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Joseph Haydn: Il Ritorno Di Tobia

Joseph Haydn: Il Ritorno Di Tobia

Written 25 years prior to Haydn's late great oratorios, his first oratorio, telling the Biblical story of young Tobias who is able to cure his blind father with heavenly help, is in the tradition of the Neapolitan oratorio and already displays signs of Haydn's personal style; it is one of the most significant sacred works that he had written up to that time. This applies both to the virtuoso arias as well as to the expressive choruses. This work was long-neglected, but this Urtext Study Edition reflects its renewed popularity.

SEK 685.00
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Robert Schumann: Allegro In B Minor Op.8

Robert Schumann: Allegro In B Minor Op.8

“Everywhere only confused combinations of figures, dissonances, passages – in short, for us torture” – Schumann certainly did not deserve this contemporary slating. He only published the opening movement “Allegro di bravura” of what was originally meant to be a sonata – the other parts were apparently destroyed. Clara, who was otherwise rather reserved as far as Schumann ’s early works were concerned, soon incorporated this piece into her repertoire. Ernestine von Fricken, the dedicatee and with whom Schumann was still engaged at its time of composition, often played it after their separation, even if “with quite curious expression”. Our edition is the result of a thorough revision to incorporate the latest scholarly findings.

SEK 202.00
1

Ludwig Van Beethoven: Variationen, Rondo, Tanze

Ludwig Van Beethoven: Variationen, Rondo, Tanze

Beethoven personally designated these three works as “minor pieces,” thus referring to their technical demands and their light artistic weight. While the variations on “Se vuol ballare” from Mozart’s Le nozze di Figaro had most likely been written in Bonn, the Rondo dates from the first Viennese years at the latest. The six Deutsche Tänze (German Dances) are an occasional work from 1796 for the two Prague Baronesses Thun so that they could as we can read on an old copy “dance to their tunes on other people’s heads.” In view of the rather unsophisticated writing, the musical abilities of the young countesses must have been fairly limited. Altogether, the three pieces offeryoung violinists and pianists a welcome preparation for Beethoven’s later pieces in this scoring.

SEK 229.00
1