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Calibrite Display Plus HL

Precision kalibrering för krävande kreativa med den senaste displayteknologin - Det enda kalibreringsutrustningen som kan mäta upp till 10 000 nits - Den avancerade HL (hög ljusstyrka) sensorn möjliggör större färgprecision för nuvarande och framtida superljusa displayteknologier - Mäter noggrant LCD-, mini-LED- och OLED-displayer, inklusive Apple XDR-paneler och superljusa displayer - Rekommenderas för videoredigering, redigering av bilder med högsta kvalitet och designapplikationer - Levereras med Calibrite PROFILER-programvara som har helt anpassningsbara funktioner som vitpunkt och gamma, profilvalidering, enhetlighetskontrollsfunktioner och mer. Kompatibel med Mac och Windows OS. - USB-C-anslutning, levereras med USB-A-adapter - Mindre, helt återanvändbart förpackning och inkluderar en reseförvaringspåse Noggrann displaykalibrering och profilering för videoredigering är avgörande. Färgkorrigering av flerkamera-inspelningar innebär att du måste lita på bilden på din redigeringsdisplay. Det måste vara korrekt; det finns inget kompromiss. Med Calibrite Plus HL behöver du inte göra några kompromisser. Mini-LED, OLED och superljusa skärmar kräver en sensor som kan mäta mycket högre ljusnivåer. Med Display Plus HL får du den mest avancerade displaykalibreringen för hela färgskalan på alla tillgängliga mini-LED-, OLED- och Apple XDR-paneler. Den nyutvecklade höglys-sensorn profilerar de ljusaste skärmarna som för närvarande finns och är utrustad med avancerad teknik för att stödja framtida utveckling av displayer. Självklart inkluderar vi också vit LED, plasma, RGB LED, PFS-fosfor och bred färgskala. Oavsett om du använder den senaste displayteknologin eller planerar att uppgradera din stationära skärm eller bärbara dator, garanterar Calibrite HL Plus pålitlig prestanda under många år framöver. Calibrite Display Plus HL drivs av ny X-Rite-teknik och stöds av decenniers forskning inom display- och färgvetenskap. Och när det används tillsammans med Calibrite PROFILER-programvaran får du tillgång till fullt anpassningsbara avancerade funktioner som vitpunkt, ljusstyrka, kontrastförhållande och gamma, vilket maximalt nyttjar den nya HL-sensorn.

SEK 3646.25

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Calibrite Display Pro HL

Du bryr dig om dina bilder, dina designer, ditt innehåll. Det är din kreativa vision och vi vet att du vill ha fullt förtroende när du delar den med kunder och kunder; Du vill vara säker på att de filer du redigerar är de bästa. Den helt nya HL-sensorn i Calibrite Display Pro HL möjliggör mer exakt kalibrering och färgprofilering av LCD-, mini-LED- och OLED-skärmar, inklusive Apple XDR-paneler, och ger därmed mer kontroll över dina bilder. Calibrite Display Pro HL drivs av ny X-Rite-teknologi och stöds av årtionden av forskning inom skärm- och färgvetenskap. Genom att använda en nyutvecklad HL-mätsensor ger Display Pro HL överlägsen färgnoggrannhet och möjliggör ett större ljusområde som är kompatibelt med befintliga och nya skärmteknologier. Och när den används tillsammans med Calibrite PROFILER-programvaran kan du få tillgång till helt anpassningsbara funktioner som White Point, Luminans, Kontrastförhållande och Gamma, för att dra full nytta av den nya HL-sensorn. Den kraftfulla kombinationen av hårdvara och programvara i Calibrite Pro HL är utformad för fotografer, designers och innehållsskapare och ger dina färger liv som aldrig förr. Funktioner • Avancerad HL-sensor (hög luminans) för större färgnoggrannhet med användning av befintliga och nya displaytekniker med högre ljusmätningar. • Stöds av Calibrite PROFILER-programvara för kalibrering och profilering av alla moderna bärbara datorer, stationära skärmar och projektorstekniker, inklusive mini-LED och OLED. • Stöd för broadcast-videostandarder: NTSC, PAL SECAM och ITU-R Rec.709. • Grundläggande och avancerade lägen för användarvänlighet och ultimat anpassning. • Oändlig kontroll: White Point, Luminans, Kontrastförhållande, Gamma och mer. • Större patchset och anpassade patches från dina uppladdade bilder. • Snabb kontroll, validering och enhetlighetskontroll. • Skapande och delning av anpassade inställningar för konsistens inom arbetsgruppen. • Profilering av flera skärmar anslutna till samma dator. • Flare Correct: mätning och kompensation av skärmytans bländning. • Integrerat 1/4" gänga för montering på stativ eller belysningsstativ vid profilering av projektorer eller stora skärmar. • Upnå 30% snabbare kalibrering med Calibrite PROFILER-programvara jämfört med tidigare programvara (i1Profiler och ccProfiler). • Kompatibel med scannerprofiliseringsmodulen - kommer snart till Calibrite PROFILER. Skärmkalibrering Vår avancerade HL-sensor kombinerat med Calibrite PROFILER-programvaran gör att du enkelt kan kalibrera hela gammaområdet på mini-LED-, OLED- och Apple XDR-paneler. Och självklart inkluderar vi vit LED, plasma, RGB LED, PFS Phosphor och Wide Gamut-skärmar. Vår funktion för mätning av omgivande ljus bestämmer automatiskt den optimala skärluminansen för att jämföra utskrifter med din skärm baserat på en mätning av ljusförhållandena där utskrifterna visas. Du kan välja mellan tre olika patchstorlekar: small, medium och large; Lägg till patches från specifika bilder för ännu mer noggrannhet. Dessutom ger våra före- och efterbilder omedelbar återkoppling på resultaten! Projektorprofileringskalibrering Nu kan dina projicerade presentationer visa ditt arbete i bästa möjliga ljus och färg. Tack vare vår projektorprofilering kan du enkelt skapa en anpassad profil för en projektor eller stor panelvisning direkt från din bärbara dator på bara några minuter. Profileringsprocessen tar hänsyn till alla rumsspecifikationer, inklusive projicerade färger, skärmfärg och omgivande rumbelysning, vilket garanterar att din presentation ser ut precis som du tänkt dig. Med denna teknik kan du tryggt visa upp ditt arbete och veta att människor kommer att se det precis som du vill.

SEK 3037.50

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Calibrite ColorChecker 3-Step Grayscale

Simplify camera and studio lighting balance with this three step gray-scale target for performing quick colour adjustments and evaluating studio lighting conditions. The ColorChecker 3-Step Grayscale includes the white, 18% gray, and black reference patches found in the 24-patch ColorChecker Classic, all on a single full-sized card. Use it to capture accurate colour before your photo session or video shoot, and save yourself editing time and effort afterwards. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments. The ColorChecker Grayscale is scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. Use it for a variety of applications: Digital Photography: Check images, set white balance and verify exposure and balance between main and fill lights Film Photography: Check films, lights, filters and paper Filmmaking: Set exposure; check colour bias for cameras and lights A full-sized target including the white, 18% gray, and black reference squares found in the 24-patch ColorChecker Classic target, which are scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments.

SEK 1073.75

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Calibrite ColorChecker Classic Nano

For those extremely small or close up projects, the Nano version of the ColorChecker target provides a precision colour reference for the tightest or most close up shots. Measuring just 24 x 40mm, the Nano is the smallest target within the ColorChecker range and is an ideal tool for the following photographic scenarios and more; Macro photography: Extreme close-up photography, nature. Art photography: Small art photography, stamps. Object photography: Jewellery, coins, miniature objects. ColorChecker targets are ideal for creating custom camera profiles (DNG and ICC), correcting neutral balance and exposure, and provides a standard for colour corrections. The targets provide a non-subjective standard of comparison to help determine the true colour balance of any colour rendition system. It provides the needed standard for comparing, measuring and analyzing differences in colour reproduction in various processes—avoiding costly mistakes. The ColorChecker target is an array of 24 scientifically formulated colours that has been the leading industry colour reference target for more than 40 years. It is designed to deliver true-to-life colour reproduction so that photographers and filmmakers can predict and control how colour will look under any illumination. Each of the 24 colours found on a ColorChecker target represents the actual colour of natural objects, such as human skin tone, foliage and blue sky, and reflects light just like its real-world counterpart. Since these colours exemplify the colour of their counterparts in the natural world and reflect light the same way in all parts of the visible spectrum, the squares will match the colours of representative samples of natural objects under any illumination, and with any colour reproduction process. Each solid patch is formulated individually to produce a pure, flat, rich colour. ColorChecker targets have been used by Colour perfectionists for the past decade to create custom DNG profiles for Adobe Lightroom® and Photoshop® workflows. You can also build custom ICC camera profiles for use in Capture One® (or other ICC compatible software) when you combine ColorChecker targets with Calibrite ColorChecker Camera Calibration software. You’ll get accurate colour at capture based on specific lighting, camera and lens combination during any given shoot, saving valuable time in edit. Taking advantage of a ColorChecker target is easy. Simply include the ColorChecker in your photo or video capture and then later, while editing use it to compare, measure and analyze differences in colour reproduction in any colour rendition system. The ColorChecker can help you make global corrections based on accurate information. If you shoot a large number of images that all require the same colour correction, you know that editing a few key photos and applying your changes can sometimes change colours you didn’t intend to be changed. A shot of the ColorChecker captured under the same lighting as your images will provide a point of reference, so you can see exactly how changes will affect the rest of your colours before you apply them. This objective standard will help you avoid costly mistakes and trial-and-error colour adjustments while editing your images or colour grading. 3rd Party Software Support: Adobe Photoshop and Adobe Lightroom via a free plugin Color Finale Black Magic DaVinci Resolve for colour grading in a video editing workflow Hasselblad Phocus for ICC camera profiling 3DLUT Creator

SEK 2057.50

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Calibrite ColorChecker Video Mega

The ColorChecker Video Mega is designed for those longer and wider shots when you need a larger reference target. Both will speed up your colour correction process and save you hours in post. Use it to nail exposure, match multiple cameras and maintain consistency during changing light, so that you can tell your story as perfectly as possible. Measuring an impressive 1020 x 1520mm, the Mega is the largest target within the ColorChecker Video range and is an ideal tool for the following photographic scenarios and more: Cine – wide shots: landscape, cityscape, custom sets Event filmmaking: concerts, churches, sports, stage Aerial filmmaking: drone photography The ColorChecker Video Mega provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. The Video Mega is designed for shoots when the space between your camera and subject is too great to capture a smaller target. This target eliminates the need to move your camera closer or adjust the focal length of your lens, allow you to shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. The ColorChecker Video Target includes: Chromatic Colours: Six saturated and six de-saturated colour chips aligned with video production Skin Tones: Six colour chips from light to dark with different undertones Gray Levels: Four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black reference patches Linear Grayscale: Six steps for even gray balance, including highlight and shadow regions Illumination Check Chips: Black and white colour chips at two corners to better assist in determining even illumination ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 91458.75

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Calibrite ColorChecker Video XL

The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 5066.25

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Calibrite ColorChecker Video XL w/SL

ColorChecker Video XL: The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker XL Sleeve: This black portable sleeve for the ColorChecker XL provides durability and protection for your chart when stored or out on a shoot. The sleeve features a tricot interior and can easily be transported in a hard shell carry case with your other video equipment. Features include: • Durable black polyester exterior and soft tricot interior • Designed to fit into a hard shell travel case • The size of the case is 559 x 387mm ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 5377.50

1

Calibrite ColorChecker Video XL w/CS

ColorChecker Video XL: The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker XL Case: This rugged black portable case for the ColorChecker XL provides the ultimate durability and protection for your chart when stored or out on a shoot. The case features a black polyester exterior and soft tricot interior for complete protection of your chart. Features include: • Black polyester exterior and soft tricot interior • Elastic straps in corners keep target secure • Lie flat or self-standing • Carry handle can easily be used to attach to c-stand or clamp • Carry strap is shoulder length and ideal for transporting • Zippered back pocket for storage • The size of the case is 578 x 483mm ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 7351.25

1

Calibrite ColorChecker White Balance

The ColorChecker White Balance target is spectrally neutral to deliver accurate white reproduction for both photo and video workflows. Use it to perform custom in-camera white balance to guarantee precise, uniform, neutral white - under any lighting condition. Ideal for photographers and filmmakers. ColorChecker White Balance is a full-size version of the white balance target included in both ColorChecker Passport products. The actual colour of the target is a light gray which provides the best white balance result. You’ll be able to: Eliminate colour casts Improve the colour preview on your camera’s display so your histograms are more reliable Make post production colour editing faster and easier by eliminating the need to neutralize each image individually The ColorChecker White Balance target delivers accurate white reproduction. As lighting conditions change, your camera shifts the way it reproduces white; resulting in colour shifts in your photos or video footage. Most white balance targets aren’t neutral and could cause colours to shift under different lighting conditions. But the ColorChecker White Balance target is a scientifically engineered, absolute neutral white reference that prevents colour shifts and provides precise, uniform surface that is spectrally neutral – in any lighting condition. That means you can be confident the image or footage you capture is as close to real life as possible. ColorChecker White Balance also gives you a way to adjust your digital camera's colour sensitivity to exactly match the ambient lighting conditions; in effect, change what that the camera "sees." The perceived colour of white changes based on ambient conditions—outdoor it is perceived to be cooler, indoor it is perceived to be warmer, and under fluorescent light, greener. Even in a controlled studio environment, this can be a problem. Whether on location or in your studio, establishing an accurate custom white balance before each photo session or video shoot ensures accurate colours from the start. Setting a custom white balance for each lighting situation will make the previews on your camera’s built in display more colour correct, make your histograms more reliable, and speed up post production colour editing. Raw shooters can capture anytime during the session to gain these benefits, while JPEG shooters should make it your first shot. Why can’t I use just any white object? White balancing on a piece of paper or other gray element in the scene may seem like a simple workaround, but most objects are not actually neutral under all lighting conditions; and they’re certainly not consistent. An inaccurate white balance will result in colour casts and a lack of consistency between lighting conditions.

SEK 958.75

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Calibrite ColorChecker Passport Photo 2

ColorChecker Passport Photo 2 is ideal for any photographer looking for accurate and consistent colour and creative flexibility. The combination of targets and camera calibration software combined with your choice of Lightroom®, Photoshop®, CaptureOne® or Canon® DPP, delivers the most professional quality colour control possible. Passport Photo 2 combines four photographic targets into one pocket-size protective case that adjusts to any scene. Together with the included Camera Calibration software and Lightroom Plug-In, you get the ultimate functionality, flexibility and portability for a more perfect colour journey. Measuring only 125 x 90mm, the pocket sized Passport Photo 2 can be taken anywhere ready for any photographic situation that comes your way. ColorChecker Passport Photo 2 includes: Grey Balance Target Set exposure with an in-camera or handheld meter. White Balance Target Create custom in-camera white balance for a consistent white point across a set of images, with no need to correct each image later. Classic Target Industry standard 24-patch colour reference target for creating custom camera profiles and for visual colour assessments. Creative Enhancement Target Neutralise and create your look with enhancement patches. Check and evaluate shadow details and highlight clipping. Control colour shifts. Camera Calibration Software Create custom camera profiles based on your individual camera/lens/lighting combinations for both DNG and ICC workflows. Lightroom® Plug-In Create custom camera profiles directly in Adobe® Lightroom®. Portable Protective Case Adjusts to accommodate multiple positions so that you can easily incorporate the target(s) into any scene. Also, it includes a handy lanyard so that your Passport is always close by. 3rd Party Software Support Adobe Photoshop and Adobe Lightroom via free plugin Hasselblad Phocus Black Magic DaVinci Resolve 3D LUT Creator DxO Photolab 4 ColorChecker Passport Photo 2 is an indispensable tool that helps you to capture the colours of the world more perfectly and ensures that from capture to edit, you are beginning with the most accurate image possible. The art of colour management is all about getting your colours to match from input to output. That means your camera captures true colours, your monitor displays them accurately, and your printer produces a photo that matches what you see on screen. ColorChecker Passport Photo 2 is an essential component for your colour-managed workflow. It includes 4 targets giving you everything you need for exposure control, white balance, camera profiling and creative enhancements wherever your creativity leads you. Grey Balance Target 18% grey is the industry standard reference used to produce consistent image exposure and/or colour in film and photography. Use it with a reflective light meter or your in-camera meter to check lighting ratios and light distribution. Plus, it can be used to neutral balance and remove colour casts. • Set proper camera exposure • Check lighting ratios; important for portrait photography • Alternate choice for custom neutral balancing of your camera White Balance Target Starting with an accurate white balance ensures that the colours you capture are true and provides a point of reference for post-shoot editing. This target is created to exacting standards to be spectrally neutral and reflect light equally across the visible spectrum. This provides a neutral reference point to accurately compensate for different lighting conditions. • Eliminate colour casts • Improve the colour preview on camera display • Speed up post-production – eliminate the need to neutralise each image separately Note: Raw shooters can capture this target anytime during the session. JPEG shooters should make it their first shot. "Why can’t I use just any white object?" White balancing with a piece of paper or other grey element in the scene may seem like a simple workaround, but most objects are not actually neutral under all lighting conditions; and they’re certainly not consistent. An inaccurate white balance results in colour casts and a lack of consistency as lighting conditions change. This can slow down your post-processing as you attempt to fix the resulting colour casts. Classic Target Photographing the industry-standard ColorChecker Classic is an important step in attaining consistent, predictable colour at capture. When combined with the Camera Calibration Software, you can produce custom DNG and/or ICC profiles of your camera’s response to scene lighting for consistent, predictable and repeatable results from image to image and camera to camera. The Classic target also provides a visual point of colour reference so that you can see exactly how colour corrections will affect the rest of your colours before you apply them. Each of the 24 colour patches represents the colours of natural objects, such as sky blue, skin tones and leaf

SEK 1602.50

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