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Max Reger: Clarinet Quintet In A, Op. 146

Max Reger: Clarinet Quintet In A, Op. 146

With his Clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 563.00
1

Beethoven: Bagatelle In A Minor WoO 59 (Für Elise)

Beethoven: Bagatelle In A Minor WoO 59 (Für Elise)

There are probably very few Piano students who have not tried their hand at this piece; it is undeniably one of the most popular classical Piano pieces today. And yet unanswered questions still remain. They not only concern details in the musical text but also its famous nickname: Is “Elise”, the reading in the dedication in the autograph, even actually correct? Or should it read “Therese”? And whom might Beethoven have actually meant? The revised musical text is now being published in advance of the long-awaited volume “Piano Pieces” in the Complete Edition, prepared by the Beethoven scholar Joanna Cobb Biermann.

SEK 96.00
1

Max Reger: Clarinet Quintet In A Major Op.146

Max Reger: Clarinet Quintet In A Major Op.146

With his Clarinet Quintet , begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The Quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, Henle are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 250.00
1

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Beethoven is presumed to have completed his 5th Symphony in early 1808; today, it is one of the most famous works of classical music of all. Its nickname “Fate Symphony” was given to it posthumously by Beethoven ’s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall.

SEK 197.00
1

Johannes Brahms: Sonata In E Minor Op. 38

Johannes Brahms: Sonata In E Minor Op. 38

The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the Cello part is enhanced with additional markings.

SEK 180.00
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Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

As indestructible as Rachmaninoff ’s C-sharp-minor Prélude (HN 1211) may be, it is not his only Prélude to have begun a “solo career” of its own: with its rousing rhythms and rhapsodic middle section, the famous piece in G minor certainly takes its place among them. Pianists who aren’t yet ready to tackle the complete cycle of 24 Préludes (available as HN 1200) can still enjoy Rachmaninoff “at his best” with this work. In conjunction with Moscow’s Glinka Archives, we were able to consult the autograph sources for our Urtext edition of the Préludes, which means that this single edition thus also benefits from the Urtext’s excellent editorial and graphic quality. As with all of our Rachmaninoff editions, the fingerings were once again provided by Marc-André Hamelin.

SEK 107.00
1

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

**Not for sale outside of the UK and Commonwealth.** Dvořák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms’ music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the Piano part.

SEK 436.00
1

Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30

Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30

Skrjabin ten complete Piano sonatas offer a fascinating insight into the Russian composer’s stylistic development. While his first works still fully reflect the late-romantic tradition, the late works keep bursting the bounds of tonality. The boldly outlined, two-movement Fourth Sonata marks a turning point, for it evokes the world of the “Poème de l’extase” with its mystical atmosphere hovering between ethereal rapture and ecstatic flight. The publication of opus 30 means that all of Skrjabin ’s sonatas are now available in Henle Urtext quality and edited by the expert Valentina Rubcova of Moscow – an invitation to all pianists to plunge into this unique cosmos.

SEK 170.00
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Robert Schumann: String Quartets Op. 41 (Study Score)

Robert Schumann: String Quartets Op. 41 (Study Score)

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for Quartet players.

SEK 335.00
1