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Edizione Nationale delle Opere di Giacomo Puccini : Vol II/1 - Instrumentalwerke

Edizione Nationale delle Opere di Giacomo Puccini : Vol II/1 - Instrumentalwerke

As the second volume of the "Edizione Nationale delle Opere di Giacomo Puccini," a critical new edition of his compositions for orchestra has been published in the series "Musical Works." In addition to the familiar Preludio a orchestra [SC 1], Preludio sinfonico [SC 32], Trio in Fa [SC 52] and Capriccio sinfonico [SC 55], the volume contains a short but unknown Adagetto [SC 51], probably a sketch of a composition from Puccini's student years in Milan. And, for the first time ever, it also includes an orchestral version of the Scherzo in La [SC 34] from 1882, a work which was just recently discovered. The Scherzo, known until now only in a version for string quartet, complementsthe Trio in Fa, which is scored for the same orchestral forces, to form an independent movement.

SEK 2191.00
1

Edizione Nat. delle Opere di Puccini, Bd. III/2

Edizione Nat. delle Opere di Puccini, Bd. III/2

Critical edition of Puccini’s only Mass. Based on a comparison with the autograph score, numerous errors were corrected which had been present in previous editions of this Mass. In preparing this edition, Puccini’s additions to the instrumentation in the Benedictus and his new version of the tenor aria “Gratias agimus” from the Gloria have both been taken into consideration. The newer version of the tenor aria changes the character of the piece to such a great degree, that it has been included separately as an appendix in this edition. The doubling of the brass and string parts, the addition of two French horns and a harp, as well as the addition of an instrumental postludewhich consists of a repetition in the violoncelli of the main section of the aria, leads one to believe that possibly Puccini considered having this Aria performed outside the context of the Mass as a separate concertante piece.

SEK 2615.00
1

Messa : Op. 20

Messa : Op. 20

Amilcare Ponchielli (1834–1886) is known nowadays mainly as an opera composer and the composition teacher of Giacomo Puccini and Pietro Mascagni. He scored his greatest success in 1876 at La Scala Milan with the opera La Gioconda, a work which is still in the repertoire of the major opera houses. Ponchielli’s sacred works were composed in his later years, when he was maestro di cappella at the Basilica di Santa Maria Maggiore in Bergamo. There his Mass in A flat op. 20 (also known as "Messa per la notte di natale") was premiered on Christmas Day 1882. The Mass is captivating because of its flowing, singable melodies, rich harmonies, and warm tonal colors. The important role given tothe chorus, with which the three male soloists interact closely, is striking. The first music edition of the Messa is a real discovery for choirs with good male voices: the second tenor part can largely be sung by the baritones.

SEK 1258.00
1

Fröhlich will ich singen. Sacred and secular songs

Fröhlich will ich singen. Sacred and secular songs

On the occasion of the 400th anniversary of the death of Johannes Eccard [1553-1611] Carus is releasing a second CD of his works. It contains secular and sacred vocal works. The Staats- und Domchor Berlin and the Lautten Compagney Berlin, under the direction of Kai-Uwe-Jirka, present those works of Eccard that are stylistically comparable to works of Orlando di Lasso in arrangements which are sometimes surprising and always colorful. Many of the lieder on this CD are from the collection Newe deutzsche Lieder mit Vieren und Fünff Stimmen of 1578 and are recorded here for the first time.

SEK 249.00
1

Sacco: Missa 1607

Sacco: Missa 1607

Only one collection of sacred music from 1607 by the Italian composer Salvatore Sacco, presumably a student by Palestrina, has been handed down to us. The recording presents the majority of these works within a framework of a reconstruction of a liturgy for a Marian feast. The reconstruction is based on a thorough study of liturgical and musical practice of the period which has made it possible to place the surviving works of Sacco into their historical context during the time when the polyphonic style of the Roman school had attained its zenith. A rewarding encounter with this unjustly forgotten master of vocal polyphony from Roman school in a warm, elegant,sonorous interpretation by the Italian ensemble Templum Musicae under the direction of Vincenzo Di Donato.

SEK 249.00
1