L'Isola Di S. Michele

Di Nuovo tu : Cara Collega

Marienlieder: No. 6. Magdalena

Gaudete: No. 6. Adeste Fideles

All-Night Vigil: 6. Virgin Mother

Marienlieder: No. 6. Mary Magdalene, Op. 22

Ringeltanze: 6. The Shepherds All Are Waking

Piano Lessons : 6 Songs for Tenor and Piano

Walk Humbly with Your God

The piece is simple and unassuming and grows in complexity throughout, much like the text from Micah 6:1-8. Challenging but beautiful organ accompaniment.

O God, Creator of Mankind : Deutsche Volkslieder No. 6

Six Intradas: Intrada No. 6 : Two Mean Old Tubas

A Heart in Hiding: No. 6 A Jewel, A Joy!

The Sleeping Beauty: Op. 66, No. 6 : Grande valse villageoise

Psalm Cycle III: No. 5 & 6: Psalm 130 & Psalm 150

Cameos (Bold Beauty) : 6 Songs on Poems by Molly Fillmore

Cameos (Bold Beauty) : 6 Songs on Poems by Molly Fillmore

Songs of Faith: No. 6 Where Moses Stood! : Pno/Choral Rehearsal Score

The Seven Joys of Christmas - No. 6 : The Joy of Dance - Fum, fum, fum!

Back and Forth on the Ferry

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swaying 6/8 meter. Can be sung as part of a larger collection: Passion and Remembrance. Duration: 4:00

Back and Forth on the Ferry

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swaying 6/8 meter. Can be sung as part of a larger collection: Passion and Remembrance. Duration: 4:00

The Vision : Keyboard/Choral Score

Engraved and edited after the composer's death, this charming piece deserves wider attention in the choral world. The music features unmeasured chant-like passages contrasted with moving accompanied ones. The English text is a rhapsodic vision of one entering into the Kingdom of God, the Latin text "In paradisum" weaves in near the end and brings the piece to a close. Duration: 6:00 Engraved and edited after the composer's death, this charming piece deserves wider attention in the choral world. The music features unmeasured chant-like passages contrasted with moving accompanied ones. The English text is a rhapsodic vision of one entering into the Kingdom of God, the Latin text "In paradisum" weaves in near the end and brings the piece to a close. Duration: 6:00

Love Me

Stephen Chatman’s setting of Sara Teasdale’s whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The soft rolled chords of the harp-like piano accompaniment highlight the lilting 6/8-meter, folk-like melody, and consistent homophonic choral texture. The repetitive lines, “Love me, love me, love me!”, and “kiss me, kiss me, kiss me!”, inspire the musical refrains. One of a set of six of Teasdale's love songs. Duration: 1:45

Praise Now the Risen Christ

The surprising joy of the Resurrection is conveyed through jubilant fanfares in the accompaniment and a shifting of the rhythm between 3/4 and implied 6/8 meters. As the mood softens, a more melodic section expresses the lyrics, "I know that my Redeemer liveth." After the unaccompanied chorus sings "All glorious Risen Christ" and a brief moment of silence, the piece bursts forth again with fanfares and thicker choral textures that build in excitement to the end. A perfect Easter anthem! Duration: 2:45

Love Me

Stephen Chatman’s setting of Sara Teasdale’s whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The soft rolled chords of the harp-like piano accompaniment highlight the lilting 6/8-meter, folk-like melody, and consistent homophonic choral texture. The repetitive lines, “Love me, love me, love me!”, and “kiss me, kiss me, kiss me!”, inspire the musical refrains. One of a set of six of Teasdale's love songs. Duration: 1:45