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P.I. Tchaikovsky: Concerto No.2 In G & Concerto No.3 In E Flat

P.I. Tchaikovsky: Concerto No.2 In G & Concerto No.3 In E Flat

This new edition of Tchaikovsky's Piano Concertos Nos. 2 and 3 unites both works for the first time in a single score. In addition to a difficult-to-find version of Tchaikovsky's original Piano Concerto No. 2 in G major, this edition features Alexander Siloti's suggested revisions. Although Siloti had the composer's permission to edit the work, he significantly shortened the second movement despite Tchaikovsky's objections, and published the concerto with his own revisions after the composer's untimely death. Piano Concerto No. 2 is usually performed with Siloti's cuts; this edition offers performers both versions. Originally intended as a symphony, the Piano Concerto No. 3 in E-flat major was published as a one-movement work. The piece contains a massive piano cadenza of striking virtuosity, surpassing even that of the Piano Concerto No. 1 in both brilliance and difficulty.Pianists will appreciate this comprehensive and modestly priced two-piano edition of two major romantic virtuoso works.Reprint of the Paragon Music Publishers, New York, editions.

SEK 315.00
1

Paris Symphonies 82-87 : in Full Score

Paris Symphonies 82-87 : in Full Score

Commissioned in 1786 by the Paris-based orchestra Le Concert de la Loge Olympique, these six symphonies were created for an extraordinarily large ensemble of both professional and amateur players, including reinforced woodwind parts and a large string section. The symphonies are: Symphony No. 82 in C major, L´Ours (The Bear), 1786 Symphony No. 83 in G minor, La Poule (The Hen), 1785 Symphony No. 84 in E flat major, In Nomine Domini, 1786 Symphony No. 85 in B flat major, La Reine (The Queen), 1785 Symphony No. 86 in D major, 1786 Symphony No. 87 in A major, 1785 Composer Giuseppe Maria Cambini, a member of the orchestra, noted that the enthusiastically received premieres featuredsome of the city's finest musicians. A contemporary critic remarked that Each hearing increases our appreciation and admiration of the works of the great genius, who, in all his pieces, understands so well how to draw the richest and most varied developments from every theme. Reproduced from the authoritative Breitkopf & Härtel editions, this volume offers musicians and music lovers an inexpensive and authoritative compilation of Haydn's ever-popular works.

SEK 454.00
1

Giuseppe Verdi: Il Trovatore In Full Score

Giuseppe Verdi: Il Trovatore In Full Score

First performed in Rome in 1853, Il Trovatore is one of Giuseppe Verdi's most successful and most performed operas. Supremely melodic, vigorously paced, it is filled with arias and vocal ensembles of thrilling power. Grand opera at its most stirring, it is above all rich in opportunities for bravura singing. Music lovers can savour and study in detail Verdi's scoring of this perennial operatic favourite with this finely made full-score edition.Reprint of a standard edition.

SEK 349.00
1

The Masterwork In Music: Volume I - 1925

The Masterwork In Music: Volume I - 1925

The three volumes of The Masterwork In Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr.William Drabkin and his translators offer additional insights. Volume One includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven, along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.

SEK 355.00
1

The Masterwork In Music: Volume III - 1930

The Masterwork In Music: Volume III - 1930

The three volumes of The Masterwork In Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr.William Drabkin and his translators offer additional insights. Volume One includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven, along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.

SEK 355.00
1

The Masterwork In Music: Volume II - 1926

The Masterwork In Music: Volume II - 1926

The three volumes of The Masterwork In Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr.William Drabkin and his translators offer additional insights. Volume One includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven, along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.

SEK 355.00
1

Two Great Clarinet Quintets: Mozart's Quintet In A K.581/Brahms's Quintet In B Minor Op.115

Two Great Clarinet Quintets: Mozart's Quintet In A K.581/Brahms's Quintet In B Minor Op.115

Mozart's friendship with Anton Stadler, the clarinettist in Vienna's Royal-Imperial Court Orchestra, led to the composition of Mozart's Clarinet Quintet In A Major. The four-movement piece is arranged for Clarinet, two Violins, Viola, and Violoncello.Brahms's Clarinet Quintet in B minor, also in four movements, is equally popular and often recorded with Mozart's work.Professional and amateur musicians alike will appreciate this convenient single-volume publication of these frequently performed quintets. Both scores were reproduced from authoritative sources. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of enjoyment.

SEK 162.00
1

Franz Schubert: Piano Quintet In A D.667 'Trout'/String Quintet In C D.956

Franz Schubert: Piano Quintet In A D.667 'Trout'/String Quintet In C D.956

With its sparkling lyricism, vivid instrumental colour and wonderful thematic development, the 'Trout' Quintet represents the consummation of Schubert's early art. This beloved piece appears here in complete and unabridged form, along with the String Quartet in C Major, long known for its disturbing beauty, the unearthly calm of certain portions, and its sweetness and mystery.Reproduced here from an authoritative early edition, the score appears with bar-numbered movements. Ideal for classroom or home study.

SEK 107.00
1

Beethoven: Symphony No.7 In A, Op.92 (Miniature Score)

Beethoven: Symphony No.7 In A, Op.92 (Miniature Score)

Renowned for its celebrated slow movement, Symphony No.7 in A Major, Op.92 is one of his most popular works. Written in 1812, at the peak of his power, it demonstrates the mastery of a mature artist in complete control of his craft. Reprinted here from the authoritative Litolff edition, this work appears in full score, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall

SEK 152.00
1

Joseph Haydn: Symphony No.104 In D Major 'London'

Joseph Haydn: Symphony No.104 In D Major 'London'

One of 12 symphonies Haydn composed in London from 1791 to 1795, this work delights listeners with its simplicity and immediate appeal, skillful use of folk-song melodies, and luminous orchestration. Reproduced from an authoritative source, the full score appears with original instrumentation and ample margins at the bottom of each score page for notes and analysis.Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, conveniently-sized volume will be the edition of choice for music students and music lovers alike. Dimensions: 5 3/8 x 8 Instrumentation includes: 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 2 Horns in D, G 2 Trumpets in D Timpani Violins I, II Violas Cellos and Basses

SEK 101.00
1

Serenades Nos. 1 and 2 : in Full Score

Serenades Nos. 1 and 2 : in Full Score

These two serenades reflect Brahms's interest, during the years 1858 and 1859, in the symphonies of Haydn and Mozart, as well as the latter's exquisite divertimenti, scored for small instrumental ensembles. Serenade No. 1 in D major was in fact originally composed for nine woodwinds and solo strings, then later rescored for full orchestra. Its six movements — graceful, melodious, and light-textured — reflect the elegance of the Mozart model while entertaining us with Brahms's characteristically spacious, flowing themes. Serenade No. 2 in A major for Small Orchestra was a favorite of Brahms — warm, intimate, and darkly colored because of the unusual absence of violins.Referring to the work as his beautiful opus, the composer often reflected on its delicacy and the severe test of performing its pensive Adagio, the third movement of five. This attractive, inexpensive edition — combining both serenades in a single volume — is sure to appeal to a wide audience of musicians and music lovers.

SEK 315.00
1