Con te partirò : (Time to Say Goodbye)

Con te partirò, which also became famous under the title Time to Say Goodbye, has burned itself into the collective musical consciousness above all in the interpretation by the blind Italian tenor, Andrea Bocelli. In the 1990s this song raced up the singles charts and has since become almost indispensable at farewell celebrations, especially in the world of sports. Thanks to Anthony Grögers’ expressive arrangement, string quartets now have the opportunity to let this wonderful song ring out on suitable occasions, guaranteed to awaken the emotions…

Con Te Partirò (Time to Say Goodbye) : as performed by Andrea Bocelli

Who doesn’t know the Italian tenor Andrea Bocelli and his signature song ‘Con te Partirò’ that made him world famous? This colourful version is perfect for flute quartet, and provides an active and enjoyable part for each of the four players. This arrangement will bring colour to your concert and is great fun to play!

Impara con Brio : Pianoforte Solista

Allegro Con Moto : Begin de Band

Scherzo con Bravura : for Bb Clarinet and Piano

A fantastic piece that will add a touch of excitement to any concert performance..

Rhythm Builders 2 : Brani semplici con esercize ritmici per pianoforte

Rhythm Builders 3 : Brani semplici con esercize ritmici per pianoforte

Rhythm Builders 1 : Brani semplici con esercize ritmici per pianoforte

Iniziare con brio : Semplici brani per pianoforte adatti a pianisti in

Suona la 1a Parte! : Con la tua orchestra di fiati su CD!

Suona la 1a Parte! : Con la tua orchestra di fiati su CD!

10 Rock Duets : per chitarra elttrica o acustica con parte per chi

Suona la 1a Parte! : Con la tua orchestra di fiati su CD!

Got a Bad, Bad Feeling : 9 brani di blues per chitarra, con seconda parte f

Euphonium Concerto

This three-movement concerto (Allegro con brio, Espressivo and Vivacissimo) was commissioned by the famous Japanese euphonium player Tamao Araki. It demands a high level of instrumental proficiency from the soloist, while the accompaniment is less demanding and accessible for a band of an average level. Yagisawa’s clever use of the euphonium’s colourful sound palette with its beautiful melodic lines makes this composition a rare jewel. This three-movement concerto (Allegro con brio, Espressivo and Vivacissimo) was commissioned by the famous Japanese euphonium player Tamao Araki. It demands a high level of instrumental proficiency from the soloist, while the accompaniment is less demanding and accessible for a band of an average level. Yagisawa’s clever use of the euphonium’s colourful sound palette with its beautiful melodic lines makes this composition a rare jewel.

Euphonium Concerto

This three-movement concerto (Allegro con brio, Espressivo and Vivacissimo) was commissioned by the famous Japanese euphonium player Tamao Araki. It demands a high level of instrumental proficiency from the soloist, while the accompaniment is less demanding and accessible for a band of an average level. Yagisawa’s clever use of the euphonium’s colourful sound palette with its beautiful melodic lines makes this composition a rare jewel. This three-movement concerto (Allegro con brio, Espressivo and Vivacissimo) was commissioned by the famous Japanese euphonium player Tamao Araki. It demands a high level of instrumental proficiency from the soloist, while the accompaniment is less demanding and accessible for a band of an average level. Yagisawa’s clever use of the euphonium’s colourful sound palette with its beautiful melodic lines makes this composition a rare jewel.

Tre Sentimenti : Three Moods for Bass Clarinet and Symphonic Band

At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays-preferably backstage- a number of fragments and melodic patterns, without actually starting the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It isswarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but withthe correct performer it will be a real highpoint in any concert..

Tre Sentimenti : Three Moods for Bass Clarinet and Symphonic Band

At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually “starting” the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..

Tre Sentimenti : Three Moods for Bass Clarinet and Symphonic Band

At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually “starting” the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..

Viva Besana! : Città della musica

This solemn overture was written for concert band to commemorate the 20th Festival Bandistico Besana in Brianza for 2024. This multifaceted work features three movements: the serene and solemn Corale solenne, which is then followed by Danza con eleganza, in which alternating changes of time signature form a jaunty and also somewhat whimsical whole. The Finale trionfale is thematically based on the opening chorale, though now in a festive guise. Frequent modulations convey the melodies and themes in various keys, resulting in a wonderful harmonic colourfulness. Viva Besana, viva la musica!

Variazioni in Blue

Variazioni in Blue is a series of variations in which elements from the Blues, such as the specific ‘blue notes’, run throughout the piece. Following a stately introduction, which includes part of the theme, is an ornamental variation in ‘classical style’. We then hear a variation in ‘Blues style”, followed by a fast variation with an Eastern European folklore feel. The ‘Andante con espressivo’ is particularly fine with its attractive harmonic changes. This variation develops into a repeat of the previous folklore variations with its ‘major’ variation forming a climax towards the end.

Variazioni in Blue

Variazioni in Blue is a series of variations in which elements from the Blues, such as the specific ‘blue notes’, run throughout the piece. Following a stately introduction, which includes part of the theme, is an ornamental variation in ‘classical style’. We then hear a variation in ‘Blues style”, followed by a fast variation with an Eastern European folklore feel. The ‘Andante con espressivo’ is particularly fine with its attractive harmonic changes. This variation develops into a repeat of the previous folklore variations with its ‘major’ variation forming a climax towards the end.