E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Fünf Szenen für Gustav, Streichquartett Nr. 6