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La vie antérieure

La vie antérieure

The harmonic turns and piano configurations in La vie antérieure – the “former life” – seem almost exuberantly lyrical. At the beginning, the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry “C’est là que j’ai vécu!” [I have lived there] which expresses the fervent yearning to return to a past life, the collective desperately reinforces the longing for the past. Once more, the women’s choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude,creating a moment that is completely in the present.

SEK 69.00
1

Respighi: Lauda per la Natività del Signore

Respighi: Lauda per la Natività del Signore

In 1930 Ottorino Respighi composed his Lauda per la Nativit del ­Signore, the only sacred choral work among his entire opus. In this hymn of praise to the miracle of Christmas, majestic sounding choral passages alternate with the soloistic roles of Maria, the Angel and the shepherd, accompanied by the sound of pastoral instruments. The music is varied, containing stylistic elements ranging from the late romantic to neo baroque, as well as echoes of Gregorian chant. In this recording by the Rundfunkchor Berlin, under the direction of Nicolas Fink and Maris Sirmais, Respighi’s composition is presented together with beautiful Christmas pieces by Poulenc, Sandström, Kaminskyand Raphael. Like Respighi, in their compositions they employed various techniques and harmonies from previous musical eras.

SEK 249.00
1

Messa : Op. 20

Messa : Op. 20

Amilcare Ponchielli (1834–1886) is known nowadays mainly as an opera composer and the composition teacher of Giacomo Puccini and Pietro Mascagni. He scored his greatest success in 1876 at La Scala Milan with the opera La Gioconda, a work which is still in the repertoire of the major opera houses. Ponchielli’s sacred works were composed in his later years, when he was maestro di cappella at the Basilica di Santa Maria Maggiore in Bergamo. There his Mass in A flat op. 20 (also known as "Messa per la notte di natale") was premiered on Christmas Day 1882. The Mass is captivating because of its flowing, singable melodies, rich harmonies, and warm tonal colors. The important role given tothe chorus, with which the three male soloists interact closely, is striking. The first music edition of the Messa is a real discovery for choirs with good male voices: the second tenor part can largely be sung by the baritones.

SEK 1258.00
1

Missa Sine Nomine

Missa Sine Nomine

Giovanni Pierluigi da Palestrina's 'Missa Sine Nomine' set of parts.In the course of his life, Johann Sebastian Bach assembled an extensive musical library that today can only be reconstructed in fragments. It reflects Bach's curiosity, starting in his youth and continuing into old age, to get to know compositions from different epochs and styles. The two complete Masses and six individual Palestrina metrics testify to Bach's interest in 16th-century compositions. In his Weimar years, Bach first used the works for a theoretical examination of the stile antico, his idiosyncrasies of vocal conduct and modal harmony. In his last years in Leipzig Bach plannedperformances of at least two of the fairs. In this context, he supplemented the works with instrumental parts and a Basso Continuo. The Masses by Giovanni Pierluigi da Palestrina, created by Bach, form an important document on the performance practice of works of the austere style in the eighteenth century.

SEK 428.00
1

Sonate e Concerti / Güttler

Sonate e Concerti / Güttler

The chamber music of the 18th century is impressive, due to its stylistic and formal variety. Ludwig Güttler’s recording Sonate e Concerti, featuring works from Bach to Vivaldi, offers insight into this fascinating diversity. Such a wide-ranging repertoire calls for an outstanding artist such as Ludwig Güttler, who for many years has immersed himself intensely in this music. With this CD together with the Leipzig Bach-Collegium he once again underscores his outstanding reputation as a virtuoso soloist on the trumpet and corno da caccia.

SEK 249.00
1

Chorbuch a Tre

Chorbuch a Tre

Today an increasing number church choirs are lamenting the lack of male voices. The present Chorbuch a tre (choir book a tre), anticipated by many, addresses this situation. It contains 160 three-part settings for two female voices and one male voice (some with accompaniment). The collection, designed for ecumenical use, offers a broad selection of choral settings for the church year, times of the day, praise and thanks, the Ordinary, etc. It includes works from from the 17th century to the present, and presents a range of various styles (including gospel and sacred pop). About 50 settings were written for this choir book by renowned composers and church musicians. Choirmasterscan now enjoy having a current, comprehensive collection of three-part choral settings with a variety of ideas for singing and making music in worship services.

SEK 505.00
1