36 resultat (0,17629 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Trios for Two Violins and Cello : Musica da Camera

Trios for Two Violins and Cello : Musica da Camera

This volume in the 'Musica da Camera' series offers a selection of music for two violins and cello from the two hundred years extending from François Couperin to Edward Elgar. The technical demands of the works range from easy to moderately difficult, but the easier pieces are also musically valuable, so that even the more experienced ensembles can enjoy playing them. Not only the first violin but the second violin and also the cello is frequently given a solo role. We recommend this volume to youngsters learning music and to music-lovers actively involved in chamber music.

SEK 315.00
1

Con Variazioni

Con Variazioni

In the case of this volume, the series title 'Musical Expeditions' refers not only to more or less forgotten composers but also to the different types of variations. In addition to representatives of the 'theme and variations' type familiar from the Viennese classics, that is, variations on a melody, Baroque bass variations (folia, chaconne, ground) are also included in the selection, which contains music from four centuries. A work with a large number of variations would probably be beyond the intellectual and physical capabilities of music school children, so the material in this volume is restricted to shorter pieces containing just a few variations and thus easier for younglearners to grasp and digest.

SEK 186.00
1

Da capo (2014) : for cimbalom or marimba and ensemble

Da capo (2014) : for cimbalom or marimba and ensemble

The meaning of "da capo" is to return to the beginning and start again. A musical process, which reaches somewhere but does not end, beginning again and again in a different way, from different basic material throughout nine stages, evolves from the starting tune. The initial tunes come from Mozart's notebooks. They are fragments, ideas for themes, which in their majority or not in the outlined form did not result in finished compositions. Péter Eötvös presents these tunes to listeners in a clearly recognisable way but he immediately develops and transforms them. Mozart's themes are almost immediately remodelled in the chamber ensemble, the instruments of which were stillunknown in the 18th century, and the musical journey is made especially adventurous in that the solo (whether played on the cimbalom or the marimba) is presented by a musical instrument which cannot have been used in the 18th century.

SEK 484.00
1

Concerto in la minore : per violoncello solo, con violini e basso continuo

Concerto in la minore : per violoncello solo, con violini e basso continuo

The source of the present edition is preserved in the Archivio di Stato, Bologna. Editorial principles: In the score, the number of editorial interventions has been kept to a minimum. The original dynamic and expression markings are extremely few and far between, but precise. Only three dynamic levels are specified: forte, dolce ( = piano) and dolce assai ( = pianissimo). As regards expression markings we note the complete absence of the legato sign, though the appoggiatura, staccato, trill and two different types of bow-vibrato (both in association with dolce or dolce assai) can all be found. It is a well known fact that 18th century vibrato, obtained not by a movement of theleft hand but rather by a variation in the pressure of the bow, was an expressive effect to be used with discretion and not, as today, a constant means of sound production. Territorial restrictions may apply. Please ask before ordering.

SEK 186.00
1

...Couple égyptienne en route vers l'inconnu... : for upright piano (con supersordino) or pianoforte

...Couple égyptienne en route vers l'inconnu... : for upright piano (con supersordino) or pianoforte

The two piano pieces were inspired by a statue which can be seen in the Egyptian Collection of the Louvre in Paris. The full-length portrait of the couple holding hands was carved in wood by the unknown master more than 4000 years ago (i.e. between 2350-2200, the time of the VIth dynasty's reign). We don't know who they are, where they come from, and we also don't know where they are going. All we see is that they belong together. And in Kurtág's music we can now also hear their quiet footsteps…

SEK 216.00
1

Sonate e-Moll

Sonate e-Moll

This sonata transcribed for bassoon and piano was accomplished by its composer sometimes around 1720 for the series Essercizi musici, composed for viola da gamba with continuo. The viola da gamba, an old-time string instrument, is only seldom played in our days. Thus, it is indeed justified to rescue the beautiful and suitable pieces of its literature for the sake of more frequent performances. To transcribe the viola da gamba part in its completeness would have caused unsurmountable difficulti es in the technique of wind instruments. Thus, in the transcription some sections of the part are performed by the accompanying piano, however, it has been always kept in mind that thecomposition and its form should not be possibly harmed. Consideri ng the requirements of a modern edition, several marks of phrasing and all the dynamical signs have been added to the original Ottó Oromszegi

SEK 177.00
1