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Harpsichord Concerto no. 1 in d minor BWV 1052

Harpsichord Concerto no. 1 in d minor BWV 1052

Bach’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach’s Harpsichord concerti, G. Henle Publishers presents a Piano reduction and study edition (score) of the d-minorconcerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions.

SEK 192.00
1

Harpsichord Concerto no. 1 in d minor BWV 1052

Harpsichord Concerto no. 1 in d minor BWV 1052

Bach’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach’s Harpsichord concerti, G. Henle Publishers presents a Piano reduction and study edition(score) of the d-minor concerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions.

SEK 271.00
1

Variations In F Minor

Variations In F Minor

Haydn’s last piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: “a melancholy andante in f minor, with variations, as only a genius can do them, that almost sounds like a free fantasia” (thus described in a review of the time). The form is also demanding: not merely one theme but two one in a major key, the other in a minor one are varied in turn. The autograph gives one to believe that the work was originally intended to be the first movement of a sonata. This single edition has been taken from the recently revised volume of “Piano pieces” (HN 224) and furnished with a detailed commentary.Henle also recently published a facsimile of Haydn’s autograph of the Variations in f minor: HN 3218.?

SEK 128.00
1

Concertino in a minor op. 21 in Hungarian Style : Concertino in a minor op. 21 in Hungarian Style for Violin and Piano

Concertino in a minor op. 21 in Hungarian Style : Concertino in a minor op. 21 in Hungarian Style for Violin and Piano

With this one-movement Concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of bowing. The Hungarian style” mentioned in the title alludes to the fact that Prussian-born Rieding gave more than three decades of service at Budapest’s National Theatre. Its marked rhythms recall Hungarian folk music and will appeal to more spirited young violinists. The Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer to this Urtext edition: the markings in the solo part are provided by the experienced violinistEvelyne Grüb-Trauer.

SEK 155.00
1

Oboe Concerto in D major

Oboe Concerto in D major

“Oboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)” – was what Richard Strauss noted down. And the oboist and soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer’s involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for awhile, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for the first time in a Henle Urtext edition in both full score and piano reduction! “Oboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)” – was what Richard Strauss noted down. And the oboist and soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer’s involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for awhile, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for the first time in a Henle Urtext edition in both full score and piano reduction!

SEK 319.00
1

Quintet in b minor op. 115 : Quintet in b minor op. 115

Quintet in b minor op. 115 : Quintet in b minor op. 115

Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period of time. The melodious Quintet op. 115 has been popular with musicians and audiences alike since its premiere in 1891. Even prior to printing – and presumably with a view toward further dissemination of the work – an alternate version was written with viola instead of clarinet, premiered by no less than Joseph Joachim and authorised by Brahms. The Henle Urtext edition, revised according the text of the New Brahms Complete Edition, thus also includes the alternate viola part. In abrief preface, editor Kathrin Kirsch provides insight into the genesis of the work and discusses interesting variants of transmission in the Comments.

SEK 600.00
1

Quintet in b minor op. 115 SE : Quintet in b minor op. 115

Quintet in b minor op. 115 SE : Quintet in b minor op. 115

Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period of time. The melodious Quintet op. 115 has been popular with musicians and audiences alike since its premiere in 1891. Even prior to printing – and presumably with a view toward further dissemination of the work – an alternate version was written with viola instead of clarinet, premiered by no less than Joseph Joachim and authorised by Brahms. The Henle study edition, revised according to the text of the New Brahms Complete Edition, thus also documents for the first time the violavariants of the solo part in the ossias. In a brief preface, editor Kathrin Kirsch provides insight into the genesis of the work and discusses interesting variants of transmission in the Comments.

SEK 255.00
1

Song Cycle op. 24 on Poems by Heine

Song Cycle op. 24 on Poems by Heine

At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers altos carefully arranged transpositions for medium voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

SEK 245.00
1

Song Cycle op. 24 on Poems by Heine

Song Cycle op. 24 on Poems by Heine

At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers baritones carefully arranged transpositions for low voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

SEK 245.00
1

Romanian Folk Dances

Romanian Folk Dances

Bartók’s Rumanian Folk Dances, composed in 1915, are among his best-known works. They exist in multiple forms, since as well as several piano arrangements and a later orchestral version of his own there also exist arrangements by his contemporaries that were made with his consent. Today we can even access performances of the dances by Bartók himself; these recordings document varied repeats enriched by octave doublings to make a sort of “concert version” of the dances. Bartók expert László Somfai brings order to the rich fund of sources, and in Henle’s Urtext edition enters significant variants directly into the musical text itself.

SEK 160.00
1

Piano Sonata in b minor op. 5 : Piano Sonata in b minor op. 5

Piano Sonata in b minor op. 5 : Piano Sonata in b minor op. 5

During his youth, Richard Strauss composed a large number of works for piano solo, among them numerous sonatas. Yet it was only the Sonata in b-minor that he obviously considered important enough to want to see in print. It was composed in two versions, presumably between winter of 1880 and spring of 1881, and published one year later. Here, Strauss still plainly follows his compositional forebears from German Romanticism. The two middle movements of this demanding sonata in particular directly recall Mendelssohn’s Songs Without Words” and scherzi. This is the first Urtext edition of this piano sonata.

SEK 176.00
1

Piano Concerto in E flat major K. 482

Piano Concerto in E flat major K. 482

Composed at the end of 1785, Mozart’s Piano Concerto in E-flat major forms a group of three with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart’s inclusion of Clarinets in the Orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. G.Henle Publishers is issuing this concerto, undeservedly overshadowed by its famous siblings, in a handy study edition in full score; a Piano reduction is in preparation.

SEK 197.00
1

Symphony in Bb major Hob. I:102 SE : Symphony in Bb major Hob. I:102

Symphony in Bb major Hob. I:102 SE : Symphony in Bb major Hob. I:102

The twelve London Symphonies” comprise the sublime final statement of Haydn’s symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of theHaydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

SEK 202.00
1

Divertimento In G Major Hob. II

Divertimento In G Major Hob. II

Haydn’s numerous divertimentos for strings and wind are cheerful, functional music about whose genesis we know very little. Many stem from Haydn’s early years, when the composer had to keep his head above water with musical odd jobs. Thus the Divertimento in G major Hob. II:9, for the unusual scoring of two oboes, two horns, two violins, two violas and bass, was quite possibly commissioned in the 1750s. In its exuberant vitality, Haydn’s genius is already unmistakable here.

SEK 239.00
1

Romance in D flat major op. 37

Romance in D flat major op. 37

The Romance for a melodic instrument and Piano was a very popular genre in French salon music of the nineteenth century. Saint-Saëns also wrote several such pieces for Violin, Cello, and Horn. His only Romance for Flute was composed in 1871, shortly after the Société nationale de musique had been founded. It was premiered in this new forum for Piano music and chamber works a year later, too. In spite of its brevity, the piece contains numerous harmonic and melodic refinements, which rapidly made it popular among flautists – both in the original setting with Piano accompaniment as well as in the later orchestral version. The Henle Urtext edition is the firstcritical edition of this piece, which is also very popular with learners of the Flute.

SEK 160.00
1

Sonata in G major op. 13

Sonata in G major op. 13

Of Grieg’s three Violin sonatas, the great C-minor Sonata op. 45 is the best known today. And unjustly so, because the two early sonatas are captivating in their joy to play and their fresh, youthful tone. And what is more, they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg’s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional “jumping dance.” Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm wasalso consulted for this edition, thus offering an optimally ascertained musical text.

SEK 271.00
1

Andante in F major WoO 57 (Andante favori) : Andante in F major WoO 57 (Andante favori)

Andante in F major WoO 57 (Andante favori) : Andante in F major WoO 57 (Andante favori)

First conceived in 1803/04 as the slow movement of the Piano Sonata in C major op. 53 (the Waldstein” Sonata), the Andante turned out too long in Beethoven’s view and was replaced. Beethoven had it published as a standalone movement, presumably in 1805. The movement, marked Grazioso con moto,” is characterised by a large variety of compositional techniques ranging from simple chord progressions to orchestral-like octave runs. Because of its particular popularity, this single movement was published as Andante favori” in its second printing – a moniker that apparently harks back to Beethoven himself. Based on her preliminary research for the critical Complete Edition,Beethoven specialist Joanna Cobb Biermann has carefully revised the musical text of the Henle Urtext edition and updated the preface to reflect the latest scholarship.

SEK 155.00
1

Franz Liszt: Piano Sonata In B Minor

Franz Liszt: Piano Sonata In B Minor

Following their revision of the facsimile of the Piano Sonata In B Minor (HN 3227) in 2015, Henle is now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction Henle has been able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt ’s, in which the composer had made entries in his own hand.  Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought, everything confused.” Today we view this differently. This edition of this key Piano work is further enhanced by the sophisticated fingerings supplied by the Piano titan Marc-André Hamelin .

SEK 160.00
1

Franz Liszt: Piano Sonata In B Minor

Franz Liszt: Piano Sonata In B Minor

Following the revision of Henle's facsimile of the Piano Sonata In B Minor (HN 3227) in 2015, they are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction, Henle were able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt’s, in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought, everything confused.” Today we view this differently. Henle's new edition of this key Piano work is further enhanced by the sophisticated fingerings supplied by the Piano titan Marc-André Hamelin .

SEK 218.00
1

Impromptu In E Flat D.899

Impromptu In E Flat D.899

At the end of his short life, Franz Schubert impressively illustrated, in his collections of “Impromptus” and “Moments musicaux”, how lyrical-songlike form could be rendered on the piano. Nothing can be added to these perfectly fashioned masterworks. Thus in the E flat major Impromptu op. 90 no. 2 the player using our Urtext edition can abandon himself/herself to a perpetuum mobile of scurrying eighth-note triplets and at the same time delight in the piece’s very demanding playing technique and sound-world.

SEK 128.00
1

Sonata For Violin And Piano : Op. 82

Sonata For Violin And Piano : Op. 82

Edward Elgar spent the summer of 1918 in the countryside. In August he received reports of the approaching end of the First World War, and this good news so inspired him that he was able to finish an initial draft of his great Violin Sonata in barely four weeks. Writing about it in his diary, he notated laconically: “Wrote some music”. His wife Alice was more enthusiastic: “E. writing wonderful new music, different from anything else of his”. This magnificent music is now available in a Henle Urtext edition by the British violinist and Elgar expert Rupert Marshall-Luck. He has examined and evaluated the many sources according to all the rules of Urtext editing –the sketches, drafts, autograph fair copies, proofs and first edition.

SEK 377.00
1

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

The twelve London Symphonies” comprise the sublime final statement of Haydn’s symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning: a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn’s heading Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the HaydnComplete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

SEK 202.00
1

Maurice Ravel: Violin Sonata In G Major

Maurice Ravel: Violin Sonata In G Major

Inspired by Béla Bartók’s Violin sonatas, Ravel planned his own sonata for Violin and Piano in 1922, but at first did not get beyond sketches. Many interruptions ensued and the work was only finished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse, thinned out compositional structure and instrumentation, Ravel later emphasized that the sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the “blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé .

SEK 308.00
1