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W.A. Mozart: Le Nozze Di Figaro (Libretto)

W.A. Mozart: Le Nozze Di Figaro (Libretto)

Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical play - the second of the trilogy which begun with 'The Barber Of Seville' - later of course adapted into an opera by Rossini. As in 'Il Barbiere di Siviglia', 'The Marriage of Figaro' depicted the aristocracy as buffoons controlled and outwitted by their cunning servants. This time Figaro and Susanna are due to wed but must first outwit the Count, who is determined to exercise a master's ancient right to deflower the bride of his servant. This is the Schirmer edition of the libretto in the original Italian with an English translation by Ruth and Thomas Martin.

SEK 147.00
1

Gaetono Donizetti: Lucia Di Lammermoor (Libretto)

Gaetono Donizetti: Lucia Di Lammermoor (Libretto)

'Lucia di Lammermoor' was one of the biggest triumphs of Donizetti's career, and remains as his outstanding masterpiece. The libretto was written by Salvatore Cammarano based on Sir Walter Scott's novel 'The Bride of Lammermoor'. The story runs as follows: Lord Enrico Ashton is outraged to find that his sister Lucia is in love with his mortal enemy, Edgardo. He tricks Lucia into believing Edgardo unfaithful and insists she marry Lord Arturo Bucklaw. The wedding takes place, disrupted by Edgardo, who curses Lucia. Lucia begins to lose her mind, and when Enrico challenges Edgardo to a duel, Lucia kills Arturo, then collapses and dies herself. On hearing the tragic news, Edgardo kills himself.This is the Schirmer edition of the Libretto, with text in the original Italian with an English translation by Glen Sauls.

SEK 127.00
1

W.A. Mozart: Le Nozze Di Figaro (Vocal Score)

W.A. Mozart: Le Nozze Di Figaro (Vocal Score)

Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical play - the second of the trilogy which begun with 'The Barber Of Seville' - later of course adapted into an opera by Rossini. As in 'Il Barbiere di Siviglia', 'The Marriage of Figaro' depicted the aristocracy as buffoons controlled and outwitted by their cunning servants. This time Figaro and Susanna are due to wed but must first outwit the Count, who is determined to exercise a master's ancient right to deflower the bride of his servant. This is the Schirmer edition of the Vocal Score, with an English translation by Ruth and Thomas Martin and an essay by Nathan Broder.

SEK 509.00
1

Gaetano Donizetti: Lucia Di Lammermoor (Vocal Score)

Gaetano Donizetti: Lucia Di Lammermoor (Vocal Score)

'Lucia di Lammermoor' was one of the biggest triumphs of Donizetti's career, and remains as his outstanding masterpiece. The libretto was written by Salvatore Cammarano based on Sir Walter Scott's novel 'The Bride of Lammermoor'. The story runs as follows: Lord Enrico Ashton is outraged to find that his sister Lucia is in love with his mortal enemy, Edgardo. He tricks Lucia into believing Edgardo unfaithful and insists she marry Lord Arturo Bucklaw. The wedding takes place, disrupted by Edgardo, who curses Lucia. Lucia begins to lose her mind, and when Enrico challenges Edgardo to a duel, Lucia kills Arturo, then collapses and dies herself. On hearing the tragic news, Edgardo kills himself. This is the Schirmer edition on the Vocal Score and contains an English version by Natasha Macfarren, as well as an essay by E. Irenaeus Stevenson.

SEK 410.00
1

Gioacchino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Vocal Score

Gioacchino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Vocal Score

The 1815 masterpiece 'Il Barbiere Di Siviglia' is widely considered the greatest of comic operas. The libretto of 'The Barber of Seville' was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. Rosina's aria 'Una voce poco fa' is probably the most popular of all coloratura arias. This is the Schirmer edition of the Vocal Score and is in Italian with an English translation by Ruth and Thomas Martin and notes and essays Robert Laerence and Estelle Liebling.

SEK 459.00
1

Lyric Soprano Arias: A Master Class With Evelyn Lear

Lyric Soprano Arias: A Master Class With Evelyn Lear

This unique package presents a recorded master class with Metropolitan Opera star Evelyn Lear , coaching young sopranos in 9 favorite arias. The book includes interpretive essays, translations for study, and the standard Vocal/Piano versions of the arias, with extensive coaching comments in the score. Besides the masterclass with Miss Lear, the CD includes a Piano accompaniment for practice. Arias are from La bohème, Don Giovanni, Fidelio, Le nozze di Figaro, Roméo et Juliette, Samson and Die Zauberflöte.

SEK 286.00
1

Alessandro Scarlatti: Ten Arias For High Voice

Alessandro Scarlatti: Ten Arias For High Voice

The operas of Alessandro Scarlatti (1660-1725) contain a host of attractive arias unknown to singers and musicians. The music in this volume spans thirty-one years of Scarlatti's creative life. The first aria - dating from 1690 - represents the composer already at the peak of his professional career both as maestro di cappella to the Neapolitan viceroys and as chief opera composer in the city of Naples. The last two arias are taken from the opera Griselda performed in Rome in 1721, his final work of any importance.

SEK 186.00
1

Gioacchino Rossini: The Barber Of Seville (Libretto)

Gioacchino Rossini: The Barber Of Seville (Libretto)

The 1815 masterpiece 'Il Barbiere Di Siviglia' is widely considered the greatest of comic operas. The libretto of 'The Barber of Seville' was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. Rosina's aria 'Una voce poco fa' is probably the most popular of all coloratura arias. This is the Schirmer edition of the Vocal Score and is in Italian with an English translation by Ruth and Thomas Martin and notes and essays Robert Laerence and Estelle Liebling. This is the Schirmer edition of the Libretto in Italian, with an English translation by Ruth and Thomas Martin.

SEK 137.00
1