J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and does not include fingering.

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and includes fingering by Hans-Martin Theopold.

Franz Joseph Haydn: L'Anima Del Filosofo Ossia Orfeo Ed Euridice. Dramma Per Musica

Franz Joseph Haydn: L'Anima Del Filosofo Ossia Orfeo Ed Euridice. Dramma Per Musica

Franz Joseph Haydn: Zwei Duette - Sopran, Tenor Und Klavier (Urtext)

Carlo Francesco Badini (1715 1810) worked for a long time as a librettist at London’s Italian opera house. In 1791, he wrote the text to Joseph Haydn’s last opera “L’anima del filosofo, ossia Orfeo ed Euridice”. In 1796 Badini collaborated once again with Haydn, resulting in two enchanting chamber duets for soprano, tenor and piano: “Saper vorrei se m’ami” and “Guarda qui che lo vedrai”, whose bucolic setting was very popular at the time. In this Henle Urtext edition, the detailed preface by the editor Marianne Helms offers information on the complex source situation and the publication of these duets.

Franz Liszt: Années De Pèlerinage Deuxième Année - Italie

Between 1837–39 Liszt was travelling through Italy with Marie d’Agoult. As was the case with the first volume of the Années de Pèlerinage, Schweiz (1835/36) he once again recorded his travel impressions in musical form. He devoted himself to subjects from literature (Petrarca, Dante) and the visual arts (Raffael, Michelangelo). Many years later Liszt reworked the pieces, publishing them in 1858 as Années de Pèlerinage, Zweites Jahr, Italien. The central work in this volume is the large-scale so-called Dante Sonata (Après une Lecture de Dante, see also single edition HN 981). The Sonetto 104 del Petrarca (also available as a single edition HN 982) is just as popular. In 1861 Liszt published an appendix to Volume II, Venezia e Napoli, which is also available as a separate edition HN 985.

Maurice Ravel: Une Barque Sur L'Océan

Une Barque Sur L'Océan is taken from Maurice Ravel 's Miroirs (1904/05), which can be interpreted as reflections of the human world of experiences. Une Barque Sur L'Océan is particularly popular amongst Ravel 's nature pictures, forming a pianistic complement to Debussy's orchestral work La mer, which was written at about the same time. The spacious arpeggios, with fifths, fourths and seconds hovering above them in subtle rhythms, paint a maritime tableau that is in a genre all of its own: on the one hand we have a stylised picture of a boat at the mercy of the wind and the waves, while on the other hand an allegory of the volatile nature of human life. This is the second, separate edition of a piece from Ravel 's Miroirs to be published by G. Henle Publishers, after Alborado Del Gracioso (HN 1295).

Ludwig Van Beethoven: Soprano Arias, Duet WoO 93, Trio Op.116

The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven?s acquaintance; with others he was trying his hand at Italian opera (under the guidance of none other than Antonio Salieri). In addition to core repertoire pieces such as ?Ah! perfido? op. 65, the volume also contains unknown treasures such as ?No, non turbarti? ? ?Ma tu tremi, o mio tesoro??, a scene and aria which Beethoven revised several times. In our edition, based on the Beethoven Complete Edition, the last version of the aria is made available for musicians for the first time.Contents:"Erste Liebe, Himmelslust" / "Primo amore, piacer del ciel" Aria for Soprano and Orchestra WoO92"Soll ein Schuh nicht drücken" Aria for Soprano and Orchestra WoO 91/2"Ah! perfido" - "Per pietá, non dirmi addio" Scena and Aria for Soprano and Orchestra op. 65"No, non turbarti" - "Ma tu tremi, o mio tesoro?" Scena and Aria for Soprano and Orchestra WoO 92a"Ne' giorni tuoi felici" Duet for Sopran, Tenor and Orchestra WoO 93"Tremate, empi, tremate" Trio for Soprano, Tenor, Bass and Orchestra op. 116