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Wolfgang Amadeus Mozart: Concerto for Horn and Orchestra no. 4 Eb major K. 495

Wolfgang Amadeus Mozart: Concerto for Horn and Orchestra no. 4 Eb major K. 495

Oddly, Mozart wrote out the score of his most famous Horn Concerto not only in black ink but also in red, green, and blue. Whether he meant this as a genial prank or had higher aspirations in mind will remain an eternal mystery. Whatever the case, Henle‘s Piano reduction takes Mozart at his word and prints the enclosed urtext Horn part in exactly the same colours as are found in the autograph score. Perhaps the multi-coloured publication will inspire Horn players to create new interpretations of this popular concerto.

SEK 371.00
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Wolfgang Amadeus Mozart: Works for Piano and Violin

Wolfgang Amadeus Mozart: Works for Piano and Violin

There is no other chamber-music genre for which Mozart produced so many works see the sonatas and variations than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth. This study edition reproduces the complete and unaltered musical text of the scores of the three blue Henle Urtext performance editions HN 77, 78, and 79, or of the clothbound volume of Mozart’s complete violin sonatas HN 80.

SEK 592.00
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Leos Janácek: March Of The Bluebirds For Piccolo And Piano

Leos Janácek: March Of The Bluebirds For Piccolo And Piano

The little march composed in 1924 forms the nucleus of the suite for Wind Instruments Mládí (HN 1093/7093), in which the jaunty Flute theme weaves through the 3rd movement. Incidentally, the “bluebirds” do not refer to birds but to the light blue robes worn by the choristers at the monastery in Brno, which Janáček entered at the age of eleven. Almost 60 years later during a visit to Potsdam he remembered the Prussian troops’ invasion of Brno and, with this in mind, wrote a chamber music miniature with a military element. This Janáček edition by Jiří Zahrádka , a specialist on the life and work of the great Czech composer, contains top-quality Urtext as well as detailed information on the work’s genesis and transmission.

SEK 178.00
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Antonín Dvorák: Piano Concerto g minor op. 33

Antonín Dvorák: Piano Concerto g minor op. 33

Written in one fell swoop and polished for ages: thus arose one of the most significant works of Czech piano music. Dvorák’s G-minor Piano Concerto was composed in barely two months in 1876 only to be refined for more than seven years before it finally appeared in print. As a result, Dvorák’s handwritten score abounds in changes and corrections. The 141-page autograph bears impressive witness to the work’s extraordinarily difficult gestation. Besides the original text, it contains annotations in lead, red and blue pencil as well as red ink, not to mention many passages hidden beneath pasted slips of paper. Until 1990 the score was owned by Dvorák’s heirs. At the instigation of thepianist András Schiff and with his generous financial support we can now present the first complete facsimile edition of this exhilarating document in a high-quality reproduction that uncannily resembles the original to the last jot. Readers are invited to track down and follow the stages in the work’s genesis. An ideal gift for the “Dvorák Centenary Year” in 2004 … and of course there after as well.

SEK 1715.00
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