written for the ELCA's 25th Anniversary, the composer himself describes this as a "one-rehearsal wonder." Essentially it's a brand new hymn tune and text arranged for SATB and piano, with optional trumpet and soprano descant. The tune is sweeping and majestic, the choral writing easy and effective. The tag line "God's work. Our hands" has been at the heart of the ELCA church since its inception, and the text reinforces that message. Duration 3:30

SEK 73.00
1

Come with a Thankful Heart

Come with a Thankful Heart

With an original stately tune and new text by the composer based on Psalm 100, this is in a classic hymn/anthem style. Three stanzas, the first in unison, the second SATB (with the trumpet playing the tune OLD HUNDREDTH above), a short interlude, and the final stanza in unison with descant. A reproducible page is included for optional congregational participation on the third stanza. Duration: 3:30 Instrumental Parts include: Trumpet I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, TimpaniWith an original stately tune and new text by the composer based on Psalm 100, this is in a classic hymn/anthem style. Three stanzas, the first in unison, the second SATB (with the trumpet playing the tune OLD HUNDREDTH above), a short interlude, and the final stanza in unison with descant. A reproducible page is included for optional congregational participation on the third stanza. Duration: 3:30 Instrumental Parts include: Trumpet I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Timpani

SEK 65.00
1

Alleluia! Jesus Is Risen!

Alleluia! Jesus Is Risen!

A majestic Easter anthem which marries the tune EARTH AND ALL STARS to a text by Herbert Brokering, a combination with which you might not be familiar but works beautifully. Burkhardt has structured a perfect hymn-anthem setting. The congregation can participate or not. Brass and timpani are optional. Fun to sing and sure to create a feeling of transcendent triumph. Duration: 3:30 Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Tuba, Timpani, Organ

SEK 70.00
1

Day by Day

Day by Day

This well-known text, attributed to Richard of Chichester and adeptly amended by Alan Hommerding, is set for unison voices with the option of a second part. It is simple but still affords room for a small choir (or children's choir) to improve: some large intervals, meter changes, and the necessity of watching the conductor carefully. Following the dynamic and tempo markings will insure a perfomance that lives up to the "dolce" nature of the anthem. Accompaniment is organ (preferred) or piano: the flexibility required for a sensitive presentation would be a good task for a student. Duration 2:30

SEK 63.00
1

To First Seek the Kingdom

To First Seek the Kingdom

This is the kind of piece that might sound more difficult than it is. Michael Trotta employs an economy of choral writing: The SATB parts are sometimes unison, move often by steps, are repeated in the outer sections, and have only occasional divisi in the treble voices. The text is an innovative combination of Old and New Testament passages, put in a question-and-answer format with the question sung in a subdued matter and the answer intensifying in range, complexity, and volume. The piano and flute parts flow more quickly than the voices—save for a short, contrasting middle section—and provide an underlying momentum to this expressive work. Duration: 4:30

SEK 73.00
1