7 resultat (0,18224 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

A First Book Of Jazz: 21 Arrangements For The Beginning Pianist

A First Book Of Jazz: 21 Arrangements For The Beginning Pianist

Accessible to novices of all ages, these 21 easy-to-play melodies for the piano include George Gershwin's "I'll Build a Stairway to Paradise," "Alexander's Ragtime Band" by Irving Berlin, Jerome Kern's "They Didn't Believe Me," and "Bethena" by Scott Joplin. Additional selections include "Frankie and Johnny," "Hello! Ma Baby," "Ja-Da," "Indiana," "'Taint Nobody's Business If I Do," and other jazz standards.Suitable for the true beginner, these arrangements are simpler and more melodic than other versions. They include suggestions for fingering and are arranged in order of increasing difficulty.Dover Original.

SEK 89.00
1

W.A. Mozart: The Marriage Of Figaro (Vocal Score)

W.A. Mozart: The Marriage Of Figaro (Vocal Score)

A critical and popular success from its 1786 debut, Mozart's musical comedy elevated the opera buffa to new heights. Le nozze di Figaro ("The Marriage of Figaro"), ossia la folle giornata ("or The Day of Madness") reassembles characters from The Barber of Seville for a romantic romp involving mistaken identities, remarkable coincidences, and the triumph of true love.This authoritative practice and performance edition presents Lorenzo da Ponte's vocal score, originally published by Casa Ricordi, Milan. Ideal for study, practice, and performance, it contains the complete vocal music with a piano reduction of the orchestral score. Vocalists, voice majors and teachers, and rehearsal pianists will rejoice in this high-quality, low-cost edition of Mozart's masterpiece. Note: Lyrics are in the original Italian only.Dover (2001) republication of the vocal score from an authoritative early edition.

SEK 260.00
1

Claudio Monteverdi: Madrigals Book VIII - Madrigali Guerrieri Et Amorosi

Claudio Monteverdi: Madrigals Book VIII - Madrigali Guerrieri Et Amorosi

Here are all of the madrigals from one of the Baroque master's most popular books, reprinted from an authoritative Italian edition. They feature modern notation with text underlay, commentaries, new Preface, new English translations of the original prefatory material, and Italian texts in verse format facing new English line-for-line literal translations.Reprint of Tomo IV and Tomo V of Tutte le opere di Claudio Monteverdi, published "nel Vittoriale degli Italiani," 1927.Table of Contents for Madrigals, Book VIII: Madrigali Guerrieri et AmorosiPrefaceOriginal title page and translationOriginal dedication and translation"Original foreword ("Claudio Monteverde to the Reader") and translation"Translations of the Introductory Texts to the Dramatic PiecesVocal Texts and Translations"CANTI GUERRIERI [SONGS OF WAR] Sinfonia (for two violins and a viola da braccio, to precede No. I)"I. "Altri canti d'Amor, tenero arciero" (for six voices with four viols and two violins)"2a. "Hor che 'l ciel e la terra e 'l vento tace" (for six voices with two violins)"b. "Così sol d'una chiara fonte viva" [same voices and instruments]"3a. "Gira il nemico insidïoso Amore" (for three voices: alto, tenor, and bass) [same voices throughout No. 3]"b. "Nol lasciamo accostar, ch'egli non saglia"c. "Armi false non son, ch'ei s'avvicina"d. "Vuol degl'occhi attaccar il baloardo"e. "Non è più tempo, ohimè, ch'egli ad un tratto"f. "Cor mio, non val fuggir, sei morto e servo"4. "Se vittorie sì belle" (for two tenors) [later also included by the printer Vincenti in the posthumous Monteverdi compilation Book IX, 1651]"5. "Armato il cor d'adamantina fede" (for two tenors) [previously included in Monteverdi's 1632 volume Scherzi musicali and later also included in Book IX]"6a. "Ogni amante è guerrier: nel suo gran regno" (for two tenors)"b. "Io che nell'otio nacqui e d'otio vissi" (bass solo)"c. "Ma per quell'ampio Egeo spieghi le vele" (tenor solo) "d. "Riedi, ch'al nostro ardor, al nostro canto" (for three voices: two tenors and bass)"7. "Ardo, avvampo, mi struggo, ardo: accorrete" (for eight voices with two violins)"8. "Combattimento di Tancredi e Clorinda [Combat of Tancredi and Clorinda; for soprano, two tenors, basso continuo, plus two violins and viola da braccioq. Originally, "four viole da braccio,"]"9a. "Introduzione al ballo [Introduction to the Ballet]: "Volgendo il ciel per l'immortal sentiero" [for tenor and two violins]"b. "Ballo [Ballet]: "Movete al mio bel suon le piante snelle" (for five voices with two violins)"CANTI AMOROSI [SONGS OF LOVE]10a. "Altri canti di Marte e di sua schiera" (for six voices and two violins)"b. "Due belli occhi fur l'armi onde traffittta" [same voices and instruments]"11. "Vago augelletto che cantando vai" (for six and [afterward] seven voices with two violins and a contrabass)"12. "Mentre vaga angioletta" (for two tenors)"13. "Ardo e scoprir, ahi lasso, io non ardisco" (for two tenors) [later also included in Book IX]"14. "O sia tranquillo il mare o pien d'orgoglio" (for two tenors) [later also included in Book IX]"15a. "Ninfa che, scalza il piede e sciolto il crine" (tenor solo)"b. "Qui deh meco t'arresta, ove di fiori" (for two tenors)"c. "Dell'usate mie corde al suon potrai" (for three voices: two

SEK 305.00
1

P.I. Tchaikovsky: Symphony No.4 In F Minor Op.36

P.I. Tchaikovsky: Symphony No.4 In F Minor Op.36

In Tchaikovsky's symphonic output, his Symphony No. 4 was a pivotal work. It announced the composer as a major symphonist of his time, overshadowing his previous, less-than-distinguished efforts in this form, and opened the way to his last, major, works: the haunting Fifth Symphony and the biographical Sixth, the profound "Pathétique."Tchaikovsky's Fourth Symphony ? written in 1877 at the age of thirty-seven ? offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated, it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini, written just a year earlier. The Fourth opens unequivocally with the thrust of a brass fanfare ? the "fate" motive that is to reappear in the last movement ? then flows with the effortless quality that characterizes Tchaikovsky's great, generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies, and the third ? the Scherzo ? offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato, a unique moment in the entire orchestral literature.The symphony is reproduced here from the authoritative Breitkopf & Härtel edition, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high quality, conveniently sized volume will be the edition of choice for music students and music lovers alike.Reprint of the Breitkopf & Härtel edition.

SEK 152.00
1

Graham Lock: Forces In Motion - Anthony Braxton And The Meta-Reality Of Creative Music: Interviews And Tour Notes, England 1985

Graham Lock: Forces In Motion - Anthony Braxton And The Meta-Reality Of Creative Music: Interviews And Tour Notes, England 1985

A #1 New Release in Jazz Music on Amazon! "Absolutely essential reading." —  The Wire One of modern music's towering figures, composer and multi-instrumentalist Anthony Braxton has redefined critical concepts of jazz and the wider world of creative music. The Chicago native's works range from an early piece for 100 tubas to proposed compositions for orchestras on different planets. A modern classic,  Forces in Motion  follows Braxton's lauded quartet on a 1985 tour of England, noting his opinions of his musical predecessors — including Charlie Parker, John Coltrane, and Karlheinz Stockhausen — as well as his thoughts on racism and poverty. For this new 30th anniversary edition, Graham Lock provides a new chapter, detailing later encounters with Braxton and the quartet; Anthony Braxton has penned a new Afterword as well. In addition to inside views of the mind of a musical visionary, this book offers an entertaining chronicle of a touring band. Braxton's subjects run the gamut from chess and hamburgers to astrology, feminism, and ancient Egypt. Above all, it offers a captivating view of the frustrations and rewards that result from an artist's dedication of his life to creative music. "This book should be required reading for anyone interested in my music," Anthony Braxton has observed. "Graham Lock writes from the perceptual plane of insight and dedication — coupled with a keen wit and a dynamic intellect. This is serious writing and thinking. I could not have been more fortunate." Reprint of the Da Capo Press, New York, 1988 edition, with new material added for the Dover edition.

SEK 524.00
1