Richardson: Aria and Allegretto for Oboe and Piano

Richardson, Aria and Allegretto for Oboe and Piano. Duration: c. 6 minutes.

Carl Vine: Aria (Soprano Voice And Piano)

This version of Aria for Soprano and Piano is an arrangement of the original version scored for Soprano, Flute, Cello, Celesta and Percussion.

Anna Thorvaldsdottir: Ad Genua (To The Knees)

Anna Thorvaldsdottir's Ad Genua (To The Knees) is arranged for Soprano solo, SATB chorus and string ensemble.  Commissioned by The Crossing and Donald Nally, conductor, with major support from the Pew Center for Arts & Heritage. The first performance took place on 24 June 2016 at the Episcopal Cathedral, Philadelphia, PA, U.S.A. with The Crossing and International Contemporary Ensemble. The score is in C, Duration 10 minutes.

Carl Vine: Aria (Parts)

Score available: SOS02903. Work for Soprano, Flute, Cello, Piano, Celesta and Percussion.

Carl Vine: Aria (Score)

Scored for Soprano, Flute, Cello, Piano, Celesta and Percussion.

Witold Lutoslawski: Chain 2 Dialogue For Violin And Orchestra (part)

Score. The title of the work relates to its form, which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: AD LIBITUM; A BATTUTA; AD LIBITUM; A BATTUTA - AD LIBITUM - A BATTUTAIn the AD LIBITUM movements the element of chance plays a part within fixed parameters.

Witold Lutoslawski: Chain 2 Dialogue For Violin And Orchestra

Score. The title of the work relates to its form, which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: Ad Libitum; A Battuta; Ad Libitum; A Battuta - Ad Libitum - A Battuta. In the Ad Libitum movements the element of chance plays a part within fixed parameters.

Ad Genua (Icelandic version)

The vocal score of the Icelandic of the work commissioned by The Crossing and Donald Nally, conductor, with major support from the Pew Center for Arts & Heritage. The first performance took place on 24 June 2016 at the Episcopal Cathedral, Philadelphia, PA, U.S.A. with The Crossing and International Contemporary Ensemble.

Mistowski, A Aria String Orchestra Full Score

John Tavener: Responsorium In Memoriam Annon Lee Silver

Scored for 2 Mezzo-Soprano Soli, SATB Chorus and 2 Flutes (ad lib).

J.S.Bach/Walter Rummel: Magnificat

This aria is taken from the D major Magnificat and was scored for alto voice with organ, continuo and two flutes accompanying. A gracious Gavotte, this time without a chorale, needing no commentary. Esurientes implevit bonis.

Judith Weir: Don't Let That Horse

This work was written for Jane Manning and Roger Montgomery, who gave the first performance at the Glasgow Musica Nova Festival on 16th September 1990.It is a free transcription of the aria Wer Bist du? Frage dein Gewissen from J.S.Bach?s Cantata No 132 Bereitet die Wege, bereitet die Bahn. For the moral improvement of the audience, it is suggested that the original text of the aria is read out in a fierce voice before, or perhaps during performances: Horn part is written in F. Text: Lawrence Ferlinghetti

John Tavener: Lamentation, Last Prayer And Exultation (Score)

A musical expression of the lament of a Queen for her dead husband, Aed mac Ainmirech, King of Tara, died AD 598. For handbells and soprano solo.

J.S.Bach/Walter Rummel: Ah Ye Who Sinneth Daily

This aria is taken from the 122th cantata and was scored for bass and continuo. The continuo has only been realised in as much as it was neccessary for a pianistic basis, without overcharging the melodic lines. Oh menschen, die ihr täglich sündigt.

Opera Babes: One Fine Day

The official ITV World Cup 2002 Theme. Taken from Puccini's 'Madame Butterfly', this aria has been given a reworking by popular classical stars the Opera Babes, and used for the television coverage of the football world cup. Arranged for solo piano, with chord symbols.

Arioso

Arioso was written to celebrate the 200th anniversary of the founding of the Royal Academy of Music. The piece lasts approximately 7 minutes and is dedicated to David Zucchi. Inspired by the title's meaning "like an aria", themusic alternates between lyrical and quasi-recitativo sections.

Judith Weir: Roll Off The Ragged Rocks Of Sin

This work is a free transcription of the aria Wer Bist Du? Frage Dein Gewissen from J.S.Bach's Cantata No 132 Bereitet die Wege, bereitet die Bahn. First performed by Nicholas Hodges at the British Music Information Centre, London, on 1st October 1992. Duration: c.3 minutes.

J.S.Bach/Walter Rummel: The Soul Reposes In The Hands Of The Lord

One of the most beautiful of all Bach's melodies, is this one taken from the alto aria of the 127th Cantata, and was accompanied by string quartet and oboe. As this accompaniment mainly consists of chords held by the strings, this adaptation was fraught with exceptional difficulties and it was only after three months' experiment that the adapter chose this form. Die seele ruht in Jesu händen.

The Essential Collection: Early Keyboard Gold (CD Edition)

This fine selection features the most famous early Keyboard masterpieces for solo Piano, including works from greats such as J.S. Bach, G.F. Handel, Purcell, William Byrd, and Domenico Scarlatti.An essential addition to your Piano library, this collection now includes a CD with full performances of each piece! Includes Variations on an Aria by Lully, Sarabande in D minor (from Harpsichord Suite), and Tambourin (from Pieces for Harpsichord in Three books).

The Prelude

The composer originally intended to model this new work on her favourite flute piece, Bach’s Second Suite, and started to write an Overture. Sensing great energy from this beautiful medium, though, she soon found that she had written over ten minutes’ worth of continuous music for the opening movement alone. She then decided to separate this music into five shorter sections, The Prelude, Waltz macabre, Aria, Menuet sauvage and Sicilienne/Berceuse. Score available: CH88068.

The Prelude

The composer originally intended to model this new work on her favourite flute piece, Bach’s Second Suite, and started to write an Overture. Sensing great energy from this beautiful medium, though, she soon found that she had written over ten minutes’ worth of continuous music for the opening movement alone. She then decided to separate this music into five shorter sections, The Prelude, Waltz macabre, Aria, Menuet sauvage and Sicilienne/Berceuse. Parts available: CH88068-01.

James Whitbourn: Gratias Agimus Tibi

Gratias Agimus Tibi is a work by James Whitbourn for Unaccompanied Voices (in any combination), with an optional 'Amen' for SATB Choir and Organ ad lib. A setting of Latin text by Nigel Palmer, the work was composed for the college grace of St Stephen's House, Oxford. Please note that the lyrics are in Latin.

Mozart: Two Songs for Oboe and Piano

Evelyn Rothwell (1911-2008) was a British musician who was considered one of the best oboists of her generation. She arranged Two Songs by Mozart for Oboe and Piano in 1969. Das Lied Der Trennung (“Song of Separation”, K. 519) was written in 1787 for Male Voice and Piano, setting a text by Klamer Eberhard Karl Schmidt. Set in a minor key, it explores the feelings of angst and pain created as two lovers are separated. Un Moto Di Gioia Mi Sento (“I feel a surge of Joy”, K. 579) by contrast, is a much happier piece. It was written in 1789 when Mozart was revising his famous opera  The Marriage of Figaro , and was originally written as a Soprano Aria.

Nigel Hess: Rats! The Musical (Vocal Score)

Nigel Hess. Based on The Pied Piper Of Hamelin by Robert Browning, Rats! is a new look at the story with memorable music and witty lyrics. The rats who plague Hamelin are punks and the Pied Piper has the charisma of a rock star! Ideal for both Middle and Secondary schools with a genuine showbiz feel which has guaranteed appeal for audiences of all ages. Eight parts plus chorus. The vocal score contains piano accompaniment with flute solo, drums ad lib and optional guitar. There are 15 modern songs including The Rat Race Rules, A Capital Fellow and Sing With The World.

Nigel Hess: Rats! The Musical (Libretto) 10+ Copies

A fantastic Cantata by Nigel Hess, based on The Pied Piper Of Hamelin by Robert Browning, Rats! is a new take on the story with original, memorable music and witty lyrics. The rats who plague Hamelin are scurrilous punks but fortunatly the Pied Piper has the charisma of a rock star! Ideal for both Middle and Secondary schools with a genuine showbiz feel which has guaranteed appeal for audiences of all ages. Including eight parts plus chorus, the vocal score contains a Piano accompaniment with Flute solo, drums ad lib and optional Guitar. There are 15 modern songs including The Rat Race Rules, A Capital Fellow and Sing With the World.