Bornefeld: Stern und Blume. 12 Chorlieder

Duration: 30 minutes

Mozart: 30 Lieder

Although Mozart’s earliest Lieder date from his boyhood, most of his approximately thirty Lieder were composed during his years in Vienna. Many of them were written for publication in almanacs and song collections or for his circle of friends. The texts range from sentimental verse found in popular novels and instructive poetry by contemporary Viennese and north-German writers to patriotic ditties, which refer to current political events, especially the war with the Turks.

Chorissimo! Quodlibet. 30 Quodlibets

Chorissimo Quodlibet : 30 Quodlibets

Chorissimo! Quodlibet. 30 Quodlibets

Chorissimo! Quodlibet. 30 Quodlibets

Chorissimo Quodlibet : 30 Quodlibets

Kronberg: 30 Chorwerke für Frauenchor

Scholl: 30 kanonische und andere Lieder

Chorissimo! Quodlibet. 30 Quodlibets : Musizierband, mit Stimme

Kronberg: 30 Chorwerke [gem. Chor] in Mappe

Choralphantasie Freu Dich Sehr, O Meine Seele! : Op. 30

In 30 Schritten Zum Blattsingen : Die Kölner Chorschule Für Kinder

In 30 Schritten Zum Blattsingen : Die Kölner Chorschule Für Kinder

In 30 Schritten Zum Blattsingen : Die Kölner Chorschule Für Kinder

Choralvorspiele für Orgel zum Gotteslob. Bd. 1 : Advent und Weihnachten

The first volume of our new series with music to the new hymnal Gotteslob assembles 30 pieces for Advent and Christmas, previously unknown pieces between baroque and present times, particularly convenient for liturgical use. About a third of the pieces was composed specifically for this edition. Most of the songs are suitable for ecumenical use.

Hommage à Clytus Gottwald : Erinnerungen, Briefe und Kompositionen zum 80 geburtstag

Clytus Gottwald's importance for contemporary choral music can be measured by his outstanding achievements, including his founding of the Schola Cantorum Stuttgart, which he conducted for its entire existence of 30 years and with whom he gave numerous first performances of contemporary music. Contemporaries and musical companions relate stories about an extraordinary conductor, composer and human being.

Mutability - A major, Op. 30,4 : nr. 4 from: Six Four-Part Songs op. 30, London 1855

Drei Equale Op. Woo 30 : 1. Miserere, 2. Du, dem nie im Leben Ruhstatt ward, 3. Amplius

Pastoral Mass in F major : Op. 147 - Orchestral Parts

Diabelli’s church music has unjustly largely fallen into oblivion. In his "Pastoral Mass in F", the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The "Pastoral Mass" is suitable for performance both at Christmas time and beyond.

Pastoral Mass in F major : Op. 147

Diabelli’s church music has unjustly largely fallen into oblivion. In his "Pastoral Mass in F", the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The "Pastoral Mass" is suitable for performance both at Christmas time and beyond.

Pastoral Mass in F major : Op. 147

Diabelli’s church music has unjustly largely fallen into oblivion. In his "Pastoral Mass in F", the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The "Pastoral Mass" is suitable for performance both at Christmas time and beyond.

Pastoral Mass in F major : Op. 147

Diabelli’s church music has unjustly largely fallen into oblivion. In his "Pastoral Mass in F", the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The "Pastoral Mass" is suitable for performance both at Christmas time and beyond.

Pastoral Mass in F major : Op. 147

Diabelli’s church music has unjustly largely fallen into oblivion. In his "Pastoral Mass in F", the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The "Pastoral Mass" is suitable for performance both at Christmas time and beyond.

Pastoral Mass in F major : Op. 147

Diabelli’s church music has unjustly largely fallen into oblivion. In his "Pastoral Mass in F", the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The "Pastoral Mass" is suitable for performance both at Christmas time and beyond.