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Marin Marais: Suite No.1 In D Minor For Viola Da Gamba

Marin Marais: Suite No.1 In D Minor For Viola Da Gamba

Marin Marais was a distinguished member of the French School of Viola Da Gamba players that flourished around 1700. He was also an influential exponent of French Chamber music in this era. He composed much and wrote five fantastic collections for Viola, which constitute one of the most important sources of solo music for the Viola da Gamba. This Suite No.1 in D minor is from the fourth book of his Pieces de Viole, Book IV published in 1717. Because of the unique value of the composer's authoritative indications for ornaments, bowings, fingerings, expressive effects, it was decided to print the original parts for viol and basso continuo as facsimiles of its original form, as well as the newly engraved score. This suite for Viola and Basso Continuo has been edited by George Hunter.

SEK 410.00
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W.A. Mozart: Don Giovanni (Vocal Score)

W.A. Mozart: Don Giovanni (Vocal Score)

He's handsome, cunning and utterly merciless. Don Giovanni's lustful desires have left a trail of heartbreak and shattered dreams; but in the wake of a life lived to excess and devoid of honour, his day of reckoning finally approaches ... pursued by those he has wronged, he is soon to discover the awful consequences of his actions (Opera Queensland review, Aug 2003) The premiere of Don Giovanni took place to great public and critical acclaim in Prague on October 29, 1787. The Opera is in two acts, with a libretto by Lorenzo Da Ponte, based on the play by Tirso De Molina. The English version is by W.H. Auden and Chester Kallman.

SEK 410.00
1

W.A. Mozart: Don Giovanni (Libretto)

W.A. Mozart: Don Giovanni (Libretto)

He's handsome, cunning and utterly merciless. Don Giovanni's lustful desires have left a trail of heartbreak and shattered dreams; but in the wake of a life lived to excess and devoid of honour, his day of reckoning finally approaches ... pursued by those he has wronged, he is soon to discover the awful consequences of his actions (Opera Queensland review, Aug 2003) The premiere of Don Giovanni took place to great public and critical acclaim in Prague on October 29, 1787. The Opera is in two acts, with a libretto by Lorenzo Da Ponte, based on the play by Tirso De Molina. The English version is by W.H. Auden and Chester Kallman.

SEK 147.00
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Dale Trumbore: The Whole Sea In Motion

Dale Trumbore: The Whole Sea In Motion

The Whole Sea In Motion sets a prose text from Agnes Grey , a 1907 novel by the British author Anne Brontë. In choosing this text to set, the composer was struck by the first sentence, which begins "No language can describe [...] the sky and ocean" and then proceeds to do just that, detailing the narrator's experience of the ocean in a vivid, keen language. Within the musical setting of the text, the ocean is represented alternately in the ebbing and flowing of the aleatoric Piano accompaniment and in overlapping melodic lines in the chorus. Duration: ca. 5 min

SEK 65.00
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Postlude In F Orchestra Sc&Ptcritical Edition

Postlude In F Orchestra Sc&Ptcritical Edition

Charles Ives ' Postlude In F for Orchestra. Score and parts. The Postlude in F , composed in 1895, is Charles Ives' earliest known work for large Orchestra. It is based on an earlier Organ piece, which Ives performed at the Baptist Church in Danbury, Conneticut, on May 11, 1890 (at the age of fifteen; on the cover page of the full score Ives mistakenly gave 1892 for the year of the Organ composition). The version for Orchestra was probably produced as an orchestration assignment for a class of Horatio Parker, Ives ' teacher at Yale College. Ives recalled that the 'New Haven Orchestra' - that is, the New Haven Symphony Orchestra, organised by Parker in 1895- read through the work in 1896. The Postlude in F , which was also preperation for work on the First Symphony (its first movement also completed in 1895), contains some suprisingly mature and beautiful writing, especially in the magical closing pages . - Kenneth D. Singleton .

SEK 583.00
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