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Trios for Two Violins and Cello : Musica da Camera

Trios for Two Violins and Cello : Musica da Camera

This volume in the 'Musica da Camera' series offers a selection of music for two violins and cello from the two hundred years extending from François Couperin to Edward Elgar. The technical demands of the works range from easy to moderately difficult, but the easier pieces are also musically valuable, so that even the more experienced ensembles can enjoy playing them. Not only the first violin but the second violin and also the cello is frequently given a solo role. We recommend this volume to youngsters learning music and to music-lovers actively involved in chamber music.

SEK 315.00
1

Concerto in re minore per fagotto, archi e cZalo : per fagotto, archi e cembalo RV 481 (F.VIII. No. 5, P.V. 282)

Concerto in re minore per fagotto, archi e cZalo : per fagotto, archi e cembalo RV 481 (F.VIII. No. 5, P.V. 282)

The source of the present edition of the Bassoon Concerto in D minor by Antonio Vivaldi (1678-1741) is the Collected Works of Vivaldi edited by Malipiero, published in 1949 by Ricordi. The title of the original score is "Concerto in Re minore per fagotto, archi e cembalo": the original setting: Fagotto, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. The arrangement for bassoon and piano is kept in accurate conformity with the musical text of the score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style).

SEK 167.00
1

Da capo (2014) : for cimbalom or marimba and ensemble

Da capo (2014) : for cimbalom or marimba and ensemble

The meaning of "da capo" is to return to the beginning and start again. A musical process, which reaches somewhere but does not end, beginning again and again in a different way, from different basic material throughout nine stages, evolves from the starting tune. The initial tunes come from Mozart's notebooks. They are fragments, ideas for themes, which in their majority or not in the outlined form did not result in finished compositions. Péter Eötvös presents these tunes to listeners in a clearly recognisable way but he immediately develops and transforms them. Mozart's themes are almost immediately remodelled in the chamber ensemble, the instruments of which were stillunknown in the 18th century, and the musical journey is made especially adventurous in that the solo (whether played on the cimbalom or the marimba) is presented by a musical instrument which cannot have been used in the 18th century.

SEK 484.00
1

3 Trattenimenti per

3 Trattenimenti per

Angelo Maria Fiore (c. 1660-1723), composer and virtuoso cellist, was the founder of the Piedmont school. In 1697 he was invited to the Accademia Filarmonica di Bologna as a rare cello player. During his lifetime his work entitled Trattenimenti di camera a due stromenti, violino e cimbalo o violino e violoncello was published by Bartolomeo Gregori in 1698, barely three years after the first cello sonatas to appear in print, the works of Giuseppe Jacchini. Three of the 14 Trattenimenti were written for cello and basso continuo, they form the contents of this volume. This edition is faithful to the text of the source, the archaic style of writing has been modernized, to make thescore, intended for practical (mainly pedagogical) purposes, easier to read.

SEK 305.00
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