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Gioacchino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Vocal Score

Gioacchino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Vocal Score

The 1815 masterpiece 'Il Barbiere Di Siviglia' is widely considered the greatest of comic operas. The libretto of 'The Barber of Seville' was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. Rosina's aria 'Una voce poco fa' is probably the most popular of all coloratura arias. This is the Schirmer edition of the Vocal Score and is in Italian with an English translation by Ruth and Thomas Martin and notes and essays Robert Laerence and Estelle Liebling.

SEK 459.00
1

Marin Marais: Suite No.1 In D Minor For Viola Da Gamba

Marin Marais: Suite No.1 In D Minor For Viola Da Gamba

Marin Marais was a distinguished member of the French School of Viola Da Gamba players that flourished around 1700. He was also an influential exponent of French Chamber music in this era. He composed much and wrote five fantastic collections for Viola, which constitute one of the most important sources of solo music for the Viola da Gamba. This Suite No.1 in D minor is from the fourth book of his Pieces de Viole, Book IV published in 1717. Because of the unique value of the composer's authoritative indications for ornaments, bowings, fingerings, expressive effects, it was decided to print the original parts for viol and basso continuo as facsimiles of its original form, as well as the newly engraved score. This suite for Viola and Basso Continuo has been edited by George Hunter.

SEK 410.00
1

W.A. Mozart: Le Nozze Di Figaro (Libretto)

W.A. Mozart: Le Nozze Di Figaro (Libretto)

Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical play - the second of the trilogy which begun with 'The Barber Of Seville' - later of course adapted into an opera by Rossini. As in 'Il Barbiere di Siviglia', 'The Marriage of Figaro' depicted the aristocracy as buffoons controlled and outwitted by their cunning servants. This time Figaro and Susanna are due to wed but must first outwit the Count, who is determined to exercise a master's ancient right to deflower the bride of his servant. This is the Schirmer edition of the libretto in the original Italian with an English translation by Ruth and Thomas Martin.

SEK 147.00
1

W.A. Mozart: Le Nozze Di Figaro (Vocal Score)

W.A. Mozart: Le Nozze Di Figaro (Vocal Score)

Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical play - the second of the trilogy which begun with 'The Barber Of Seville' - later of course adapted into an opera by Rossini. As in 'Il Barbiere di Siviglia', 'The Marriage of Figaro' depicted the aristocracy as buffoons controlled and outwitted by their cunning servants. This time Figaro and Susanna are due to wed but must first outwit the Count, who is determined to exercise a master's ancient right to deflower the bride of his servant. This is the Schirmer edition of the Vocal Score, with an English translation by Ruth and Thomas Martin and an essay by Nathan Broder.

SEK 509.00
1

Gioacchino Rossini: The Barber Of Seville (Libretto)

Gioacchino Rossini: The Barber Of Seville (Libretto)

The 1815 masterpiece 'Il Barbiere Di Siviglia' is widely considered the greatest of comic operas. The libretto of 'The Barber of Seville' was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. Rosina's aria 'Una voce poco fa' is probably the most popular of all coloratura arias. This is the Schirmer edition of the Vocal Score and is in Italian with an English translation by Ruth and Thomas Martin and notes and essays Robert Laerence and Estelle Liebling. This is the Schirmer edition of the Libretto in Italian, with an English translation by Ruth and Thomas Martin.

SEK 137.00
1

W.A. Mozart: Don Giovanni (Libretto)

W.A. Mozart: Don Giovanni (Libretto)

He's handsome, cunning and utterly merciless. Don Giovanni's lustful desires have left a trail of heartbreak and shattered dreams; but in the wake of a life lived to excess and devoid of honour, his day of reckoning finally approaches ... pursued by those he has wronged, he is soon to discover the awful consequences of his actions (Opera Queensland review, Aug 2003) The premiere of Don Giovanni took place to great public and critical acclaim in Prague on October 29, 1787. The Opera is in two acts, with a libretto by Lorenzo Da Ponte, based on the play by Tirso De Molina. The English version is by W.H. Auden and Chester Kallman.

SEK 147.00
1

W.A. Mozart: Don Giovanni (Vocal Score)

W.A. Mozart: Don Giovanni (Vocal Score)

He's handsome, cunning and utterly merciless. Don Giovanni's lustful desires have left a trail of heartbreak and shattered dreams; but in the wake of a life lived to excess and devoid of honour, his day of reckoning finally approaches ... pursued by those he has wronged, he is soon to discover the awful consequences of his actions (Opera Queensland review, Aug 2003) The premiere of Don Giovanni took place to great public and critical acclaim in Prague on October 29, 1787. The Opera is in two acts, with a libretto by Lorenzo Da Ponte, based on the play by Tirso De Molina. The English version is by W.H. Auden and Chester Kallman.

SEK 410.00
1

W.A. Mozart: Cosi Fan Tutte (Vocal Score)

W.A. Mozart: Cosi Fan Tutte (Vocal Score)

Long neglected and misunderstood, 'Cosi Fan Tutte' (Thus Do All Women) emerged from obscurity in the twentieth century, and has come to be regarded as among Mozart's finest works. The Libretto is by Lorenzo da Ponte and tells of two friends, Ferrando and Guglielmo, who wager with Don Alfonso that their lovers, Fiordiligi and Dorabella, will remain constant in their absence. To prove the point, they depart under false pretences and return as 'Albanians' to try to woo the women away. Each of the six characters receives an equally insightful musical portrayal, for example Fiordiligi transcends her role as the victim of cruel manipulation, revealing a complex personality that is sincere, capable of growth, and inarguably sympathetic. In contrast, Guglielmo never progresses beyond concern for his own ego and interests; his music therefore remains within the stock traditions of opera buffa. The ambigous nature of the ending (who actually loves whom?) can be seen as appropriate, given the emotional issues aired during the drama. This is the Schirmer edition of the Vocal Score, with an English version by Ruth and Thomas Martin.

SEK 230.00
1

Schirmer's Library Of Musical Classics Vol. 2124: The Indispensable Bach Collection - 23 Famous Piano Pieces

Schirmer's Library Of Musical Classics Vol. 2124: The Indispensable Bach Collection - 23 Famous Piano Pieces

The Indispensable Bach Collection contains 23 of Bach 's most famous pieces, arranged for solo Piano. Pieces include: Invention No. 1 in C Major BWV 772, Invention No. 2 in C minor BWV 773, Invention No. 4 in D minor BWV 775, Invention No. 8 in F Major BWV 779, Invention No. 13 in A minor BWV 784, Gigue from English Suite No. 5 in E minor BWV 810, Courante from French Suite No. 2 in C minor BWV 813, Allemande from French Suite No. 3 in B minor BWV 814, Gavotte and Bourrée from French Suite No. 5 in G Major BWV 816, Prelude from Partita No. 1 in B-flat major BWV 825, Sarabande from Partita No. 2 in C minor BWV 826, Rondeau from Partita No. 2 in C minor BWV 826, Prelude and Fugue No. 1 in C Major from The Well-Tempered Clavier Book 1 BWV 846, Prelude and Fugue No. 2 in C minor from The Well-Tempered Clavier Book 1 BWV 847, Prelude and Fugue No. 3 in C-sharp Major from The Well-Tempered Clavier Book 1 BWV 848, Prelude and Fugue No. 17 in A-flat Major from The Well-Tempered Clavier Book 1 BWV 862, Prelude and Fugue No. 21 in B-flat Major from The Well-Tempered Clavier Book 1 BWV 866, Prelude in C Major BW 924, Prelude in D minor BWV 926, Prelude in C Major BWV 939, Prelude in C minor BWV 999, Aria da capo from Goldberg Variations BWV 988 .

SEK 186.00
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