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Johann Nepomuk Hummel: Trumpet Concerto In E - Trumpet/Piano (Urtext)

Johann Nepomuk Hummel: Trumpet Concerto In E - Trumpet/Piano (Urtext)

Piano reduction in E major and E flat major with parts in E/E flat, C and B flatHummel's Trumpet Concerto is still one of the most popular concertos for this instrument. He composed it in 1803 for the Viennese court trumpeter Anton Waidinger, whose newly developed key-trumpet enabled him to play in a much more virtuoso manner than on the traditional natural trumpet. Henle's Urtext edition reproduces the work in the original key of E major with solo parts in E and for the more common trumpet in C. Due to the fact that the concerto is nowadays often performed in E flat major, this edition also contains a piano reduction in E flat major for trumpets in E flat and B flat. The different transpositions are now available in one single edition for the first time.

SEK 457.00
1

Franz Joseph Haydn: Klaviersonate In E Minor

Franz Joseph Haydn: Klaviersonate In E Minor

With this E-minor piano sonata, Classical-era composer Haydn created a work that displays positively romantic traits. Agitation and excitement are expressed in the main ideas of the first movement, while contrasting seriousness and cheerfulness come into sharp relief in the finale. Of Haydn’s sixty-or-so piano sonatas, the E minor Sonata numbers among those of moderate difficulty. Our editor, Georg Feder, is considered one of the most important Haydn researchers of his time. Consequently this is a well-researched scholarly Urtext edition with an extensive preface, outstandingly adapted for practical use with fingerings by piano pedagogue Hans-Martin Theopold.

SEK 117.00
1

Frédéric Chopin: Nocturne In E Minor Op. Post. 72 No. 1

Frédéric Chopin: Nocturne In E Minor Op. Post. 72 No. 1

The Nocturne In E Minor Op. Post.72 No.1 was Frédéric Chopin ’s first Nocturne to be written and his 19th to be published. The Nocturne was composed in 1827 and was published after Chopin ’s death in 1855. In his book The Life and Death of Chopin, Casimir Wierzyknski explains more about the history of the piece: ‘ Up until then this form [the nocturne] had been the exclusive domain of John Field, an Irish-born composer. But his Nocturne in E minor did not satisfy him [Chopin] and was published only posthumously .’ This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering by Hans-Martin Theopold.

SEK 107.00
1

W.A. Mozart: Piano Sonata E Flat Major KV 282

W.A. Mozart: Piano Sonata E Flat Major KV 282

Mozart’s only piano sonata in E-flat major was probably written during his stay in Munich in early 1775. Its first movement an Adagio, unconventionally is one of those pieces by the young genius that are immediately and profoundly touching. Two minuets follow, inspired by the timbre of woodwinds, and a quick finale in 2/4 with a striking opening motive concludes this masterwork of medium difficulty. Mozart’s clean manuscript copy is the only editorially relevant source, all the early print editions having proved flawed.

SEK 128.00
1

Robert Schumann: Piano Quartet In E Flat Op. 47

Robert Schumann: Piano Quartet In E Flat Op. 47

“In the evening we played Robert ’s E-Flat Major Quartet for the first time … and I was once again truly delighted at this beautiful and so youthful work”, enthused Clara Schumann in 1842. In preparation for this work Schumann had studied String quartets by the Viennese Classical composers. This is why all of the parts in the quartet are treated equally, forming a splendid ensemble. Our edition has an extensive critical commentary on account of the difficult source situation. The fold-out page in the Cello part was designed with music practice in mind. The Piano Quartet and the Piano quintet op. 44, referred to as “sister works”, were both composed in Schumann ’s “chamber music year”. For this reason we were publishing them both in the 2006 “ Schumann Year”.

SEK 494.00
1

J.S. Bach: Concerto For Violin And Orchestra In E BWV 1042

J.S. Bach: Concerto For Violin And Orchestra In E BWV 1042

The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movements: Allegro – Adagio – Allegro Assai . Its history is somewhat vague, as no autograph manuscript survives. Originally scored for Violin, Strings, and Continuo, it is presented here with a Piano reduction. Editorial suggestions for bowing and fingering have been provided, together with a “clean” copy for the violinist’s own use. J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organist and choirmaster, but was also employed as a composer a many different Royal Courts.

SEK 234.00
1

Ludwig Van Beethoven: Sextet In E Flat Op.81b - Urtext Parts

Ludwig Van Beethoven: Sextet In E Flat Op.81b - Urtext Parts

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divertimenti intended for court circles ? a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind, his Sextet op. 81b is thus all the more remarkable, standing out on account of the unusual virtuosity of the horn parts. This edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat, it also contains transposed parts in F.

SEK 367.00
1

Ludwig Van Beethoven: String Quartet E Flat Major Op.127

Ludwig Van Beethoven: String Quartet E Flat Major Op.127

The E-Flat Major String Quartet, Op. 127 , is a key work not only in Beethoven ’s oeuvre but in the entire history of the genre. The first of the late quartets, it "transfers the formal and symbolic aspects of his two major works for Chorus and Orchestra [the Missa solemnis and the Ninth Symphony] to the more intimate domain of chamber music" (William Kinderman). For years, music lovers have been waiting for a new edition based on the scholarly text from the new Beethoven Gesamtausgabe. The wait has paid off! The highly complex source situation was examined for the first time and thus Beethoven ’s "final intentions" are now available in an urtext edition. The set of parts (HN 740) and the score (HN 9740) both come with a detailed preface and editorial notes.

SEK 319.00
1

Ludwig van Beethoven: String Quartet E flat major op. 127

Ludwig van Beethoven: String Quartet E flat major op. 127

The E-Flat Major String Quartet, Op. 127 , is a key work not only in Beethoven ’s oeuvre but in the entire history of the genre. The first of the late quartets, it "transfers the formal and symbolic aspects of his two major works for Chorus and Orchestra [the Missa solemnis and the Ninth Symphony] to the more intimate domain of chamber music" (William Kinderman). For years, music lovers have been waiting for a new edition based on the scholarly text from the new Beethoven Gesamtausgabe. The wait has paid off! The highly complex source situation was examined for the first time and thus Beethoven ’s "final intentions" are now available in an urtext edition. The set of parts (HN 740) and the score (HN 9740) both come with a detailed preface and editorial notes.

SEK 197.00
1

Robert Schumann: Variations On A Theme In E-Flat (Ghost Variations)

Robert Schumann: Variations On A Theme In E-Flat (Ghost Variations)

It was in February 1854, a few weeks before Robert Schumann’s admission to the psychiatric hospital in Endenich, that he wrote his variations on a theme in E-flat major. Because of the extraordinary, personal and moving events of those days, Clara Schumann guarded the manuscript pages of her husband’s final piano composition, dedicated to her and later called “Ghost Variations,” like relics, and prohibited their publication. The first edition was not published until 1939, and in many respects does not correspond with what Schumann actually wrote down. For the first time, the Henle Urtext edition draws upon all the available primary sources, and thus is effectively the onlyreliable Urtext edition of a work that in recent years has been heard with increasing frequency.

SEK 165.00
1

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work, full of technical trickery, is with justification demanded time and again as a test piece or set piece for competitions. In order to accommodate the “Viennese tuning” used at the time, we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the Double Bass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger, editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.

SEK 372.00
1

Ludwig Van Beethoven: Sextet In E Flat Op.81b - Urtext Study Score

Ludwig Van Beethoven: Sextet In E Flat Op.81b - Urtext Study Score

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divertimenti intended for court circles ? a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind, his Sextet op. 81b is thus all the more remarkable, standing out on account of the unusual virtuosity of the horn parts. This edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat, it also contains transposed parts in F.

SEK 192.00
1