Canzone di Francesco

This beautiful and intense slow composition including lots of melodic and musical sequences is dedicated to Saint Francis-a figure whose life story has always impressed the composer. He had previously honoured Francis of Assisi in several works including a composition for strings, an oratorio, a mass and a Laudate for choir and concert band. Canzone di Francesco will create a moment of meditation and reflection during your concert, but is also very suitable as a warm up piece offering various possibilities to work on intonation, phrasing and sound building.

Canzone di Francesco

This beautiful and intense slow composition including lots of melodic and musical sequences is dedicated to Saint Francis-a figure whose life story has always impressed the composer. He had previously honoured Francis of Assisi in several works including a composition for strings, an oratorio, a mass and a Laudate for choir and concert band. Canzone di Francesco will create a moment of meditation and reflection during your concert, but is also very suitable as a warm up piece offering various possibilities to work on intonation, phrasing and sound building.

La Passerella di Addio

La Passerella di Addio

Mundus Novus : The Discovery of the New World

Mundus Novus (‘New World’) is a travelogue in the form of letters sent by the sailor and explorer Amerigo Vespucci in 1502 to the Florentine nobleman Lorenzo di Pierfrancesco di Medici. Vespucci is credited with four journeys to America, eventually leading to Martin Waldseemüller’s map ‘Cosmographiae Introductio' in which the name ‘America’ first appeared.

Mundus Novus : The Discovery of the New World

Mundus Novus (‘New World’) is a travelogue in the form of letters sent by the sailor and explorer Amerigo Vespucci in 1502 to the Florentine nobleman Lorenzo di Pierfrancesco di Medici. Vespucci is credited with four journeys to America, eventually leading to Martin Waldseemüller’s map ‘Cosmographiae Introductio' in which the name ‘America’ first appeared.

Il Barbiere di Siviglia : Sinofinia dall'opera

The Barber of Seville is based on the first of Beaumarchais‘ (1732- 1799) two sequential plays, The Marriage of Figaro being the second, although unusually the overture does not contain any themes from the ensuing opera. The music, however, is sparkling and tuneful encompassing the ‘spirit‘ of the story that is about to unfold. The overture follows the form of the classic Italian style, with a slow introduction followed by a brilliant Allegro. Of course, the famous crescendo, so typical of Rossini’s works, is also present.

Il Barbiere di Siviglia : Sinofinia dall'opera

The Barber of Seville is based on the first of Beaumarchais‘ (1732- 1799) two sequential plays, The Marriage of Figaro being the second, although unusually the overture does not contain any themes from the ensuing opera. The music, however, is sparkling and tuneful encompassing the ‘spirit‘ of the story that is about to unfold. The overture follows the form of the classic Italian style, with a slow introduction followed by a brilliant Allegro. Of course, the famous crescendo, so typical of Rossini’s works, is also present.

Andreas Gabalier in Concert

Andreas Gabalier is one of the most popular Austrian folk singers of his generation. In 2012, he won an ECHO music award and has also won the Amadeus Austrian Music Award twice. This medley contains ‘I sing a Liad für di’, ‘So liab hob i di’, ‘Amoi seg' ma uns wieder’, ‘Zuckerpuppen’ and ‘Go for Gold’.

Andreas Gabalier in Concert

Andreas Gabalier is one of the most popular Austrian folk singers of his generation. In 2012, he won an ECHO music award and has also won the Amadeus Austrian Music Award twice. This medley contains ‘I sing a Liad für di’, ‘So liab hob i di’, ‘Amoi seg' ma uns wieder’, ‘Zuckerpuppen’ and ‘Go for Gold’.

Coro degli Armigeri

A technique much employed by Verdi is to alternate main scenes of a drama with others which allow the listener to relax temporarily. These moments are often entrusted to the choir (as in the case of the well-known Rataplan in La forza del destino). In Trovatore, the soldiers’ chorus precedes the scene of the capture of the gipsy woman Azucena by Conte di Luna’s men. The soldiers are about to attack the fortress of Castellor in which Manrico (the troubadour) and Leonora, together with many other rebels, have found shelter. The very easy-going choir is in blunt contrast to the following scene in which Ferrando, the loyal squire of Conte di Luna, recognizes theold gipsy woman. This recognition marks the beginning of wicked developments for all protagonists in this drama.

Coro degli Armigeri

A technique much employed by Verdi is to alternate main scenes of a drama with others which allow the listener to relax temporarily. These moments are often entrusted to the choir (as in the case of the well-known Rataplan in La forza del destino). In Trovatore, the soldiers’ chorus precedes the scene of the capture of the gipsy woman Azucena by Conte di Luna’s men. The soldiers are about to attack the fortress of Castellor in which Manrico (the troubadour) and Leonora, together with many other rebels, have found shelter. The very easy-going choir is in blunt contrast to the following scene in which Ferrando, the loyal squire of Conte di Luna, recognizes theold gipsy woman. This recognition marks the beginning of wicked developments for all protagonists in this drama.

Laudate : frei nach Worten aus Franz von Assisi's Sonnengesang, for Soprano Solo, Mixed Choir and Concert Band

The work presented here, Laudate for solo soprano, mixed choir and wind band, draws inspiration from The Canticle of the Sun (Il Cantico di Frate Sole), written by Francis of Assisi shortly before his death. In this prayer, Saint Francis praises the sun, the moon and the stars, together with the whole of creation, immortalising them in his text. Thomas Doss has set the first words of each stanza to music in this modernistic pop-style composition: “Laudato si, mi signore”. An impressive addition to the repertoire for band and vocals!

Laudate : frei nach Worten aus Franz von Assisi's Sonnengesang, for Soprano Solo, Mixed Choir and Concert Band

The work presented here, Laudate for solo soprano, mixed choir and wind band, draws inspiration from The Canticle of the Sun (Il Cantico di Frate Sole), written by Francis of Assisi shortly before his death. In this prayer, Saint Francis praises the sun, the moon and the stars, together with the whole of creation, immortalising them in his text. Thomas Doss has set the first words of each stanza to music in this modernistic pop-style composition: “Laudato si, mi signore”. An impressive addition to the repertoire for band and vocals!