Ancient Carol : (O Come, O Come, Emmanuel)

For that first holiday concert, here is a wonderful and very easy setting of O Come Emmanuel in an expressive style.

An English Ode (Come, Ye Sons of Art)

Based on Purcell's Come, Ye Sons of Art, this carefully crafted arrangement for second year players features a nice variety in scoring and dynamic contrasts. Phrases are traded between the woodwind and brass sections (cues included), then the full band comes together for the final segment.

Come On, Come Over

This funk classic from Jaco Pastorius naturally features a prominent role for the bass player. Skillfully arranged for full jazz ensemble, the back and forth riffs are traded between smaller groups within the band. Also featured is a solo for alto sax along with plenty of hard-hitting figures for the brass.

O Come, O Come Emmanuel

We are honored to present the late Claude T. Smith's last commission for young band. The musical legacy of one of the most-loved band composers continues with this sensitive orchestration.

O Come, O Come, Emmanuel

Here is a traditional Christmas favorite in a totally new and unexpected setting! Michael's stylized version uses new harmonies and a contemporary driving 5/4 pattern in the beginning and end to achieve a wonderful effect.

Veni, Veni ( O Come, O Come Emmanuel )

This simple, plaintive carol is yet another memorable moment from Mannheim Steamroller's Fresh Aire Christmas, and continues to be heard each holiday season. Robert's arrangement makes it approachable by most any string ensembleand includes short solo moments to feature a young violin soloist.

Come Together

Mike Tomaro has taken this Beatles favorite and converted it into a unique setting for jazz ensemble. He kept the slow funky groove intact, but went a little nuts harmonically! Includes an optional guitar solo. This is a greatchart for something alittle different.

Come Together

Arranger Larry Moore has taken this iconic Beatles song and transformed it into something unique. With new harmonic twists over the slow funky groove, its got a whole new sound thats great fun to play.

Come Sail Away

This one-of-a-kind '70s power-rock hit by Styx will surely add a unique touch to your concert programming. The epic and fanciful tale begins with a short and easy solo ballad, followed by an awesome power-rock journey to its dramatic conclusion. Heroic and inspiring!Available separately: SATB, SAB, SSA, Instrumental Pak (parts for Trumpet 1 & 2, Tenor Sax, Trombone, Synthesizer, Guitar, opt. Guitar 2, Bass and Drums) and ShowTrax CD. Performance Time: Approx. 3:40

Come Sail Away

Recorded by the group Styx in 1977, this chart opens in a rock ballad style featuring a solo alto sax. The mood then shifts to a driving rock pulse featuring the brass on the powerful strains of the chorus. Solid rock and roll for young players!

Waterdrops Come Spring

Using very modest ranges and easy rhythms (no syncopation), Richard has created this tender lyric piece that evokes the beauty of spring. Perfect for teaching tone, breath support and phrasing. Dur: 2:50

Come Sail Away

This enduring rock anthem from the group Styx works extremely well as a production/closer. The lyrical trumpet solo in the slow introduction is a nice mood change before launching into the fast double time section that drives this chart to a dynamic finish.

The Time Has Come

The music of Brazilian composer/pianist Eliane Elias is featured on the acclaimed CD “Impulsive!” by the Danish Radio Jazz Orchestra. Legendary arranger Bob Brookmeyer has crafted a magnificent multi-style show pieceusing Eliane's sophisticated composition. First we hear an intense Latin groove with blistering ensemble lines. This is followed by a medium swing section with space for soloists before returning to the opening feel. Includes soloopportunities for drums and bass as well.

Come Rain Or Shine

For vocal soloists it doesn't get any better than this all-time favorite from the '40s. Jerry's medium slow swing version is in a great range and features very effective background ensemble writing. Sure winner!

How Far We've Come

Here's the latest mega-hit from the popular rock band Matchbox Twenty. With a driving pulse that just won't quit and solid ensemble scoring, this arrangement will sound great on the field or in the stands.

Baby, Come To Me

Recorded by Patti Austin with James Ingram in 1983, this smooth jazz classic has a nice contemporary rock groove for jazz ensemble. Using an interesting harmonic structure based on minor chords, this chart features the saxes onthe melody, a soli for trombones, and funky ensemble riffs. This is a solidly scored chart for young players.

Come Fly with Me

Written for Frank Sinatra (and the title track of his 1958 album), this tune epitomizes the cool sounds of the swing era. Here's a smartly scored version for beginning bands, written with modest ranges but still maintaining anauthentic style. Included is plenty of tutti ensemble playing plus short solos (or soli) for sax and trumpet. A great way to teach swing.

Come Fly with Me

O Come, Little Children

From the meek and lowly manger to the glorious alleluias of the angels, this setting of the traditional carol positively sparkles with joy! Perform it with piano or with the colorful chamber orchestra and celebrate the Nativity in school, community and worship performances!

Come Fly With Me

Written for Frank Sinatra and title track of his 1958 album, this tune remains popular through recent recordings and usages in TV and film. This chart brings a swingin' big band style to the field in a powerful and convincing way.Lots of scoring variety and plenty of drive.

Come with Me Now

Recorded in 2011 by the South African band Kongos, this hot single continues to surge in popularity here in the U.S. The unique style and flavor make it particularly attractive for marching band.

Come Home to the Sea

Grade 3-4 A refreshing programming choice from Mannheim Steamroller. Flowing and melodic, this piece is filled with wonderful textures.

Jazz Combo Pak #40 (Jaco Pastorius)

(Includes: Come On, Come On Over; Liberty City; Havona; Teen Town)

Baby, Won't You Please Come Home

Originally a blues tunes from 1919, this familiar song has become a frequently recorded jazz standard. John Berrys updated version features a comfortable medium swing tempo, a soli for the sax section, and solid tutti scoring for the full band.Great for teaching your young ensemble to swing.

Come Sail Away : Recorded by Styx

This well-known anthem by the group STYX makes a perfect closing number. Starting quietly with a trumpet soloist, this arrangement then builds solidly to the familiar up-tempo chorus with the ensemble playing full throttle. Great finish!